Reggae Vibes News Page

Posted : July 17, 2010

LADY SAW, BARRINGTON LEVY, GREGORY ISAACS, YELLOWMAN STANDOUT PERFORMERS AT BROOKLYN MUSIC FESTIVAL.

In stark contrast to last year's Brooklyn Music Festival where it rained none stop, the weather at this year's 3rd annual event was blistering hot, as thousands of Caribbean-Americans in the New York Diaspora lined up on the steamy 4th of July independence weekend at Floyd Bennett Field in Brooklyn to enjoy memorable performances from reggae stalwarts like Barrington Levy, Gregory Isaacs, Yellowman, Assassin, Tanya Stephens and Lady Saw.

With the heat pelting hot, patrons did whatever they could to keep cool. Some enjoyed Jamaican Sky Juice - the choice drink of the day - while others shaded the harsh sun under umbrellas as they waited to see their favorite stars.

The vintage acts…the heart of the show commanded the stage and when it was all over, lips were abuzz and tongues wagged positive vibes all over the tri-state. Gregory Isaacs delivered one of his best performances stateside, warming hearts with staples like "Night Nurse," "Rumors," "Soon Forward," "Red Rose" and "All I Have Is Love, Love, Love."

Multi Platinum reggae star Shaggy and Barrington Levy wooed the ladies with their vintage hit songs while King Yellowman rocked the house with classics like Mad Over Me, Mr Chin and others. The crowd did the electric slide with Marcia Griffiths while Lady Saw gave the audience another raunchy set. When the dancehall queen pranced on stage, the crowd roared in anticipation as she immediate got to work. The legendary dancehall diva, sporting a new hair do and a sleek, slender body, showed very little restrain in her song choice but still earned a warm reception from fans who lapped up her every word. Singing vintage dancehall favorites and her version of Gyptian's mega hit song "Hold Yuh," she invited a young male fan to join her onstage and seduced the timid fellow. She encouraging him to 'touch' her - to which he obliged - and she returned the favor which left the audience gasping at the occurrence.

Assassin who performed in the early afternoon worked a strong set and was easily one of the best acts of the day. Other strong performances were delivered by New York acts Mikey Jarret, Linkz & Benny Bwoy, Kayla Bliss and New Kingston.

Shabba, who was making a return to the NY outdoor stage brought the curtain down on the event. Looking dapper in his three quarter pants, red felt hat, and studded shoes, the Dancehall Emperor was just getting warm when time fell short and he had to leave the stage. He however got in some good licks with hit songs from his vast catalogue and had the crowd eating out of the palm of his hands. Hip Hop fans left disappointed as rising star B.O.B did not perform as time did not allow.

According to event organiser George Crooks, "it was a memorable event that showcase the genre's top performers, both past and present. Unfortunately we ran short of time and two of the acts got rushed at the end. The day was extremely hot which caused us to delay the start of the event but patrons loved the facts that they had ample free parking which is always a major issue at many of the outdoor events in NY" he said.

Part of the proceeds from this year’s festival will be donated to the American Foundation of the University of the West Indies (AFUWI) scholarship fund.

Written by: Images LLC & C King

Posted : June 16, 2010
MONTEGO BAY COMMUNITY EMBRACES REGGAE SUMFEST 2010.
Business interests are expecting this year’s Reggae Sumfest to bring a significant jolt to the Montego Bay economy, which should also extend to the wider Jamaica. It is being seen as a welcome ease to the current economic crunch and a catapult for more growth.

Each year, the world- renowned Festival draws thousands of overseas visitors into the city and its environs, and with this influx, there comes a remarkable upswing in commerce and its related benefits. Visitors have been known to travel from as far as Australia to attend the Festival, spending on Jamaican products liberally as they seek to enjoy every aspect of the Jamaican brand. >From as far back as 2003, it was predicted that significant foreign exchange would flow into the island during the time of the festival. This year’s Festival should bring substantial benefits to a wide variety of business interests primarily in the second city, but extending to other areas of the island.

“We expect Reggae Sumfest to be a major contributor to the economic landscape for this year,” states Johnny Gourzong, Executive Director of Summerfest Productions, producers of Reggae Sumfest. “This Festival causes people to not just spend on it, but to spend in preparation for it, and in several other endeavours related to it, and this year should be no different.”

This reality has been duly noted by the Montego Bay Chamber of Commerce, which has over 200 members ranging from small family-run enterprises, to large scale businesses such as hotels and resorts. They all thrive from the boom in the various forms of trade which are direct spin-offs from the Festival, during a period that has traditionally been considered slow in that part of the island.

Data from the Montego Bay Chamber of Commerce also indicate that villas, hotels, and guest houses become fully booked, restaurants, cook shops, and cafes get unprecedented patronage, clothing stores, beauty salons and countless other businesses get the spike in activity before, during, and even after the Festival. In addition, the benefits are not confined to the second city, but spread widely to the major towns across the island. The fashion industry is one example, as the clothing stores, the tailors, dressmakers and those that provide accessories get major orders to fill within the period.

With the line-up this year that includes American R&B star Chris Brown, international superstars Shaggy and Beenie Man, Jah Cure, Etana, Queen Ifrica and Mavado, the package again promises to be an excellent lineup, and the expected benefits to the country should follow.

Reggae Sumfest is the most celebrated and supported Reggae festival in Jamaica, and attracts the world’s leading musicians and performers. In its near 20 year history, the show has boasted a superb entertainment package, loaded with the best performances, food, music, and culture. This year’s Festival runs from July 22-24 at Catherine Hall, St James.

Red Stripe is back as the main sponsor of Reggae Sumfest, after a one-year hiatus. The brand now joins a growing list of sponsors which includes Digicel, Iberostar, JTB, and Wisynco, for the 18th staging of the country’s premier Reggae Festival.

Posted : June 16, 2010
RMAA 2010 A HUGE SUCCESS.
It is safe to say that the capacity crowd gathered at the Jamaican Canadian Centre, on Saturday June 12th 2010 for the fourth-annual Reggae Music Achievement Award, was treated to more than just an award ceremony. The night was filled with great live performances from Frankie Paul, Steele. Ammoye, Kay Morris, The Jempress and Iley Dread all backed by the versatile EOP (Essence of Praise) band. While DJ Massey true to form had the huge audience dancing into the wee hours of the morning to some of the latest tunes at the after party.

The night truly reflected the growth of the RMAAs since its inception four years ago, and chairman of the board Mr. Delroy Sterling along with his team of dedicated volunteers made sure that this would be remembered… “My intention is to have the rest of the world see and acknowledge our vibrant reggae market and our very talented artists here in Canada . I must say thanks to every member of my committee who continues to work so hard, I am forever grateful. Also to everyone that came out to support this award ceremony, God bless you,” said Mr. Sterling.

There were many winners on the night, including Frankie Paul who was presented with a “Lifetime Achievement Award”, but Mobs Production artists Steele and Mandy Woods seemed to be the big winners, as both walked away with two awards each. Steele won for “Artist of The Year” and Album/Cd of the year for “The Man The Music” while Mandy Woods won for “Best Female Vocalist of The Year” and “Single of the Year” for “Take a Bow”.

Mandy was unable to attend the ceremony, so Steele proudly accepted the awards on her behalf and as usual gave maximum thanks to his every growing fan base, and all the media.

The 2010 Reggae Music Achievement Award was a blast, and left all anticipating the 5th installment, where we can once again honor the movers and shakers in the reggae fraternity both locally and internationally.

Posted : May 23, 2010
THE ORIGINAL RUFF CUTT BAND CELEBRATE THEIR 30TH YEAR AS AN ENTITY.
It was in 1980 the Ruff Cutt Organisation was formed for local musicians In the north west of London to rehearse and play their instruments without disturbing the neighbours. Ruff Cutt then rose to prominence, as the place to find top musicians to accompany visiting top Jamaican artists whilst performing in the U.K. and Europe. Artists like Freddy McGregor, Dennis Brown, Al Campbell, Alton Ellis, Prince FarI, Dillinger, U-Roy just to name a few.

Ruff Cutt has been at the forefront of reggae music in the U.K. and Europe for thirty years in which 90% of the reggae music fraternity artists, djs/mc`s and musicians have worked with The Ruff Cutt Band including John Holt, Beres Hammond, Big Youth, Shabba Ranks, Ninja Man, Vybz Kartel, and also 90% of the U.K. artists such as Vivian Jones, Peter Hunnigale. Don Campbell, Nereus Joseph, Don Ricardo, too many to list. Their record productions are renowned worldwide and they have several hits in the U.K. and abroad with over 90 single releases and several albums released on their own Ruff Cutt label.

Ruff Cutt start their 30th Year UK tour celebration on Friday June 4 at the Tabernacle Notting Hill Powis Square W11 2AY in Ladbroke Grove See where you can hear Europe's number1 reggae band and their guests performing live... Real authentic reggae at its best. Artists performing will be Vivian Jones, Nereus Joseph, Don Ricardo, Lorna Asher, JC Lodge, Barbara Naps, Webby J with the Matics Horns.

Posted : April 21, 2010
JUNIOR X ROCKS FANS IN BOSTON.
Reggae's Prince of the Battlefield, Junior X, rocked Reggae fans in Boston! Backed by Luv Bug Movements, and with a voice as clear as a bell, fans listened keenly to his every word sung by the young performer.

Junior X engaged his audience by opening his set with “Plead My Cause,” immediately earning the young artist a huge forward from the crowd as well as vocal support. Performing as if the people in attendance were close friends and family, Junior kept the momentum going with his chart topping hit singles “Pill (That I Could Take)” followed by “Gangsta Life” placing lighters in the air. Addressing the issue of violence, and the hardships of the recession, Junior appealed to all in attendance to not give up at the first sign of trials as this too shall pass.

“It was such a joy to perform for the people in Boston” said Junior, “I’m using that performance as momentum for the International Reggae and World Awards in New York which I’ll be attending for the first time this year!”

Posted : April 12, 2010
BUSY SIGNAL UNCOVERS FRAUDULENT WEBSITES.
Following complaints and investigation, Busy Signal has discovered that there are numerous websites that claim to represent the deejay. "My official website is MySpace.com/OneBusySignal and my manager's website is MySpace.com/JukeBoxxProductions. No one else can speak for me," Busy Signal declared.

"We noticed several flyers and other promotional materials advertising Busy Signal to perform at events we did not book him for," explained Juke Boxx Productions Executive Producer Shane Brown. "We investigated and found that criminals were taking advantage of promoters by claiming to represent Busy. We also discovered that fake dubs were being sold".

The increase in scams involving misrepresenting artistes is a cause for concern for many promoters and sound systems seeking to do legitimate business. "Juke Boxx Productions is Busy's only authorized agent, promoters are encouraged to contact us directly for all matters concerning Busy Signal," Shane expanded.

With no single individual committing the fraud, it has proved impossible for Juke Boxx Productions, Busy Signal's management company, to identify and stop all the dishonest activity and rackets. Each fraudulent incident has been reported to the proper authorities for prosecution. Meanwhile, Busy Signal's official bookings are posted on MySpace.com/OneBusySignal

Posted : April 10, 2010
GRAMPS, PEETAH MORGAN ROCKS 15,000 FANS IN TRINIDAD.
The Queen's Park Savannah in Soca country Trinidad was transformed in the land of reggae music for at least one night when crooner Gramps and his brother Peetah Morgan delivered a memorable performance that music fans in the twin island republic will be talking about for a long time.

The Morgan brothers, who last performed in Trinidad 3 years ago as part of the Morgan Heritage ensemble came back this time as solo acts and what a soirée it was. The pair hit the stage at 11pm, moments after Gyptian had roused the crowd. Gramps had an immediate impact with "Come Back To Bed," which proved the perfect offering for the many beautiful ladies who howled for more. And more they got as the EME Awards winner for 'Album of the Year' segued into his current hit "For One Night" and "Wash The Tears" that struck a responsive chord and proved the perfect offering for the 15,000 fun loving music fans who were at his beck and call. Peetah who is touring as a solo acts also had his way with fans. His popularity and magnetism was clearly evident as he grooved on hit single "I'm In Love with You."

As the set of the Morgan brothers would not be complete without a few vintage songs for the Morgan Heritage catalog, the two obliged fans with "Nothing To Smile About," "Tell Me How Come" and their mega hit "She’s Still Loving Me" which brought a Sumfest type vibe and energy to the stage.

“It was truly an amazing performance especially when we touched songs from the Morgan Heritage catalog”, Gramps said moments after he made his way off stage.

"This is my first solo performance in Trinidad and it is one that I will treasure for many years to come" he said.

The following night it was on to Tobago, where Gramps and Peetah again reeled off many of their hit songs. Gramps' performance was entertaining and inspirational and peaked with a moving rendition of "Psalm 23" which was dedicated to incarcerated dj Buju Banton.

After his performance Gramps - who began his musical journey as a solo artist in 2009 - admitted in an interview that he has matured as a solo singer from successful tours with R&B heavy hitters John Legend, India Arie and Buju Banton. He has already had a number of chart toppers in 2010 and he is currently in studios recording tracks for his sophomore Country and R&B disc that will be released later this year. He will head across the Atlantic next week for a 2 week promotional tour that will include stops in France, England and Germany. He then heads to the USA on May 2 for his highly anticipated performance at the 29th annual International Reggae & World Music Awards at York College in Queens, NY where he is nominated for 5 awards.

“New York is my home away from home so I am very excited to be up for 5 awards” he said.

Posted : April 10, 2010
LEE 'SCRATCH' PERRY -- 2010 NEW ALBUM PREVIEW.
Trojan Records has just announced that they'll soon be releasing a collection of rare, 7 inch singles from legendary reggae madman Lee 'Scratch' Perry. As the reports, most of the singles come from the mid to late 1970s, when Perry was at his most prolific, and when his influence touched upon not only reggae musicians in Jamaica, but upon punk rock movements in the UK, as well. The collection will also feature extended cuts of major hits that Perry produced on his Upsetter label, including 'Curly Locks' by 'War Ina Babylon' by Max Romeo, and target Junior Murvin's seminal 'Police and Thieves.

Trojan's Perry release comes as the latest in a recent trend of remastered releases from the UK label, which has already compiled similar collections for Desmond Dekker, Millie Small and Marcia Griffiths. No official release date has been announced for the compendium, but Trojan announced that fans should expect it to drop sometime this summer.

Posted : March 1, 2010
UNA MORGAN MAKES BREAK-THROUGH PROGRESS WITH NEW SOLO ALBUM.
Una Morgan is the sole female sibling of the Reggae band of this decade, Morgan Heritage. Despite having ten studio albums under her belt with her family band, having performed for stadium-sized audiences across the world, and having garnered much of the success and longevity that many artistes can only hope for, Una took a step back from the limelight in 2006. “I wanted to take time to recreate and develop myself physically, mentally, and spiritually.” During this time she also focused on building her production company, SIA Entertainment, strengthening family ties, improving her physical health and connecting with her spirituality.

As a true performer, however, Una could not sit back idly. Now as a solo artist she has developed with her own distinctive sound. Una Morgan’s signature sound is a blend of Reggae, Dancehall, Pop, Hip Hop and Soul fused to be appropriately called Raggasoul. With this distinctive sound, an excellent voice, and great studio production, Una’s single ‘Giving’, produced by Lenky ‘Diwali’ Marsden (producer of Sean Paul, Nina Sky etc.) perfectly captures her sound. She is also excited about her contribution made on the ‘Tribute to Haiti’ track produced by the great Handel Tucker (producer of ‘Close to You’ and ‘Just a Little Bit Longer’ by Maxi Priest, ‘House Call’ by Shabba Ranks and various hits with Sly and Robbie and Beenie Man).

Una is also working with acclaimed local and international producers on her debut solo album. She is very excited about working with multi Grammy Award winning producers Commission Gordon (credited with work for Lauryn Hill, Amy Winehouse and Joss Stone), a collaboration that was set up by Rubikon ENT, who list Gordon among their clients.

Her solo album presents collaborations with established and new names in the industry. On her album, she worked with other established producers and writers, such as Stephen McGregor, Jimmy Cozier, and Taj from the 90’s group The Boys. Una has also returned to her hometown of Springfield, Atlanta to work with rising stars such as Kiana India, ME, and producer “X”.

To address the rumors, Una ensures her fans that her solo venture is not signaling the breakup of Morgan Heritage. “We always knew that we would build as a group, use that foundation to take things to the next level, and then come back to the family.” You can even find some more Morgans on the credits, with brothers Mr. Mojo and Gramps assisting in mixing and production, a true testament to the strong bond that keeps their family together.

Looking to fully capitalize on her groups’ international success, Una has recently signed to Gary George Inc. (GGI) and Rubikon Entertainment management companies to use their pooled wealth of resources for management and legal services to propel her development. Rubikon is a UK-based management and legal firm that provide management and legal & business affairs to a slew of prominent artistes and producers amongst other entities.

Miss Morgan, even though blessed, has not let her accomplishments go to her head. She remains humble and has made it her personal mission to use her celebrity status and music to champion issues such as health, weight management, self-esteem, and other issues plaguing women around the world. “I’m very concerned that many young women today are doing things to please everyone else. We need to work on being one with the Creator first, and I hope my music can inspire young women to do that.”

The Raggasoul songstress, Una Morgan, hopes that with her new album, entitled ‘Just Me’, she can show her evolution in music, life, and spirituality, while continuing to uphold her family’s legacy.

Source: Gary George Inc/SIA Entertainment

Posted : March 1, 2010
ROMAIN VIRGO TO SIGN WITH VP RECORDS.
Romain Virgo will be making major strides next week when his ‘This Love’ music video airs on US-based cable station VH1.

According to his manager, Dawin Brown, they have been in negotiations with VP Records, as the company is about to sign the budding star. During the negotiations, Brown said several songs from Virgo's catalogue were submitted to them.

"They said they were really impressed with the ‘This Love’ video. Christy Barber (vice-president of marketing and promotions at VP Records) is kinda responsible for submitting it to MTV and VH1," Brown told THE STAR, while adding that the video is currently on the website for both stations. All of this took place within a six-week period, Brown said. "We just found out Thursday that it will be aired on VH1. So we are keeping our fingers crossed. We are just waiting for it to start showing," he said.

Virgo said he was very excited about the development of his career. "Jah know, a one of the greatest feeling. VH1 and MTV are world stations. I think it's a good opportunity for the world to see who the true Romain Virgo is. I think it is a good way to bring me out there to the world," he told THE STAR, noting that the video was done during his 2007 Digicel Rising Stars journey.

But this is not the only thing he has on his plate. This week he will shoot the video for ‘Who Feels It Knows It’ in Kingston and St Ann. The video, Virgo said, would "look at hard-working people in every environment."

He is also working on a self-titled album that will be released in May through VP Records. Virgo said it would have songs such as ‘Caan Sleep’, ‘Murderer’ and several new tracks.

For the album, there will also be a series of promotional shows. And, in the coming months, he will have shows in the US, Europe, Barbados, Bahamas, Grenada and St Martin.

"It will be a whole lot of work for the year," said Virgo.

Source: The Star

Posted : March 1, 2010
BUSY SIGNAL GOES UNIVERSAL.
President and CEO of Universal Music Group Distribution, Jim Urie, cannot get enough of Busy Signal’s cover of the Phil Collins hit ‘One More Night’. Urie was so impressed by the cover that he has added the single to his annual compilation album.

At the end of each year Urie releases a double CD album with his favourite songs from various genres and his 2009 compilation features ‘One More Night’ by ace dancehall deejay Busy Signal. “When I saw the album and saw the song listed, I couldn’t believe, the song really gone universal”, said Signal. The video for the single was released three weeks ago and has been receiving steady rotation on local TV stations. In addition, the song has been added to several charts both locally and overseas.

Source: Jukeboxx Productions.

Posted : February 18, 2010
RUSSIAN LOCKS DOWN MS TRINITI AND KARTEL; LIQUID BURNS ART.
In early September 2009, a Russian director (Vlad) journeyed to Jamaica to film the music video for Lockdown, a collaboration between Ms. Triniti and Vybz Kartel. There was great expectation for Lockdown to be a crossover hit and understandably much fanfare around the shoot, prompting Anthony Miller to host Triniti and Kartel on his ER program ahead of the shoot and Gareth Daley to cover the video shoot for Hype TV. Seeing Vlad’s animated display, zeal, and tireless work ethic on set only served to stoke further interest in the finished product; however, five months later the video has still not been aired.

All the parties connected to the song are understandably disappointed by the inexplicable delay. The Bolan production team that heads up 'Heart to Art' cannot put a finger on the problem; however, they revealed that they have had a streak of unfortunate experiences with video directors in recent times. They explain that Vlad committed to deliver the video for Lockdown within six weeks of the shoot; however, more than three months have gone by since then without him providing any acceptable explanation for the protracted wait. They recently spoke to Vlad and he expressed profound regret for the delay and assured them that he is now working feverishly to complete the project.

Some may ask why Bolan brought in a director from Russia to tackle a dancehall video; however, they contend that they worked on a project with Vlad in NY several years ago and were extremely impressed by the quality of his work and his professionalism. They explained further that selecting a director relatively close to home does not guarantee delivery of the project on time, if at all, and they have the evidence to prove it.

They recently won a settlement against NY-based director Lamont “Liquid” Burrell, who claims to have completed several projects for the likes of Alicia Keyes. Bolan explains that they paid Liquid to complete three videos but once he received the advance he became totally unprofessional and failed to deliver on two of the projects, while he delivered the other one several months late. Despite many promises to the contrary, Liquid also failed to return the deposits, forcing Bolan to take him to court and win a judgment, which they are finding hard to collect from Liquid. They have also encountered disappointment with a director in Jamaica. In 2007, they paid a Jamaican director to create a medley video for a rhythm-driven project. They received the video about three months after the expected delivery date and it was of such poor quality that they did not bother to send it to the media houses.

While some may attribute these incidents to bad luck, Bolan believes that the crux of the problem is a general lack of respect meted out to ordinary working people, especially those living overseas, by entertainers, the entertainment media, and other service providers in the entertainment industry. They believe that many of these individuals seem to only show fear or respect to druggists, bad men, the ultra-rich, and other celebrities. Despite these obstacles, the Bolan team will not be deterred. They remain confident in their own abilities and in those of their label’s main artiste, Nando, who is getting set to release his debut EP in early March. Surprisingly, they also remain confident that Vlad will soon deliver the video for Lockdown, and that, when he does, Lockdown will lock down the video charts.

Source: Rooters Press. Written by Mike Lamont.

Posted : February 15, 2010
CLAUDIUS LINTON IS AMONG LONG BEACH'S HOMELESS.
You come across him on the street with his briar-patch tangle of beard and dreadlocks, missing teeth, his small thin frame almost disappearing into layers of sweat shirts, and he looks exactly like what he is - homeless. And if that's all you see, you miss the essential Claudius Linton. Listen to him speak and the unmistakable island lilt of Jamaica emerges but often fades to a papery whisper. His discourse wanders. The cataracts in his old eyes make him seem unfocused. But put a guitar in his calloused hands, and he is transformed. This is when the real Linton emerges. His fingers settle reflexively a Rasta beat across the strings and a raggedy, soulful, timeless, Jamaican country voice comes out that defies the indignities of homelessness. It's said of an authentic soul or blues voice that you can't necessarily describe it, but you know it when you hear it. Listen to Claudius Linton and you know this is old-school, roots reggae. It is truth.

As Linton says: "I am the one who go through the tribulations, the tests. These songs that I sing, you have to put to a test and go through the test of time." In the 1970s, Linton was a contemporary of Bob Marley and Peter Tosh, the product of a golden age of reggae that emerged from the Trenchtown ghetto in Kingston, Jamaica. Linton's is a story almost lost to the ravages of time, misfortune, changing musical tastes and, no doubt, bad decisions. He is like so many homeless in Long Beach, and yet utterly different.

Linton knows when people see him, they immediately dismiss him as "another homeless guy." He tells a story about retrieving his guitar at a bus stop and two men who assumed he was trying to steal it. One refused to allow Linton to take the guitar. Eventually police came. They made Linton describe the guitar. Then, he says, the policeman told him to play a song. As he relates the story, his fingers start strumming and he falls into a rendition of "Love Drops." The cops let him keep the guitar.

The anecdote is about a triumph, but it is underscored by Linton's anger at the assumptions and attitudes he faces on a daily basis. "I tell you, sir, it's not any easy world," Linton says. "It's a lot of bullshit." Linton's life is like something out a script writer's manual. However, this is no fiction and the resolution of the story of Claudius Linton, the "Kingman," remains to be seen. Whether his story will result in a triumphant return or more desperate unraveling is still unfolding. Just two years ago, it seemed Linton's life was undergoing a fairy-tale resurrection. Now, success comes in small doses and baby steps.

Once upon a time, he was big in reggae music. He won the nickname in 1972 after he sang "Return of the Kingman" at the Jamaican Independence Festival Popular Song Competition. Although Toots and the Maytals edged Linton in the musical throwdown, Linton says he was the people's choice. Linton casually talks about working side by side with Tosh unloading drays at a Kingston mill, or sitting by the roadside chatting with Marley, and interactions with any other number of reggae greats.

In the mid-1970s, when reggae's popularity was surging in the U.S., Linton's "Crying Time" was a hit. Other Linton songs such as "Put Your Shoulder to Jah Wheel" and "Backra Massa" were moral touchstones that echoed a part of the musical movement that preached togetherness, love and social equality. Dr. Martin Luther King Jr. and Marcus Garvey often work their way into Linton's lyrics. Despite his artistic and critical successes, Linton failed financially in the notoriously corrupt Jamaican music scene. Attempts to create his own label and independently produce music didn't fare well. In a 2008 interview, Linton recalled recording in the famous Federal studios when a man negotiated a session with a gun.

Linton slid from the public eye, although he never stopped playing. He seemed perched for a miraculous resurrection after a chance meeting on Negril Beach in Jamaica in 2006. Ian Jones, an independent music producer, met Linton and soon the two were recording in Marley's legendary Tuff Gong studio backed by a band of veteran reggae session players. On his Sun King records label, Jones remixed a collection of Linton singles spanning almost 20 years entitled "Roots Master: The Vintage Roots Reggae Singles Volume 1." Then Linton and Jones paired for an album entitled "Sign Time" under the partnership name of Kingman & Jonah. The two albums received positive and at times rapturous reviews and "Sign Time" climbed the charts in Australia.

After long-distance collaboration, Linton came to the U.S. and the duo had a short-lived tour in 2009 but had a falling out. Linton blames Jones, who did not respond to an interview request sent via his record label's website. In a 2008 interview, however, Jones admitted that with the tumult in the music industry making inroads in the retro reggae market was difficult. According to his MySpace profile and record label site, Jones has since moved on to other endeavors, although "Sign Time" and "Roots Master" are still prominently displayed and apparently for sale.

Although Linton says he has a work visa that is valid until 2012, he found himself homeless in Baltimore. He eventually made his way to Utah and then Los Angeles. He lived in Venice for three months, tried unsuccessfully to make some money playing street music and eventually fell ill from sleeping in the streets and was hospitalized. He was released from the hospital to Long Beach and stayed briefly at the Rescue Mission, where he still drops by for lunch on occasion. As he strolls around the courtyard at the Mission, he's greeted by calls of "Hey, Rasta man" and "Sing us a song."

Jeff Levine, a chaplain at the Rescue Mission and musician, said he was surprised to have a musician of Linton's caliber wander in off the streets. "It was surreal to go to iTunes and YouTube and find he had been a great musician for years," Levine said. After Linton was able to get strings for his guitar from a member of the Rescue Mission, he and Levine jammed together. "That's the way our relationship was, sharing faith and music," Levine says. Leonard Adams added Linton to his caseload at the Multi-Service Center and helped the singer get medical help for his diabetes and high blood pressure. He says Linton is also attempting to receive general relief benefits of $221 a month plus food stamps.

Linton recently moved out of the winter emergency shelter, but without income, his situation remains precarious. He says he has received no money from his albums or songs that are downloaded. Linton still hopes to revive his recording career. "I know I still have my ability for singing and playing and writing," he says. Like many homeless, he seems to struggle with the day-to-day responsibilities of life and sometimes just expects others to take care of them. He acknowledges he has done a terrible job with the business of music. "Most singers is just big cars," he says. For Linton, music is his deepest expression. He is a firm believer in the Rastafarian faith, although he says he personally doesn't use marijuana for enlightenment. For Linton, music is spiritual. "You get the blessing and that root will go into the people," Linton says. Levine says he sees that side of Linton's music. "It's a spiritual experience for him, and he wants to glorify Jesus Christ," Levine says. "And he wants to share that with people." Listen to Marley or Burning Spear, Linton says and you will hear that all three share the same message. If only he could find a way to make that message sell.

Although Linton says he has a home in Jamaica that he built, he still wants to gain some measure of success here and believes that if he can be heard by the right person, he can revive his career. He has no idea how that will happen and no road map to get there. But he still believes. "I am a man of guts and a lot of patience and I never give up, sir. The music business was given to me by God almighty with the spirit of love to sing and play music," Linton says. "When a man take a song or two from me he takes nothing, because in the morning I have other songs to sing." And about the future Linton says, "I know I'm coming strong one day, sir."

Source: Press-Telegram, Long Beach CA. Written by Greg Mellen.

Posted : January 17, 2010
BRING BACK THE 'OLD TIME' REGGAE!
Now that the latest era of lyrical warfare has come to a much needed end, the official launch of Konshens' latest song and music video, "Bring Back The Reggae", seems to have arrived at the perfect time. The content of this song beckons the entertainment fraternity to bring back the 'party-time vibes' in dancehall and this, without a doubt, is what our beloved music needs to go back to in order to survive.

Reggae music has always been a reflection of what's currently happening in our society, but in a time where crime and violence is so prevalent, this song is a brave attempt by this talented young entertainer to boldly steer the music in the right direction. This latest addition to Konshens' arsenal of hits, reminisces about what reggae music and dancehall used to be, it speaks of the feeling of enjoyment, the happiness, and the unity that the music originally captured. The beat itself embodies the same groove as some of the top rhythms from the 90s era, similar that of the 'Showtime' and 'Bruck Out' rhythms by Dave and Tony Kelly.

"Bring Back The Reggae" was produced by Trevor Forrest and Steison Scatcliffe for their US based label, SecretChunez Productions. Even though more known for their hits in the soca market with the likes of Dawg E Slaughter, Bunji Garlin, Crossover and Kerwin Dubois, they have also worked with other Jamaican acts, Harry Toddler, Hawkeye, Pressure, Iceman, Warrior King and Cecile; and are quickly expanding their list of credits. The song itself was recorded under the supervision of Master Lee of Code Red Records and mixed and mastered at Code Red Studios in Kingston. The cutting edge, futuristic sci-fi type video for this song was the brainstorm of Nathan Cowan and directed by himself, David Rodgers and the camp at 13th Tribe Films also here in Jamaica. Both the song and the video are now being digitally distributed worldwide by I-tunes, Amazon, Napster and Rhapsody to name a few.

In a time when our music has become so violent, graphic and seemingly fused with techno and hip hop to the point where it is barely recognizable, with this song, Konshens has made it clear that it's his aim, to Bring Back The Old Time Reggae.

Posted : January 17, 2010
TOK'S BAY-C BRINGS THE WORLD TO MARS.
Mars is not only a planet in the solar system; but it is also the name the sizzling hot new dancehall rhythm released by the talented artiste, producer, and artiste manager Bay-C.

Bay-C, who is the bass in the four-man-dancehall-supergroup quartet TOK, has produced three other riddims in the past. Namley the Showdown Riddim, the Black Rain Riddim, and the Money Tree Riddim, Bay-C has also produced the beats for his album Bay-C of T.O.K Presents the Bomb Rush Hour.

“That album was released under my new, two-year-old label, which is called Bomb Rush, and basically I want to bomb rush the people with music,” explained Bay- C. Christened Rushaine Clarke, the creative genius that is the Mars Riddim has been enjoying a significant amount of radio airplay not just in Jamaica, but in the Caribbean as well.

But who knew that Bay-C was a producer?

“I want people to listen to the music first and then ask 'who mek dah rhythm deh?' before telling them that it's mine,” Bay-C said when asked about revealing his venture into rhythm production. “I want the rhythm to talk for itself.”

An impressive array of stars have thrown down and laced lyrically lethal tracks on the slick, hypnotic beat of the Mars Riddim. TOK themselves are leading the pack with their dancehall tune Plush. Sleepy Hollowtips' Dash Weh is also on the riddim. Sleepy Hallowtips, who is being managed by Bay-C, is also accompanied on the riddim by dancehall king Beene Man, and fast-rising dancehall diva T-I-F-A.

Bay – C says that the Mars Riddim is strictly dancehall, and there's no two ways about that.

“This riddim is straight dancehall,” Bay- C said, continuing that “there has been a lot of fusion in the dancehall of late, where hip hop and techno are creeping in, but this is not the case with Mars.”

He mentioned that the riddim will be released to the European market officially in February when TOK resumes their Our World. The tour is in support of their late 2009 album Our World.

Next up for Bay-C and Bomb Rush is another rhythm called 'Old School', set to be released mid-year.

Posted : January 17, 2010
NADINE SUTHERLAND LOOKS TO 2010.
Arguably one of Jamaica's most talented and successful female singers, Nadine Sutherland is a note-belting, lyric-lacing powerhouse who will this year celebrate her 30th year in the music industry.

Sutherland, who boomed from a very tender age when she won the Tastee Talent Competition, has blossomed into becoming a hit-making, no-holds-barred female icon both in Jamaica and abroad. She has seen it all, and had a tough time breaking through the very male-centric entertainment world.

Overcoming vicious, almost career-ending rumours, Sutherland has experienced immense success with cross-over hits such as "Action", "Baby Face" and "Anything For You". There's no doubt about it. Nadine Sutherland is a singer and woman extraordinaire. The only female judge on Jamaica's number one television programme, Digicel Rising Stars, saw 2009 being a very busy year, and she used it to make quite a number of changes in her life.

"I'm very happy how '09 went. I revamped my look and also my management. I also worked with a lot of old people, with new energy. I did a lot more promotion abroad as well as performances locally especially the Digicel Rising Stars Finale. This, I think, reminded people of the performer that I am. But in retrospect, I think I made very good moves for 2009,” said a sweetly smiling Sutherland.

In the near future, much is to be expected from the songstress. A compilation of all her singles since the Tastee Talent Competition, entitled Then til Now will be released, and she also has other singles out with top producers including Snowcone, Shane Brown and Vigilante Productions. Her most recent achievement is "Life In The Street", which sits atop the charts in New York and is holding firm in the number three spot South Florida. This, to say the least, has her quite excited, as she looks forward to an eventful 2010.

And, in an industry where young females are on top of their game, Nadine remains headstrong.

"I have so many years of history. I don't compete with the younger generation. After years of being in the industry, I have established who I am and so I just go out there to perform and to show my talent."

Posted : January 13, 2010
CHERINE ANDERSON 'TURNS UP HEAT' IN SEXY VIDEO!
Billboard charting Dancehall Soulstress Cherine Anderson turned up the heat in Red Hills St. Andrew last Thursday night, during an island wide cold front, to shoot the video to her hot new video "You Turn Me On" with Natel. The video, directed by Kevin Lee, was shot by a complete Jamaican crew and produced by Jan'l Hastings-Robinson for Zlink Entertainment/Dancehall Soul Productions. The set was abuzz with local media all night, eager to capture Anderson in a metallic purple swimsuit. From one look to the next, Anderson and Natel excited the observers and many commented on the chemistry between the two young singers.

We asked Cherine about her experience recording the song with Natel and she responded, "It was really easy, he is very talented. It was really cool to actually be able to record "You Turn Me On" with both of us in the studio together, it helped to make the song more believable."

Jumping in the frigid swimming pool a little after midnight, all the crew and assistance on set watched Anderson in awe. Many sought cover under thick sweaters from the chilling winds, but Anderson, being the consummate professional, was all smiles and continued the shoot. With a modest request for some hot tea during breaks, the petite beauty gave a convincing performance, even joking at one point that it felt like a nice summer day on Hellshire beach.

When Natel was asked about working with Anderson he responded, "It was truly a very exciting experience, one which was filled with a great vibe in a lovely atmosphere. I'm happy and honoured to have been offered the opportunity to work with Cherine on my very first project."

Posted : January 13, 2010
GARNETT SILK'S SON STEPS ON WORLD'S HIP HOP STAGE!
If you've been listening to Reggae music for several years, you know that Garnett Silk was one of the industry's most celebrated artists. Singing songs of freedom and personal upliftment, Silk always had the lyrical remedy for the ills of his listeners. He was also an artist who inspired many fellow artists as they strived to impact fans the way he did. One of Garnett Silk's seeds, his son Duce Califa is walking the road of music; not in Dancehall or Reggae, but in Hip Hop!

Called 'Hip Hop's Delivery' because of the way in which he performs and delivers his lyrics, the young Hip Hop Emcee named Duce Califa (real name Fabian Smith) is as natural to the genre as his father was to Reggae. When asked why the pursuit of Hip Hop as opposed to Reggae, the young artist replied “I respect my father and what he did, but what was his is not mine. And just as we are different men, we have different dreams. Besides I do not think I could do the people any justice in trying to make a replica of what he stood for, because that is not me.”

Backed proudly by 5th Element Records, Vibe One Radio from New York, Mighty Mike from Irie FM, and producer Lenky Marsden (for whom he recorded the song “Written In The Stars”), Duce Califa began honing his emcee skills from his days in high school, and is now strategically set to show that Hip Hop from Jamaica is just as competitive as Hip Hop from any of the 52 states in the U.S.

Although he's recorded several singles, Duce's debut release called “Screamin'” features Natural Blacks, and has immediately received positive feedback from the L3 Music Distribution network. Released to over 4,400 radio, club and Dancehall DJ's around the world, Duce's song is set to impact radio by week's end.

“I love what I do,” says Duce. “Music was in me from before I was born, so I'm just doing what comes naturally!”

Source : L3 Publicity.

Posted : December 25, 2009
MR. VEGAS SPEAKS HIS MIND!
Here is what Mr. Vegas had to say on twitter.

Hip hop riddim a mash up jamaica music. Tonight I went to two dance and I realize that the Jamaican reggae dancehall riddim has lost its identity, every riddim now is hip hop. And the worst part about these wanna be hip hop riddims, they have no vibes after the first few seconds, wha wi dancehall gone to hip flop.

I wish we could go back to Danny Brownie, Dave Kelly, Tony Kelly, Clevie, 'cause when I leave JA its the old riddim get the forward. Are we gonna sit and watch the music die? Are we gonna be hypocrites and never call out the culprits? What happen to riddim like Badda Badda etc, is me alone hearing the shit that's coming out, weh nuh have nuh vibes.

I am warning these producers, you are killing dancehall reggae.

At Chi Ching Ching Dance and the man dem put on some nowadays riddim and it was the hardest thing to fit I Am Bless on one a dem. And worst thing is the girls can't dance to this wanna be hip hop shit, should we just start rapping full time, like Ding Dong on Holiday?

A lot of artist don't want real dancehall beat, 'cause them caan dj or sing on the real shit, 'cause u caan pitch control for real producer. Tripple bounce is not dancehall, nice beat but it nuh have the dancehall ting deh weh lock stage show, weh every artist waan the riddim deh.

In studio with a real musician Clevie from Steely & Clevie we need back dancehall. Fuck this wanna be hip hop shit

It better the Jamaican producer dem did start make soca since we a one caribbean instead of makin hip flop but a so it go 2010 mi only a voice pon soca and straight dancehall, so all hip flop producer weh waan mi voice u got a month.

Posted : December 25, 2009
DAVID ISAACS (AKA BRUCE BENNETT) HAS PASSED AWAY.
David Isaacs, one of the great Jamaican voices who worked with Lee "Scratch" Perry in the late 1960s and early 1970s, and went on to release several albums between the mid-1970s and early 1980s, died in his sleep in Kingston on Tuesday December 22nd. Isaacs recorded a version of Stevie Wonder's "A Place In The Sun" in 1968 for producer Lee Perry, and this was one of the records that established Trojan Records as a major force in reggae. The song was re-recorded for Isaacs' debut album, "Place In The Sun", released in 1976. In 1979, Isaacs recorded "Just Like The Sea", in combination with deejay Jah Thomas, and released a second album, "More Love", produced by Witty Reid. In 1982, he teamed up with Winston "Niney" Holness for the album "Happy Ending", released on Dynamic Sounds, which had been preceded by the "Love & Devotion" set. Isaacs also had a spell as a member of The Itals, joining the group in 1997 after immigration hurdles kept Lloyd Ricketts from touring.

Posted : December 19, 2009
MACKA DIAMOND RETURNS TO ST MARTEEN!
After waiting more than two years, St Marteen party lovers and music fanatics finally got a chance to see dancehall artiste Macka Diamond rock the stage in what will go down in the money goddess' career as one of her most energetic performances in the Caribbean.

Rocking the more than 500-stong crowd that squeezed into the 300-person capacity Secret Nite Club in the Dutch/French colony nation with her timeless hits and modern day chart toppers alike, the top flight female act gave patrons an appearance they will not soon forget.

“The last time I was in St Marteen it was mad. I was on a show with Allison Hinds, and it was crazy!” Macka Diamond explained. “So I knew that I had to match that performance, cause the St Marteen massive love dancehall and dem love dancehall energy,” she said.

With an awesome 60-minute set prepared, an emphatic Macka Diamond, dressed in red and black, started to unravel a dancehall experience like St Marteen never had before.

Going way back in the archives for her first chart topping tune, Done Already, the ladies in the audience showed their love for Macka Diamond with screams, and chanted along with her as she spit the lyrics for the single. The love continued as she performed Tek Con, Lexxus and Benz, Chase Money, and Nuh Fren Mate.

The crowd grew even more excited when the beat of the remix of soca anthem Wukkin Up, she recorded with Patrice Roberts last year, started to play.

“Big up Patrice Roberts,” she said as she introduced the remix which sent her to the top of the soca world, and caused the well-entertained crowd to get into “wukkin” mode. From there, she hopped on the Hula Hoop train and that sent the club into greater frenzy, which remained constant through four more singles.

The voice of songwriter-turned-artiste Unicorn boomed from the club's sound system and Macka Diamond introduced the track Think Bout Mi... but she had no need to, as St Marteen proved that they knew the song word-for-word.

The dancehall artiste-cum-author ended her set with the 'female anthem', Bun Him, where she called volunteers on stage to sing the tune for her.

“I don't want to be Macka Diamond tonight. I want someone to come up here, and perform Bun Him, and mek me go in the crowd and enjoy myself,” she said, to which fans responded emphatically, and tried their hand at performing the song that still rocks crowds all over the world.

But the crowd would not leave until Macka Diamond herself performed the tune, and that she did, and ended her set as she deejayed the last chords of Bun Him, leaving St Marteen more than satisfied.

Posted : December 19, 2009
ETANA ROCKS THOUSANDS IN ST. VINCENT AND DOMINICA ON MULTI-ISLAND BLITZ!
With her newly formed band Strong Roots behind her, Reggae music's burgeoning chanteuse Etana delivered powerful performances before thousands of fans in St. Vincent and Dominica recently. These powerhouse shows were a part of Etana's extensive promotional tour, which kicked off in November. In addition to enchanting St. Vincent and Dominica with her magical presence, Etana also visited Guyana, Grenada, St. Lucia and St. Marteen on this 10-day excursion.

During these explosive performances, Etana belted out spirited renditions of her hits including "Not Afraid," "Roots," “Warrior Love," "Wrong Address," and "Jah Love" among others. And her 45-minute set wouldn't have been complete without smooth deliveries of her latest songs "August Town", "Free" and "Happy Heart," which are at the center of her promotional efforts and rapidly gathering momentum among Reggae music fans.

At both shows, the swollen audience rocked relentlessly to Etana's soul-tinged Reggae vibes. The crowd's adulation of Etana left her with a great feeling. Not only was Etana a hit -- Strong Roots was also a crowd pleaser, as they provided Etana with an impressive musical backdrop. This is just the beginning of this union, as Etana and Strong Roots are billed on a number of upcoming events in December.

"Performing before my Caribbean fans has been a warm, rewarding experience for me," says Etana. "I was especially happy that I could bring my new band with me -- as they allow me to creatively entertain my fans without boundaries."

Following the performances, Etana continued her media-heavy visits to other islands. Etana's presence was further cemented in the Caribbean market, as she interviewed with leading DJs and TV personalities. Her visits sparked quite an interest among media and fans alike, including a number of politicians. "The Strong One" also landed coverage in popular Caribbean print publications. Based on the turnout of people wherever Etana touched down, one thing was clear -- she has a massive Caribbean fan base. Over and over again, DJs and fans credited Etana with being one of Jamaica's best new artists.

This recent leg of Etana's promotional tour was very worthwhile," says Etana's manager Garfield "Chin" Bourne of Irish and Chin, Inc. "DJs and other members of the media have the potential of turning artists into stars -- not everyone grasps their pivotal role."

Posted : December 14, 2009
JUNIOR X KICKS OFF UK MEDIA BLITZ!
Reggae culture artist, Junior X a.k.a the Prince of the Battlefield kicked off his U.K. media blitz on Sunday December 6, 2009, with Sir Daddy D on SFDCRadio.com!

Speaking to the music presenter live on air, Junior spoke openly about his career, and about his newly formed management relationship with Revolutionary Entertainment, describing it as the difference between working alone, and working with a team.

The artist also told his UK fans about his US tour, the highlight of which included sharing the same stage with reggae powerhouse Tanya Stephens.

Additional revelations from the artist (not heard before), include the fact that he, Kiprich and Vybz Kartel are cousins, and come from a family of singers and entertainers. Probing his personality, Daddy D asked what type of person Junior X is behind closed doors, to which the star replied “I'm very humble in front of and behind the camera!”

Fans were given the opportunity to interact with the artist via the chat room, where they overwhelmed Junior with praises for his latest single “Gangsta Life” which speaks of the difference between listening to one's mother, and the perils of living the gangsta life. Daddy D noted that in his seven years on radio, he has never received so many requests to 'pull-up' the chune; “Junior has set the record” said the excited disk jock.

Junior X closed out the interview by stating “being an artist is not a title, but a responsibility” to which fans immediately demanded that promoters work together to bring the artist to the UK on a tour!

Source: L3 Publicity

Posted : December 12, 2009
TOP 25 REGGAE ALBUMS OF THE DECADE.
The top 25 reggae albums for this decade — which ends December — was dominated by Shaggy but other dancehall artistes ranked highly, according to a list compiled by Splash.

Topping the list was Shaggy's 2000 release Hot Shots which sold over ten million copies and was amongst the most sucessful albums of the decade. Matisyahu was second, but he also made the top 25 three times. Shaggy, Sean Paul, Sizzla, Beenie Man, UB40 and Damian Marley each made the list twice.

Music rankings are always controversial but Splash arrived at the findings, not by public opinion, but by analysing Billboard Reggae Album charts between 2000 to 2009 and ranked albums in order of weeks charted. Chart longevity indicated that the albums were not only popular but had that timeless quality as sales continued well beyond their release dates.

One caveat was that Billboard did not reflect the Jamaican pop charts, as such some breakthrough albums did not make the cut, including Vybz Kartel's Up 2 Di Time, Baby Cham's Ghetto Story, Lee Scratch Perry's 2002 Grammy winning album Jamaican ET, Richie Spice's Spice in Your Life and I-Wayne's Lava Ground. Also missing from the top 25 was Kevin Lyttle's gold-selling, self-titled album and Elephant Man's Good 2 Go which ranked 27 and 28, respectively. The charts still gave insight into top albums of the decade due to the size of the North American market and its influence on global sales.

Ranking includes:

1. Shaggy's Hotshots (MCA) which completely transcended the reggae charts and charted 84 weeks on Billboard 200 and peaked at number 1. It was produced by Jimmy Jam, Tony Kelly, Terry Lewis, Robert Livingston, Shaggy, Christopher Birch, Gordon Dukes and Shaun “Sting Int'l” Pizzonia;

2. Matisyahu's Live at Stubbs (Sony) which charted for 208 and 26 weeks on Reggae Albums and Billboard 200, respectively and was produced by Michael Caplan and Angelo Montrone;

3. Damian Marley's Half Way Tree (Motown Records) which charted 158 weeks on Reggae Albums, produced by David Cole, Stephen Marley, Damian 'Junior Gong' Marley and Kid Nyce;

4. Mr Lover Lover: The Best of Shaggy, Part 1 (Virgin) which charted 130 weeks and was produced by Lynford 'Fatta' Marshall, Jimmy Jam, Terry Lewis, Robert Livingston, Collin 'Bulbie' York, Sting International and Shaun 'Sting Int'l' Pizzonia;

5. Sean Paul's Dutty Rock (VP) which charted 105 and 85 weeks on the Reggae Albums and the Billboard 200 respectively;

6. Damian Marley's Welcome to Jamrock (Tuff Gong) which charted for 105 and 34 weeks on the Reggae Albums and the Billboard 200 respectively, produced by Stephen Marley, Damian “Junior Gong” Marley;

7. Sean Paul's The Trinity (Atlantic) which charted for 104 and 52 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Steven 'Lenky' Marsden, Jeremy Harding, Marlon Cooke, Jason 'Jigzagula Jason' Henriques, Craig Parks, Donovan 'Vendetta' Bennett, Lionel Bermingham, Delano Thomas, Elijah Wells, Dwayne 'Supa Dups”' Chin Quee, Omari Stines, Michael 'Factor' Jarrett;

8. Scrolls of the Prophet: The Best of Peter Tosh, which charted for 104 weeks and was produced by Bruce Dickinson, Clement “Coxsone” Dodd, Peter Tosh, Robbie Shakespeare;

9. Bob Marley's Gold which charted for 104 weeks it was produced by by Bob Marley, Steve Smith, Chris Blackwell, Errol Brown, Ingmar Kiang, Lee Scratch Perry, Alex Sadkin, The Wailers, Trevor Wyatt;

10. The Very Best of UB40 1980-2000, which charted for 103 weeks, produced by UB40, Ray Falconer, Howard Gray and Gerry Parchment;

11. Matisyahu's Youth (Columbia), which charted 96 and 19 weeks on the Reggae Albums and the Billboard 200 respectively. It was produced by Bill Laswell and Jimmy Douglass;

12. Beenie Man's Art and Life (Virgin), which charted for 84 and 20 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Tony Kelly, Salaam Remi, Pharrell Williams and Chad Hugo.

13. Stephen Marley's Mind Control (Tuff Gong), which charted for 78 and 6 weeks on the Reggae Albums and Billboard 200, and was produced by Paul Fakhourie, Stephen Marley, Damian 'Junior Gong' Marley and Julian Marley;

14. Collie Buddz self-titled album (Columbia) which charted for 78 and 3 weeks on the Reggae Albums and the Billboard 200, respectively, it was produced by Tony Kelly, Screwface, Stephen McGregor, Curtis Lynch, Jr, Dwayne “Supa Dups” Quee, Collie Buddz and M. “Khan” Chin;

15. Ky-Mani Marley's Radio (AAO Music) which charted for 78 weeks. It was produced by Winston Thomas, Mark Sparks, Ky Miller, Danny Schofield 'Styles', Larry 'Kalid' Chu, Jason 'J Vibe' Farmer and Alex 'Lex' Francis;

16. The Journey: The Very Best of Sizzla (Greensleeves), which charted for 76 weeks on the Reggae Albums chart and was released in 2008;

17. Shaggy's Lucky Day (MCA), which charted for 69 and 13 weeks on the Reggae Albums and Billboard 200;

18. Skindred's Babylon (RCA), charted for 67 and 3 weeks on the Reggae Albums and the Billboard 200, respectively. It was produced by Howard Benson, Jason Bieler, Skindred.

19. UB40 Greatest Hits (Virgin) charted for 61 weeks and was produced by UB40, Charlie Skarbek, Dan Armstrong, Ray Falconer, Howard Gray, Gerry Parchment and Danny Canaan;

20. Matisyahu's No Place to Be (Epic) charted for 59 weeks and was produced by Bill Laswell, Robbie and Sly;

21. Mavado's Gangsta for Life (Hardwax) charted for 58 weeks and was produced by Johnny Wonder, Bobby 'Digital' Dixon, Dane “Fire Links” Johnson, Michael 'ZJ Liquid' Brissett, Delroy 'Delly Ranx' Foster;

22. Beenie Man's Tropical Storm (Virgin) charted for 56 and 9 weeks on the Reggae Albums and Billboard 200, respectively. It was produced by Dave Kelly, Sly Dunbar, Anthony Kelly, Matt Serletic, Irv Gotti, Stargate, The Neptunes, AC Burrell and W Passley;

23. Ziggy Marley's Dragonfly (RCA Victor), charted 55 and 8 weeks on Reggae and Billboard 200, respecitively. It was produced by Ross Hogarth, Scott Litt and Ziggy Marley;

24. Sizzla's Da Real Thing (VP), which included Thank you Mama and other classics, charted for 51 weeks. It was produced by Bobby Digital and Bobby Dixon; and

25. Buju Banton's Friends for Life (Atlantic/VP) charted for 50 and 11 weeks on the Reggae and R&B hip hop charts, produced by Dalton Browne, Clevie, Sly Dunbar, Donovan Germain, Mark Myrie, S Stewart, Steven 'Lenky' Marsden, Cleevie, Steelie, Jammy 'Jam Two' James, Cool & Dre.

Source: jamaicaobserver.com

Posted : December 12, 2009
JUKE BOXX PAYS TRIBUTE TO STEELY.
Producer Shane C Brown pays his respect to legendary producer Wycliffe 'Steely' Johnson through a musical tribute in the form of a cover of the Boops riddim made popular in the 80's by Super Cat on the title track.

Inspired by the wonderful creative talents of Steely, Shane has gathered a collection of young artistes that live in the legacy of Steelie's work including dancehall deejay Busy Signal, singer Tarrus Riley, controversial Lutan Fyah, energetic Elephant Man and rising artistes Romain Virgo, Timeka Marshall and Karl. The Boops musical tribute combines the best of Steely's now classic style with a new sound uniquely Juke Boxx. The Juke Boxx Boops tribute hits radio stations later this week.

"Steelie is among the great producers that have inspired my work, because of his remarkable ability to do both reggae and dancehall," Shane declared. "His riddim projects were distinctive and timeless with a signature style, as young producers we can learn a lot from Steelie's massive catalogue," he continued.

Steelie died on September 1, 2009 at age 47 in a New York hospital while undergoing treatment for diabetes and hypertension related complications. He was well known and highly respected as a revolutionary producer, that lead the transformation "from roots to dancehall to digital" according to the New York Times. During his career, Steelie's worked on countless productions with luminaries such as Bob Marley, Bunny Wailer, Lee 'Scratch' Perry, Coxone Dodd, King Jammy's and Bobby Digital in addition to producing seminal productions for his own label, Steely & Clevie, with partner Cleveland Browne.

The Steelie Boops Tribute is the first ever cover production from the eclectic Juke Boxx Productions label. Juke Boxx has racked up an impressive collection of chart topping tracks. The Juke Boxx style is defined by superior production values rather than genre. The broad range of hits include the controversial Gash Dem by Chuck Fender, the poignant Brooklyn and Jamaica by Morgan Heritage and the hardcore Money Changer by Mavado among many others.

Posted : December 12, 2009
CODE RED STILL PAINTING THE ROAD RED.
With Christmas only a few weeks away, we witness the launching of an added dimension to the Jamaican music industry...'CODE RED RECORDS'. This new record label spawned by the owners of the popular sound system Code Red, has just released their debut production the "Enemy Lines" riddim, captivating the airwaves in both dancehall and on radio locally and overseas.

Four songs in particular are creating a mass of arguments and controversy on internet forums worldwide. Bounty Killer's "Bore Tongue F_G" is a lyrical attack aimed at Vybz Kartel of the Gaza — his onetime protégé —, and Beenie Man his long time arch rival. In "Gaza Me Say" by Beenie Man, the Doctor step up to defend both himself and Vybz Kartel and declares his allegiance to the Gaza Empire.

Some people argue that Bounty's song is one of his best of all time, comparing it to his earlier work with Dave Kelly, while others believe that Beenie Man's counteraction utterly dismantles it line for line. Bling Dawg of the Alliance aka Bawse Dawg strengthens Bounty Killer's attack with his song "Threat, We No Mek Slide", a vicious warning to the Gaza about the repercussions of earlier statements made in songs where they've threatened violence towards the Alliance members. The Mad Cobra, one of the greatest clash djss of all time has stepped back into the arena with "Me No Trace", a song that most people on the internet believe to be mocking all three previous diss songs and dismissing them as a joke.

It seems that the enemy lines have 'clearly' been drawn and all out lyrical war has been declared. Master Lee of Code Red Records contends however, that it's all just music, and that lyrical warfare has been a staple in the Jamaican dancehall scene since its inception, “its just entertainment” he states.

Very few riddims or labels nowadays have been able to capture such a powerful all-star line up. Other than the veterans Bounty Killer, Beenie Man, Mad Cobra, the "Enemy Lines" riddim features the likes of one of Jamaica's favourite artistes of all time Sizzla Kalonji. The project also boasts the internationally acclaimed and platinum-selling TOK, the two lyrically lethal deejays Vybz Kartel and Aidonia who both choose to 'deal with the girl dem case', as well as the current dancehall phenomenons Bugle and Konshens.

As a label dedicated to cultivating upcoming talent, the project also features new sensations Congo David (from Judgment Yard) and Kabaka (from Code Red Records). Still to be released are the more radio friendly songs by songstress Aisha Davis, RDX, Andrew & Wadda Blood, Elephant Man, Tony Matterhorn and Mr. Vegas.

The camp at Code Red Records, consisting of 12 members ranging from musicians, engineers, djs and producers, to marketing personnel and street team, are pleased with this first entrance into the production game. “We are overwhelmed that we've gotten such strong support in this venture from all the artistes involved and greatly appreciate their time and effort. We look forward to an even stronger next project and making our mark amongst the best producers in the game in 2010”, says Master Lee.

Code Red Sound System has been a staple in the music industry/dancehall culture since the early 2000s. They have continually built their name and notoriety in the industry through stellar work and the flooding of the marketplace with engagements ranging from the Caribbean, the Canada, the United States and West Africa to rural Jamaica. The "Enemy Lines" riddim, marking their entrance into production, is an extremely strong first step into the arena and one which will not be soon forgotten.

Posted : December 12, 2009
CLASH, CEASEFIRE FOR STING?
Deejay Vybz Kartel is expected to clash with Bounty Killer and then execute a cease-fire handshake with Killer's protégé, Mavado, at Sting '09 but Sting promoter Isaiah Laing isn't worried.

He said that Sting is the best place to dismantle Gully/Gaza tribalism and that both deejays would be invited on stage in an early morning peace initiative.

"Hopefully Kartel, Mavado and anyone else who will like to join in the peace initiative will take the stage ... I would love to see that," Laing told Splash. "Sting is the place where the real hardcore people are and I think if it builds from there it will have great significance to see both of them together."

Kartel and Mavado have agreed to the demands for clean-up for the benefit of one and all Laing also wants the media to downplay the putative division.

"Play it down and we will get rid of it. Because if you try and play with it, it will get worse. It is not about Gully/Gaza this year. It is about Bounty and Kartel," he said of Bounty Killer who heads the Alliance whose members include Mavado. "The hype is not out for a Gully/Gaza Sting this year and I don't think people are coming out this year for that."

Laing, who is a former police officer, did not object to Prime Minister Bruce Golding and his Cabinet intervening in diffusing the lyrical feud. Critics argue that the intervention of Parliament had given certitude to the deejays lyrical bickering. They argue that it was at best a police matter. In March 2007 when Deputy Commissioner of Police Mark Shields assisted in quelling the first feud between both deejays. They shook hands and were at loggerheads again in 2008/9.

"He is the prime minister and he sees it fit. Who am I to say otherwise," he added. "The prime minister has asked for peace and we are supporting peace and we want to see everyone work together in harmony at the end of the show."

On Tuesday Dancehall entered Jamaica House. Both deejays called a truce following an emergency meeting with three Cabinet ministers and members of the Peace Management Initiative. The meeting was called to quell the bitter feud between factions aligned to the two entertainers. Gully side and Gaza are headed by Mavado and Gaza respectively.

The two deejays have claimed there was no animosity between them and that the rivalry was sparked by over-exuberant fans. The meeting also worked out a five-point plan that will see both artistes participating in a peace treaty and concert; a 'paint-out' day to remove Gaza/Gully graffiti from walls in communities and schools across the island; the creation of T-shirts bearing the image of both artistes, and doing a collaboration single.

Source: jamaicaobserver.com

Posted : December 9, 2009
BIG YARD MUSIC / SCIKRON ENTERTAINMENT PRESENTS "MAAD A ROAD" RIDDIM.
The Scikron Big yard Group has launched another executive project called 'Maad A Road'. From the realms of producer Richard 'Richie Loops' Webb, 'Maad A Road' features such artists as Christopher Martin and Mr. Easy with “Party Time”, D-Lynx with “Call Me”, Lukie D “Girls Holiday”, Red Fox “Wine Up” and the new comer on the riddim Rae Tay with “Ring My Bell”.

'Maad a Road' presents quite a camouflage style as it starts with a slow tempo then escape into a high party vibe tempo which will have listeners jamming into the holidays and beyond. Christopher Martin is complimented by vocals from Mr. Easy encouraging the fans focus on enjoying partying rather than on the stresses of life.

The rippling trio D-Lynx have been slowly gaining there exposure in the music market and have already released a few songs that have been doing well like “Diggy Dong”, “Long Story”, “Dream” and recently “Question” (on the 'Brainstorm' riddim). Lukie D strikes high showcasing high range vocals reminding ladies that it's a holiday. Rae Tay a young aspiring voice of that raspy Tina Turner embrace. As one of Jamaica's up and coming female deejays she makes sure to let her fans know they can “Ring Her Bell” and veteran artist Red Fox set to have all the ladies and gents whining to the offerings of 'Maad A Road'.

The new creation by Richie Loops improves the party lives of the avid Jamaican “party goers” especially the females for that special girls night out. 'Maad A Road' has that classic yet surreal vibe that will ensure the holiday party experience is complete.

Posted : December 9, 2009
CHUCK FENDA CHANGES HIS NAME.
On December 7, 2009, reggae recording artist Chuck Fenda returned to Jamaica from a successful stint in Antigua, the occasion saw Fenda headlining a concert at the famous Coast Night Club to a standing ovation as he brought the curtains down on a spectacular two hours set. According to Black Spider Promotions, the promoters of the event “The show was wonderful and Chuck gave an excellent account of himself performing for over two hours, his set was so well received, we are now looking to book him for another assignment in February or March next year. His 'Bad Boy' video was also premiered on K45 TV and is already ripping up the airwaves on Sun Radio, Vybz FM and Hitz FM”.

However with a blooming career spanning almost a decade including the release of his new bestseller album 'Fulfillment', Chuck Fenda has decided it's time for a transformation and has adopted a new moniker onto himself. The singer said as of now he wants to be referred to as 'The Living Fire', a name he describes as being fitting for his newly transcended persona. "People always called me 'Chucka Fenda' or 'Poor People Defenda' or 'The Living Fire' so I decided since I'm on a musical mission to rid Jamaica and the world of negativity, wickedness, corruption and evil doers, I need a name that when people hear it, them know say a judgement when them see me a come” Fenda said. “A nuh nothing new, but me a make it official now a it me a work wid, but if people still want to call me Chuck Fenda nothing nuh wrong wid that as long as them know say a righteousness we stand for” the artist added.

Meanwhile The Living Fire is scheduled to make an appearance on GT Taylor's Christmas Extravaganza on December 25th, Sting at Jamworld, Portmore on the 26th and Original Dancehall Jam Jam on December 31st. Come January 2010 the 'Gash Dem and Light Dem' singer will focus his attention on a two weeks tour of the United States making stops in Texas and California before returning to the island on January 28th.

Source: L3 Publicity

Posted : December 5, 2009
JUNIOR X'S PROMOTIONAL TOUR COMES TO A SUCCESSFUL CLOSE.
On November 14, 2009, singer and songwriter Junior X, embarked on a ten (10) day promotional tour in the United States. With the popularity of his 2002 mega hit "Plea My Cause" under his belt, the chart topping artist geared up to promote his new buzz worthy singles "The Pill" and "Gangsta Life."

Born Richard White, Junior X is no stranger to the music industry. In the early 1990's, Junior X co-wrote several songs with the hit making duo, Chaka Demus and Pliers. In 2002, he stormed the music charts and radio playlists around the world with singles "Plead My Cause," "Freedom" and "Seek Your Goal," - all of which were released on the Herbs House Entertainment Label. In mid 2009, Junior X signed a three (3) year management deal with Revolutionary Entertainment, a Delaware-based company.

Junior X kicked his tour into high gear with on air interviews with DJ Roy of IRIE Jam (93.5 FM) and DJ Kevin Crown of Linkup Radio (93.5 FM) on Saturday, November 14, 2009. He followed up with other interviews which included a pit spot at WBLS 107.5 to chat with renowned radio personality Dahved Levy, Sirius/XM Radio, Crossover TV, IRIE Jam Radio (93.5FM) with Andrew D and DJ Face, WRL/Carib Zone with Prince Kalunda, CLMTV with Clem and Culture Jam Radio with Jeff and Bobby, to name a few. Junior X was also featured in Everybody's Magazine and Whereitzat Magazine as well as popular internet sites such as Images Newsletter and Tropical Fete.

On November 23, 2009, Junior X performed to a sold out crowd at JAMROCK Magazine's premiere event, "Rock the Runway." Junior X burst on stage with an unmatched energy that had the crowd singing along to break out hit "Plead My Cause" which received a "pull up" by DJ Kevin Crown. The screams of approval from party goers fueled the singer's already high octane performance. Junior X then followed up with "The Pill." The first single from his debut album has been resting comfortably on several music charts in Jamaica, while the video receives airplay on RETV and Hype TV. With the crowd fully entranced, Junior X closed out his set with second single "Gangsta Life," also from his upcoming album. With cheers from the crowd and nods of approval from host David "Squeeze" Annakie and reggae artist Tanya Stephens, it was the perfect ending to what was dubbed a perfect performance.

Junior X recently returned to Jamaica to wrap up production of his entitled album, which is slated for release in 2010. The artist is also looking forward to performing on some major shows in Jamaica and abroad beginning in January.

Source: Triple 7 Entertainment LLC

Posted : August 19, 2009
WINSTON HUSSEY TAKES FESTIVAL SONG TITLE.
Winston Hussey is the winner of the Jamaica Festival Song 2009 competition which was hosted on Sunday 26th July 2009 at the Ranny Williams Entertainment Centre under the theme "I Believe in Jamaica". Hussey emerged from a field of nine other contestants to claim victory with his entry "Take Back Jamaica" and took home the one million dollar cash prize and a cellular phone from Digicel Jamaica Ltd, the Stage Records Trophy and a gift certificate from Cooyah.

Other prizes included "Best Performer" which was awarded to Calvin McFarlane, performer of the entry "Jamaica Nuff Niceness", who took home $300,000 and a Trophy courtesy of Tastee. An award of $40,000 from the CHASE Fund was presented to Oba Simba for being the 'Most Disciplined' finalist, while Stacia, was named the 'Most Improved' and collected $40,000 courtesy of Capital and Credit Financial Group.

A special incentive was introduced for songwriters in this year's competition and saw $100,000 presented to eight of the ten finalists who also wrote the entries they performed. All ten finalists were given gold medals and certificates which were presented by Delroy Gordon, Executive Director (Acting) of the Jamaica Cultural Development Commission (JCDC).

The other finalists included Cris Christy with "Jamrock, Land of the King", Pretty Rebel with "Persistent", Nathan with "The Vibes", Lester Lewis and Singing Rose with "I Love you Jamaica", C.C Blake with "Love a Likkle Island Yah" and past competition winner, Tinga Stewart with "Make the Best of Today". Guest performances from Busy Signal, Christopher Martin and 2008 winner Roy Rayon completed the proceedings.

Through this year's competition, the JCDC aimed to identify a song that invokes a spirit of celebration for Jamaica Festival 2009 and has relevance beyond the festive period.

Source: JCDC

Posted : August 6, 2009
DEYANSA AND RIDDIM ZONE NOMINATED FOR REGGAE AWARD.
Silver Kamel Audio recording artists 'Deyansa and Riddim Zone' have been nominated for an award in the reggae category/genre of the 'Just Plain Folks' music award show that will be held at the Wildhorse Saloon in Nashville, TN on the 29th of August 2009.

Deyansa's CD 'Holding On To Life' SKCD025 was produced and released by Silver Kamel at the end of 2005 and was 18 months in the making. Deyansa wrote the lyrics for the songs and then hooked up with fellow Jamaicans, Keith Senior and Jonathan T. Ford who created the backing tracks. The band has toured with such reggae dignitaries as Culture, Meditations, Augustus Pablo, Cutty Ranks, and even Gregory Isaacs! Giving their able support on tours that took them throughout the Caribbean, Europe and Asia.

Keith Senior and Jonathan Ford have been session musicians for Coxsone Dodd, Lee “The Upsetter” Perry, and Ms. Pottinger performing on many hit songs. They also worked on such great projects as “The Black Ark Dub” and “The Upsetters” albums. Keith is a multi-talented musician who is very comfortable in the studio no matter what instrument you place in front of him, keyboards, bass and rhythm guitar, or drums. Jonathan is an accomplished bass player and was one of the original members of the Rhythm 1000 band. Rounding off the core of Riddim Zone is Ian Joseph, a drummer with a passion who hails from the tropical islands of Trinidad & Tobago. He joined the band two years ago after touring in Asia. Listen to the tracks here: http://www.myreggaespace.com/Deyansa

The title track 'Holding On To Life' was submitted to 'Just Plain Folks' (JPF) in 2007 when the good folks over there started the award process. Apparently they must have been overwhelmed with the response, receiving over 500,000 songs from bands and musicians from all over the world! And it wasn't till June of this year, 2009, that we received the good news of our nomination. If you would like to attend the award show or find out who else was nominated and to see if you qualify to vote go here: http://www.jpfolks.com.

Posted : July 28, 2009
BERES HAMMOND GIVES TORONTO 'A MOMENT IN TIME!'.
Despite the heavy rain that didn't seem to end, Beres Hammond gave Toronto fans 'A Moment In Time' not soon to be forgotten!

Backed by his Harmony House Band, Beres delivered an incredible show to thousands and thousands of fans who weathered torrential rain to see his performance at the staging of the 19th Annual Jamaica Day celebration in Toronto, produced by iPEG and Kaya Entertainment. Performing hit songs such as "Rockaway," and "Tempted to Touch," Beres could hardly get the words out as the massive crowd delivered his every word! Also performing songs from his 2008 album 'Moment In Time,' Beres delivered songs "Feel Good" and "No Goodbye" which unified the collective 'rock' of the crowd as they danced to his incredible performance.

After the show, Beres shared that he felt good about the performance, and was happy to be able to see his Toronto fans despite the heavy rain. "I feel blessed" he said, "I'm happy we were able to perform and the fans had a good time!" In addition to Jamaica Day, Beres performed at the Big Sexy in Oshawa, Ontario the night before which saw hundreds of fans treated to an up close and personal performance. The song “Putting Up Resistance" was especially well received as Beres reminded fans that despite Life's pressures, we have to 'put up resistance.' Beres's speech and performance became a little too much for one female fan who jumped on the stage to get a personal dance with Beres. Beres's Manager and Security had to pry the lady from Beres, but not before she kissed him, and waved to the other ladies, triumphant at her closeness and saying “that's right!"

Posted : July 28, 2009
ARIF COOPER AND SANJAY MAKE THE 'RELATIONSHIPS' RIDDIM A HIT.
Arif 'SupaCoop' Cooper is at it again with another one of his righteous, laid back reggae riddim 'The Relationships', SupaCoop's latest release is the follow up to the widely popular 'Guardian Angel' riddim released only a few years ago. Though not yet formerly released, the riddim was serviced to radio this month.

'Relationships', like its name suggests, has the smooth, rock away vibe that makes it the ideal base for the love songs that occupy most of the riddim. Sanjay, who was on the previous 'Guardian Angel' riddim with the popular track, "Man Of My Word", is back carrying the same feel good vibe and lyrics with his song "Slipping Away".

"Slipping Away" describes the all too well known feeling of despair upon realising a relationship is near its end. Adding a necessary human element to Sanjay in the eyes of his listeners, it paints him as a dynamic artist who can not only display the emotional strength of a man of his word, but one that can also show his vulnerable side. He is neither afraid to express his love, nor is he afraid to speak on looming heart break.

"On this rhythm, Sanjay has once again been able to tap into real emotions of relationships, although this time on the melancholy side, just as he was able to on the 'Guardian Angel', but in a way that shows his musical growth and maturity as a vocalist and as an artist" stated producer SuperCoop.

The 'Relationships' riddim carries some big names such as Sean Paul with his "Hold My Hand", a simple, sweet song about trusting the one you love, which rides the riddim so well that they too go hand in hand. Also on the 'Relationships' riddim are the likes of Collie Budz with "Now She's Gone", J-Status featuring Shontelle with "Pieces", TOK with "Single Mom (Keep Your Head Up)", Da'Ville with "Just Another Day" along with I-Wayne with his conscious tune "What Will They Do".

The 'Relationships' riddim, which promises to be another one of Cooper's major successes, was described by Sanjay as being able to "tap into the common human emotion that tends to makes songs successful, just like 'Guardian Angel' did. It's a very good follow up".

"Slipping Away" will be the first song on the riddim to have a video début. Directed by Benjamin Harrison of Machine Man Inc, the video which was shot in Tribeca, New York is in the final stages of post production.

Posted : July 28, 2009
UNA MORGAN COMES FULL CIRCLE.
It has been a long journey for reggae songstress Una Morgan and she hopes that with her new album entitled "Just Me", that she can show her evolution in music, life, and spirituality, while continuing to uphold her family's legacy.

As the daughter of reggae veteran Denroy Morgan, Una and her siblings were guided onto a musical path at a young age. The elder Morgan encouraged his children to explore and develop their talents, helping Una discover her many gifts. As a vocalist, songwriter, and keyboardist, Una's integral contribution to the band - that would later go on to become the iconic group Morgan Heritage - helped to propel the siblings to international success.

From the gritty streets of Brooklyn NYC to the suburbs of Springfield, Massachusetts, being the product of multiple environments has helped to influence Una's eclectic musical style. While she remains connected to her roots reggae background, Una has never been afraid to venture in new directions with her sound. Influenced by vocalists such as Grace Jones, Sade, Whitney Houston, and Alicia Keys, she describes her sound as "reggae soul," a mix between reggae, pop, R&B, and hip-hop.

Despite having ten studio albums under her belt, having traveled across the world, performed for stadium-sized audiences, and having garnered much of the success and longevity that many artists can only hope for, in 2006 Una took a step back from the limelight. "I wanted to take time to recreate and develop myself physically, mentally, and spiritually." During this time she focused on building her management company, strengthening family ties, improving her physical health, and connecting with her spirituality. Yet as a true performer, Una could not sit back idly.

In early 2010, Una is set to release her debut album Just Me, her first endeavor as a solo artist. "Just Me is about life experiences, some good some bad, but it's really just about me making good inspirational music that makes people want to move." Her first single "Fight" premiered to a great reception from a critical New York crowd at a JAMROCK Magazine event, and she promises that the rest of the album will be just as well received. On this record she has worked with big name producers and writers, such as Don Corleon, Stephen McGregor, Jimmy Cozier, and Taj from the 90's group The Boys; yet Una has also returned to her hometown of Springfield to work with rising stars such as Kiana India, ME, and producer "X", in hopes that she can give these young talents the launching pad for their careers that they have been looking for.

And to address many rumors, Una ensures her fans that her solo venture is not signaling the breakup of Morgan Heritage. "We always knew that we would build as a group, use that foundation to take things to the next level, and then come back to the family." You can even find some more Morgans on the credits, with brothers Mr. Mojo and Gramps assisting in mixing and production, a true testament to the strong bond that keeps their family together.

Una Morgan has undoubtedly been blessed, but don't be fooled; Miss Morgan has not let her accomplishments go to her head. She remains humble and has made it her personal mission to use her celebrity, as well as her music, to champion issues such as health, weight management, self-esteem, and other issues plaguing women around the world. "I'm very concerned that many women today are doing things to please everyone else. We need to work on being one with the Creator first, and I hope my music can inspire women to do that."

Posted : July 22, 2009
A MOMENT IN TIME: THE 12TH ANNUAL JAMROCK REGGAEFEST UNCENSORED!
On Saturday, July 18, 2009, the 12th Annual JAMROCK Reggae Festival held at the Westchester County Center in White Plains, New York, was a sold out event. The sold out crowd of over 6000 patrons came out to see performances by Natural Blacks, Culture with Kenyatta Hill, Lenya Wilks, Marcia Griffith, Mykal Rose of Black Uhuru, John Holt, Frankie Paul and Beres Hammond. The show, which was hosted by Jeanille Bonterre (BET J, Tempo and JAMROCK Magazine) along with David "Squeeze" Annakie, CEO of LinkUp Media Inc., began promptly at 8:00 pm. Jeanille Bonterre opened the show by thanking patrons for their attendance before introducing the first performer.

Opening the show was Guyanese roots singer Natural Black who performed songs "Far From Reality" and "Never Leave You Lonely". After a quick band change and comedic entertainment by Freddy Ricks, front man for Culture, Kenyatta Hill whose father is the late Joseph "Culture" Hill, graced the stage with a burst of energy. Kenyatta performed hits "Stop the Fussing and Fighting" and "Same Situation." Thereafter, Jeanille Bonterre paid homage to radio personality Gill Bailey who was there to show his support. The performances continued with Lenya Wilks, a contestant of Digicel Rising Star. With a voice that can only be described as angelic, Lenya belted out soulful tunes that gave everyone goose bumps. Her refreshing performance was favorably noted by David "Squeeze" Annakie, who interviewed her on stage after her set.

With the crowd warmed up, ageless beauty Marcia Griffiths came on stage dressed in a lime green ensemble. As she began to perform, everyone rose to their feet and sang along to tunes such as "Feel Like Jumping", "I Shall Sing", "Land of Love" and others. Marcia surprised the audience by performing a duet with her son, who was one of her back-up singers. To conclude her set, she invited the ladies from the audience to come on stage and do the electric slide as she sang "Electric Boogie". Following Marcia Griffith's performance, the effervescent Mykal Rose of Black Uhuru blessed the stage with audience favorites such as "Guess Who's coming to Dinner" and "Sinsemillia".

While patrons were clearly enjoying the performances, it was clear that the mostly seated crowd was there to see Beres Hammond, the Lover's Rock singer. This was apparent because everyone stood to their feet accompanied by shouts throughout the venue when he made his way to the stage. The consummate performer captured a moment in time as he belted out fan favorites. His 55 minute set comprised of back to back hits including "Double Trouble", "She Loves Me Now", "One Dance", "A Moment in Time" among others. Moved by his performance, a female audience member came to the front of the stage and presented Beres with a bouquet of flowers.

Beres' performance was followed by the legendary John Holt. His set included hit tunes "Police in Helicopter", "Stick By Me" and "Ali Baba". Closing out the show at 1:30 am was none other than lover's rock maestro Frankie Paul who performed crowd favorites such as "Tidal Wave", "Sara" and "Slow".

The show ended at 2:00 am and patrons went away with a feeling of nostalgia.

Written by Stacey Bethel.

Posted : July 5, 2009
CHINEY K PRODUCTIONS RELEASES THE PEOPLE'S CRY RIDDIM.
Chiney K Productions, based out of Kingston Jamaica has spoken for the people of the world with his newest riddim called People's Cry!

Set to acoustic guitar and drumming, this soothing riddim speaks of hardships overcome, Love and the Blessings of Jah. “The riddim came about when Anthony Que and I were in the studio reasoning” said Chin. “We were talking about Life, when Anthony said 'tyad ah dih poor Life, and bam, juss like dat, we bill dih riddim!”. Konshens' new artist and protege named Dario is the one who gave the riddim it's name from his tune "The People Cry."

Artists who perform on the riddim include Anthony Que, Sizzla, Konshens, Anthony B, Fanton Mojah, Dario, Lenn Hammond, Powerman, Gia, Droop, Ginjah, Ricky General and Ricky Ticky.

Recognizing there is always new talent to be developed, and as a part of Chin's commitment to new talent development, Ammoye from Canada, Mighty Tolga from Germany and Renegod from Jamaica were also voiced. “I am so happy to be a part of this riddim complilation” said Ammoye from her home in Toronto. “I can't wait to hear fan feedback. The riddim is really beautiful!”

Mighty Tolga expressed thanks to Chin and the team at Chiney K Productions saying “This is a really big opportunity for which I am thankful.” Renegod also commented saying “it's a Blessing to be on a riddim this big, with artists like Sizzla and Anthony B. It mek mi feel proud.”