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Posted : NOVEMBER 16, 2008 TOK ON THE ROAD AGAIN. By popular demand, international dancehall heavyweights TOK are heading back to the US for yet another promotional tour for their upcoming album Our World. The group is scheduled to depart the island on Wednesday November 19, when they will travel to New York City. Their first show will be at Club Tobago in Queens on Saturday November 22. This will mark the group's first performance in New York in three years. Following their stint in the Big Apple, TOK will then head to Kansas City, St. Louis and Columbus where they will also be headlining numerous shows. After this, they will be off to the West Coast where they will hit the stage once again in Los Angeles and Las Vegas, Nevada. As to what their fans can expect from their usual high energy performances, group member Bay-C says "We're keeping it SOLID". While on the West Coast they won't only be treating fans to breathtaking performances, but are also scheduled to record with a US international recording artiste. The tracks to be recorded will be up for consideration for inclusion on their eagerly anticipated album. With other shows still in negotiation dancehall's #1 group will head back to Jamaica in early December for various performances leading up to Christmas. They are expected to travel to Grenada on Saturday December 20 for a performance before once again visiting the West Coast where they will ring in the New Year with fans in San Francisco on Wednesday December 31. Our World, TOK's third official album is scheduled for release by VP Records in Spring 2009.

Posted : NOVEMBER 16, 2008 JUKE BOXX ON A MISSION TO SAVE THE WORLD. Juke Boxx Productions has just released Save the World, a new track from Peetah Heritage (lead singer of Morgan Heritage). Save the World is an emotional musical response to the tragic acts of violence, especially against children, being reported in the news recently. Peetah collaborated with Juke Boxx Executive Producer Shane C Brown for the track. In Save the World, Peetah makes a call for Jamaicans to "change wah a gwaan yah". There is not a note of anger in his delivery, just the desperate realisation that things "have to change". He encourages all to "look inside" and make it clear that "doing nothing won't erase the pain". Peetah's resonating tenor vocals are delivered with an infectious melody accompanied by an engaging guitar riff. The track was recorded and mixed in two days. "Production moved quickly on this track, because we were both so moved by the topic," explained Brown. "We hope Save the World inspires us to change, to do something positive," he elaborated. Save the World is both timely, and in keeping with a musical tradition of social conscience present on many tracks on the Juke Boxx imprint. From the controversial Gash Dem by Chuck Fender, to the poignant Run Dem Weh by Morgan Heritage and Busy Signal and most recently the proactive Trading Places by Busy Signal, Juke Boxx has brought light to social issues.

Posted : NOVEMBER 16, 2008 BYRON LEE HAS DIED FROM CANCER. Bandleader Byron Lee, who helped popularize Jamaican musical genres like ska, calypso and soca both at home and with international audiences, has died at the age of 73. Lee died at the University Hospital of the West Indies on Tuesday November 4, after battling cancer over the past few years, according to Jamaican Information and Culture Minister Olivia Grange. Until recently, Lee was being treated in Miami, but he was flown home to Jamaica late last month. On Sunday October 26, some of the country's highest officials, including Prime Minister Bruce Golding and Gov. Gen. Kenneth Hall, were on hand at the hospital for a special ceremony conferring the Order of Jamaica — one of the country's highest honours — on the ailing bandleader for his outstanding service to the domestic music industry. Born of a Jamaican mother and Chinese father, Lee founded his pioneering band Byron Lee and the Dragonaires in 1956 at the age of 20. The band released its first album in 1960. Just two years later, the group received a boost when they were featured in a memorable scene and on the soundtrack of Dr. No, the filmed-in-Kingston debut of the James Bond film franchise. Later, Lee began dabbling in the business side of music as well, testing the waters as a concert booker and promoter as well as producing other acts. He would eventually buy the powerful West Indies Recording Limited label (which he renamed Dynamic Sounds) and make a key music world alliance: forming a professional relationship with Atlantic Records co-founder Ahmet Ertegun. All the while, Lee and the Dragonaires maintained a full recording and international performing schedule. The band continued to perform right up to recent years. Although Lee stepped back from performing in 2007, he continued to work behind the scenes managing the band and helping organize his namesake annual Carnival event in Jamaica. Source: BBC

Posted : NOVEMBER 6, 2008 HARD WORK IN KINGSTON LEADS TO SUCCESS ABROAD. Hard work in Kingston, Jamaica leads to success at home and abroad for Paul Lowe-Chin of Chiney K Productions. Following through with his dream of creating ear-catching and positive Reggae and Dancehall music for the enjoyment of all, "Chin", as he is affectionately called by the who's who of the Reggae fraternity, went from a career as an optometrists assistant, to a producer after a chance meeting with Rory from the world immortal Stone Love Sound System. "I met Rory at Asylum night club after a friend introduced us. Not long after that we started to spar, and he carried me to meet Weepow. When I met Father Pow, bookings for the sound were beginning to get really hectic, and he needed a manager for the sound. He asked me if I was interested in the position, so I said yes. I worked for Stone Love for 6 years (beginning in 2002), which was one of the greatest experiences! Weepow ah dih Boss!" Learning the management end of the business came naturally to Chin, so with the support and endorsement of Weepow, he branched into music production in 2005. His first riddim, the 9-5 riddim was created and voiced at the Stone Love recording studio. Artists such as award winning and close friend Bounty Killer, John Holt, Powerman, Duane Stephenson, Tony Rebel and New Kingston Band among other artists added their vocals, making the riddim an international success. It was that success that led Chin to a promotional radio tour, doing interviews with radio stations such as CIBL 101.5 FM with Richard LaFrance and Andre (in Montreal), CKUT 90.3 FM with Howard 'Stretch' Carr (in Montreal), WPFW 89.3FM with Tony Carr (in Washington DC), Choice 102.9FM with Mikey Million (in Boston), Detroit Vibes Radio with Pamela (in Detroit), CKLN 88.1FM with DJ and station manager Tony Barnes (in Toronto), as well as Joe Swynger and the Dancehall Connection on Hot 91FM (in Virginia) to name a few. When asked if he'll take a break after such an intense media tour, Chin replied "Yuh mad?! Mih have too much music fih give dih people!" Chiney K Productions is scheduled to release the Next Level, Gangsta Flex, Ransted and Evening Breeze riddims in 2009 which will feature Anthony B, Sizzla, Turbulence, Nitty Kutchie, Monster Empire, Delly Ranx, Mr. Easy among others. Gyptians pre-release on the Evening Breeze riddim entitled "Black Son Rising" has been added to playlists around the world as the song predicted the success of President elect Barack Obama.

Posted : OCTOBER 25, 2008 SANJAY CUTS AIDONIA FROM "GIRLS LIKE" VIDEO. Jamaican Deejay/SingJay Sanjay has recently released a video for his track "Girls Like" featuring Ce'Cile and Aidonia produced by Samuel 'Sam Diggy' Johnson for Fresh Ear productions. What is noticeable however, is that while you will hear Aidonia's fast tempo rhymes, he is absent from the video. The video, which was shot in 2006, depicts a dating game show where contestant CeCile must choose between two bachelors both played by Sanjay. Sanjay 1, dressed in a cap and a pink & white polo, plays the role of the romantic bachelor, who insists that he knows that girls like a more romantic lover. While Sanjay 2, dressed in a green T-Shirt, portrays the more hard core Jamaican bachelor, the role originally to be played by Aidonia who was absent from the shoot. Sanjay explains: "Aidonia and I first recorded "Girls Like", Ce'Cile then added her part after. When I played the finished track for Aidonia he said he loved it and everything was fine. A few days later I heard one of his friends comment that he had a problem with Ce'Cile's line 'Love it when you do it to me baby' which is from her track "Do it to Baby" (which we all know what that is in reference to). But no one called me and said anything so I assumed it was just a rumour. "On the day of the shoot Aidonia did not show up, when we finally got in touch with someone from his camp, they confirmed the rumours, he did have a problem with the line. So we agreed to remove the line, but he still did not make an appearance so we were forced to change the concept of the video and have me play both roles and I redid his voice from the track." Aidonia's absence posed numerous problems for the video as the film crew had to find a suitable double for Sanjay and pre-editing was needed in order to ensure the best quality. These problems caused the shoot, which should have taken 1 to 2 days, to drag on for months. By the time the video was ready, Sanjay had already released the video for his now popular track "Man of My Word" and decided to hold "Girls Like" until a later date. However Sanjay was quick to point out that everything is all good: "Since then, Aidonia and I have spoken and all is amicable between the camps as Aidonia has called Fresh Ear producer Arif Cooper and the camps have made amends." Sanjay is now currently focused on promoting his new single Photogenic on the 'Sexy Girl Riddim'.

Posted : OCTOBER 25, 2008 MAVADO AND DASECA FEUDING. Word on the street is that Mavado and riddim maestros DASECA are in a bit of a negative vibe over rumours that Vybz Kartel, the hottest deejay in the biz, is on the verge of recording a joint with the talented dancehall producers. Word is that Mavado was in a recording session with DASECA when he got pissed and stormed out of the studio and rode off on his bike. DASECA has always been a big fan of Vybz Kartel and they showed up at the Vybz Rum launch at Weekenz a few months ago. I will have more on this later. Vybz Kartel is currently the clear front-runner this year for DJ of The Year 2008 as he has enjoyed a brilliant if controversial year clocking three number one singles, Trailer Load a Money, Nah Go Nowhere, and Money Fi Spend on the Jamaica Music Countdown charts. Other standout singles such as Million By a Morning and Life Sweet show how much the deejay has evolved into the dominant force in dancehall. Daseca was formed in 2001 after Sts Peter & Paul Prep School friends Craig Serani Marsh and Craig Andrew Harrisingh, while enrolled in their first year at the University of Technology (UTech), agreed that school no longer piqued their interest, and that music happened to be their calling.

Posted : SEPTEMBER 26, 2008 ROLEXX SURPRISED ABOUT FANTAN MOJAH THREATS. Popular Bembe selector Rolexx has heard that artiste Fantan Mojah is looking for him but the reason remains unclear. Rolexx went to a studio in Kingston yesterday to voice dub plates with Movado when he was told by fellow selectors Foota Hype and Cutty from Copper Shot that Fantan Mojah and his entourage had been to the same studio the same day looking for Rolexx and making threats. When asked for the reason the persons present at the studio did not get an answer from the artiste but he instead continued with his threats to harm the selector when he would find him. Rolexx is a seasoned selector and he says that he is definitely not afraid of Fantan Mojah or his entourage and he is not hard to find on the road. Rolexx says "I am a like stop light on green, on the go, so I am easy to find." Rolexx and Fantan Mojah have never had any form of confrontation before and there was always a good vibe between the selector and the artiste in the past. Rolexx would like to know the reason for the artiste's behaviour as he has not seen the artiste around in a long time. Rolexx continues to state that "artistes should not diss selectors cause we a build dem now." Rolexx says further that he will just continue to play music and nothing and nobody can stop him from doing his thing.

Posted : SEPTEMBER 19, 2008 DENNIS BOVELL WANTS TO SPREAD THE LOVE. British reggae artists have always idolised Jamaica but, back in the 1970s, the respect was all one way. Or, as Dennis Bovell puts it: 'We were the little brother in the UK.' But that began to change in 1975 when Louisa Mark's Caught You In A Lie became a hit at reggae dances, followed by the start of Bovell and Dennis Harris's Lovers Rock label, which christened the fledgling genre. 'Prior to Caught You In A Lie, most sound systems were prejudiced against British reggae,' Bovell recalls. 'But I was straddling both camps as a sound-system operator and a recording artist, and I convinced other sound sytems that this was the way forward. After it became OK to play that one piece of British reggae, it opened the doors.' Representing what Bovell calls 'the sentimental wing of reggae', lovers rock is distinguished by its soulful vocals, strong focus on love songs and the increased involvement of female artists. Many of lovers rock's most famous singers, such as Janet Kay, Carroll Thompson and Caron Wheeler, who would later sing with Soul II Soul, offered a feminine contrast to the male-dominated world of Jamaican roots reggae. 'It was a good switch to have the ladies leading the whole thing,' Bovell says, 'but it was also really important in showing Jamaica that we could cut it. The biggest compliment we were ever paid was when Jamaican artists such as Sugar Minott started trying to do lovers rock songs, which showed we'd really turned the tables.' Kay, Thompson and Mark are all appearing at The Kings And Queens Of Lovers Rock show, a celebration of the scene that also features Bovell's own band, Matumbi. Often regarded as the seminal lovers rock band, Matumbi are back playing together for the first time in 20 years as a tribute to their late vocalist, Bevin Fagan. Not that Bovell has been idle in that time, producing dub albums such as Blackbeard, working with poet Linton Kwesi Johnson and teaming up with Mad Professor. He is also convinced that lovers rock is not just a relic of the 1970s and early 1980s. 'It did dwindle for a bit because reggae producers are always trying to find a new style,' he says. 'Dancehall is very now, but people are searching for something else and what goes around comes around. There's a whole new generation who need educating about this music. I think it will be rekindled.' Article by Paul Clarke

Posted : SEPTEMBER 18, 2008 SPANNER BANNER, RICHIE SPICE AND SNATCHA LION ESTABLISH BONNER CORNERSTONE MUSIC LTD. Bonner Cornerstone Music Ltd. was first established in 1995 for the purpose of promotion, publishing, artist management and distribution of the Bonner brothers' music, back catalogue and lyrics. The Bonner Brothers are Joseph Anthony Bonner, performing as 'Spanner Banner', Richell Bonner, performing as 'Richie Spice', Glenroy Bonner, performing as 'Snatcha Lion', and Michael Bonner, writing lyrics as 'Jah Mikes'. One of the greatest achievements to date was the pioneering of Richie Spice's career, making it an irresistible force to be reckoned with. With the international success of the Bonner brothers Bonner Cornerstone Music Ltd. is now focusing equally on the careers of the three artists with new music and albums to be expected soon. Bonner Cornerstone Music Ltd promotes culture and reggae music with a positive message, teaching society and the youth about good morals and a positive way of life. The production represents the highest standard of reggae music and the label continuously promotes and maintains a professional and positive image of the Jamaican reggae industry. Summarizing their vision the management of Bonner Cornerstone Music Ltd says that "our positive attitude will be contagious, and one will find love flowing from brother to sister, father to mother, husband to wife, and from one nation to another."

Posted : SEPTEMBER 15, 2008 UPCOMING ALBUM RELEASES. Scheduled for release in October 2008 are Midnite's "Supplications To Him" and Jah Mason's "Keep Ya Head Up" on Rastar Records, while VP Records are going to release Beres Hammond's "A Moment In Time" and Gyptian's "I Can Feel Your Pain". VP's subsidiary 17 North Parade is about to unleash a series of four George Phang compilations entitled "Power House Selector's Choice" as well as a CD+DVD called "Randy's 50th Anniversary". Greensleeves has postponed Anthony B's "Rise Up" until January 2009, but will have Mr. Vegas' "The Hits" and Ziggi's sophomore album "In Transit" out in the streets in October. Furthermore Lustre Kings is going to release Al Pancho's "Joy Bells Ringing" and Noble Society's "Take Charge", Charm returns with Luciano's "Reggae Salute", and Essential Media Group will unleash Half Pint's "Essential Roots Anthology".

Posted : SEPTEMBER 11, 2008 CHERINE ROCKS US TOUR. Cherine Anderson is fresh off the 2008 Tailgate Tour with Slightly Stoopid, Pepper and Sly & Robbie and The Taxi Gang; a 21 date summer tour which weaved the bands through the US from Santa Barbara, California to St. Augustine, Florida. Cherine impressed audiences from city to city gaining new supporter along the way. The bands sold out the famous Red Rocks Theatre in Colorado and warmed an audience who braved the rain to enjoy the music. Both Slightly Stoopid and Pepper also loved Cherine's Dancehall Soul vibe and invited her to perform in their respective sets. This saw Anderson playing triple duty - first performing her set with Sly & Robbie, followed by performing a remix of Pepper's "Like Your Style" during their set and then returning to the stage with Slightly Stoopid at the end to perform her own hit "Good Love". Cherine says of the tour, "WOW, where do I begin? The tour exceeded all my expectations! I love, love, loved it. We started in California and ended in Florida playing to sold out audiences most night, and the energy from those crowds was indescribable. Sly & Robbie turned up that heat every night it was just great. And working with Slightly Stoopid and Pepper was amazing. Those guys are so passionate about what they do. It was like one big musical family." According to legendary drummer Sly Dunbar " It is really amazing to see the growth of Cherine from the first tour to now, She really shines on the tough hardcore riddims." The bands had nothing but raves for the presence and talents Anderson added to the Tailgate 2008 tour. Miles, founding member of Slightly Stoopid said, "Cherine brings love to the battlefield. She has an incredibly beautiful voice and lots of energy on stage and is definitely someone people should check out." C-Money from Slightly Stoopid replied, "Cherine is a true artist, a sexy mama and a positive light." OG added, "The way she carries herself, she's just really normal, but she gets on that stage and passion just oozes out of her." The band's tour manager Brian shared, "Every night she hit that stage, it took about 30 seconds into her set before the workers at the venues all looked to the stage to see where that sound was coming from. Cherine is the real deal. Her voice grabs your attention and forces you to listen and it gives you goose bumps too." A highlight during Cherine's set was her new single "Talk If Yuh Talking", (released to Jamaican radio this week). Anderson wrote the in-your-face female anthem based on the experience of one of her friends. "Talk If Yuh Talking" will be available to fans on Cherine's upcoming EP, 'The Introduction-Dubstyle'.

Posted : SEPTEMBER 7, 2008 AVA LEIGH FINDS HER VIBE IN REGGAE. Who is she? A self-styled 'hippy chick' from Chester with an unlikely fondness for vintage reggae. Why the fuss? What Duffy did for classic U.S. soul, Ava is doing for the rootsy rhythms of Jamaica. What does she sound like? Ava, 22, brings a breezy pop feel to a style made famous long before she was born. Her backing tracks are surprisingly authentic, harking back to the late Seventies' golden age of singers such as Dennis Brown and Burning Spear, but the vocals are unmistakably fresh and British. What's the story? Ava's mum, who works for the Royal Mail, was a huge reggae fan and Ava recalls singing along to Matumbi's After Tonight and Janet Kay's Silly Games when the pair were doing the housework together in Chester. The singer toured with her school jazz band, but also practised in a local rehearsal studio at weekends. She rejected a place at stage school to follow her pop dreams. And then? Ava recorded some R&B material, but didn't find her niche until she returned to reggae three years ago. A record deal with Virgin followed shortly afterwards. She says: 'You know when something feels right. I was so happy when I finally found my music. I write lyrics about my own experiences, and I love songs that everyone can relate to. I want to make memories.' What now? Now based in Brighton, Ava cut her debut album, Rollin', in Britain and Jamaica, working with reggae legends Sly & Robbie, duetting with Finley Quaye and co-writing with Gabrielle. Where can I hear more? A single, La, La, La, is out on September 29, with Rollin' following a week later on October 6. Article by: Adrian Thrills Watch the videoclips of her singles "Mad About The Boy" and "La La La".

Posted : SEPTEMBER 3, 2008 TNT READY FOR THE WORLD. Late last year renowned dancehall production unit Ward 21 unveiled a concept riddim called Dem Gal Sit'n, featuring an all-girl lineup ranging from brand new talent to veteran deejays. Just when the music started to bubble in Jamaica, Ward 21 departed on tour. The three youngest artistes Timberlee, Natalie Storm and Tifa took to promoting themselves with ferocity, becoming unstoppable ambassadors of gal-power in Kingston. Living out of Timberleee's car and repping their shocking green "Dem Gal" tees at every opportunity, they became fast friends. "We didn't sleep," says Tifa. "We didn't do anything at all but promoteecan I tell you, we had one shirt." Finishing her friend's sentence, Natalie adds, "We had to wear it for interview, wash it in the day and wear it in the night. Then like 4am, wash it again!" Though at first not a formal group, the three women have begun voicing collectively as TNT. The second all female riddim, the Estrogen riddim came and it pushed the girl's career even further. With Timberlee's "Wretchinel", Natalie Storm's "Gal Fi Get Boo", and Tifa's "Bottom Of Di Barrel". All three girls entered the dancehall charts and kept climbing. Currently Tifa is on her first major tour in Europe and there she has been well received by her audience. Source: Fader Magazine

Posted : SEPTEMBER 3, 2008 MIGHTY CROWN, MR. VEGAS AND HIGH ENERGY THRILL 40,000 IN JAPAN. Friday, August 22 saw a massive crowd of 40,000 revelers turned out to Japan's largest Reggae Festival, Yokohama Reggae SAI, to soak in the exhilarating energy of Mighty Crown, Mr. Vegas, High Energy, other guest Jamaican Reggae artists and a slew of top Japanese Reggae acts. On Saturday, August 16, in Yokohama, Japan was far from an ordinary day for Irish and Chin, Inc. clients, top-of-the line sound system and entertainment outfit Mighty Crown, phenomenal Dancehall artist Mr. Vegas and the stimulating dance crew High Energy. Impressively, this day commemorated the 17th anniversary of Mighty Crown in a colossal way, with a record-breaking 40,000 birthday guests in tow to share the experience. Mighty Crown, who is fresh off the heels of a sold-out European tour, celebrated their birthday in style, spinning hits for their fans and well wishers. At any given moment during the show, they blasted the sounds of top Dancehall selections, which rippled through the packed arena. From start to finish, Mighty Crown's performance consistently evoked a roaring crowd. In addition to Mighty Crown dropping Reggae favourites, ace selector Sami T also donned the role of artiste, lacing the venue with some of his latest music. "We are more than pleased with the outcome of Yokohama Reggae SAI," declares Sami T of Mighty Crown. "We never imagined that the event would evolve from 150 in attendance to 40,000. Over the years, we actually focused on the quality of the event rather than quantity." But Mighty Crown couldn't rightfully take center stage for the full night because there were many acts to follow, including those from their Lifestyle Records imprint like Papa B (20 year music veteran) and a number of high profile Japanese Reggae artistes. And of course, there were the special guest artistes from Jamaica, who were kept a secret until that night. The excited crowd erupted in applause when none other than Mr. Vegas took center stage. He rocked the swollen venue for his entire energetic set, capturing the undivided attention of his Japanese fans. Mr. Vegas consistently delivered flawless selections of timeless classics, new gems and his smash hits in Japan Do You Know and Up and Live. Mr. Vegas was last in Japan on a Mighty Crown tour in 2006. "This is indisputably the largest audience that I have performed before in my career," says Mr. Vegas enthusiastically. "Japanese fans have a committed love of Reggae/Dancehall music, making this opportunity more than worthwhile." A climactic moment of Mr. Vegas' stage show was a performance of High Energy, his background dancers that constantly bring the fire with pulsating dance moves and acrobatic feats. Throughout their segment, they received monstrous forwards. Led by Boricia Anthony Brown and Tishana Ellis, High Energy is blossoming in recognition, with requests for appearances through out the world. "As this is our first time in Japan, the experience has been quite rewarding," says Tishana. "Clearly, Japanese fans hold the 'dance' element of Dancehall culture with high regard, as evidenced by the outpour of appreciation we are receiving," added Boricia. Other Jamaican artistes on the Yokohama Reggae SAI line up include top crooner Wayne Wonder and the wildly popular Bugle. In past years, the festival has boasted the likes of Beenie Man, T.O.K, Tony Matterhorn and Da’Ville. Each year, the special guest artists from Jamaica are not formally billed for the event, rather they are a surprise. Yokohama Reggae SAI was conceived in 1995 by Mighty Crown as a means of celebrating their anniversary in the business and highlighting Reggae/Dancehall entertainment in Japan. The festival continues to grow in magnitude and visibility. Plans for next year's Yokohama Reggae SAI are already under way. Source: Garrick Communications

Posted : SEPTEMBER 3, 2008 THE DUTCH ACCEPT I-OCTANE. Conscious singer I-Octane returned home on a high after making good on his first ever European performance at the Sundance Festival in Holland on Sunday, August 10. The singer was surprised at the response he received from the estimated 30-35,000 patrons as he belted out his popular singles such as "Stab Vampire", "Poverty" and "Different Page". He was surprised by how much they knew his songs. He felt that it was one of his best performances yet and was grateful to perform in front of such a huge crowd of different ethnicity and hearing them singing his songs word for word. The songs went over so well, that I-Octane found himself performing each track more than once. When he touched "Different Page" well in the singers own words, it was a different page all together. He had to do that song three times, before he could eventually satisfy their insatiable appetite for the single. The singer had every reason to enjoy his first stint in Europe as he was a hot commodity there doing one interview after another for magazines, radio and television stations. That was not the only thing occupying his time as he was also in demand to do dub plates and specials for various sounds in that part of the world. I-Octane also did a superb performance in Canada on the Toronto International Music Festival which took place last weekend at Oakville Italian Garden, Toronto. The singer is expected to return to the island on Tuesday to shoot the video for his number one single "Different Page". According to the singer's management company Arrows Recording, relayed that they should have shot the video already, but the rain put paid to those plans. Source: Ray Khool

Posted : AUGUST 28, 2008 SPRAGGA BENZ'S SON SHOT AND KILLED BY JAMAICA POLICE. 17-year-old Carlton Grant Jr., more popularly known as 'Carlie' or 'Little Wayne' from the movie "Shottas", son of dancehall artist Spragga Benz (Carlton Grant Sr.) was killed by the police in Downtown Kingston Jamaica early Sunday morning (August 24th, 2008). Cops say they stopped two men on a bicycle in the Kingston 8 area and when they moved toward them, one of the men began firing at them, according to Radio Jamaica. The police said they returned fire and the men fled. When they searched the area; they found Grant Jr. in agony from gunshot wounds and in possession of a .45 semi automatic pistol. Grant Jr. was hurried to hospital where he was pronounced dead.

Posted : AUGUST 19, 2008 SKATALITES TRUMPETER 'DIZZY'JOHNNY MOORE BLOWS HIS FINAL BREATH. Internationally recognised trumpeter 'Dizzy' Johnny Moore, a founding member of the Skatalites and ska innovator died Saturday afternoon (16th August) at his home in Kingston. For the past seven months the almost 70-year-old Moore had been bravely battling colon cancer, but finally gave up the fight. John Arlington Moore was born in Kingston on October 5, 1938 to a family that did not consider music a favourable or viable career. But when young Johnny noticed a neighborhood lad playing the drums, he asked, "Bwoy, where did you learn to do that?" "Alpha," said the lad. "Whoa, I got to go to that place," was Moore's response. The problem with Johnny's desire was: only wayward youths were admitted to Alpha. To qualify, he purposely caused enough mischief for his mother to take him and enroll him there. As he put it, "I had to pull a couple of pranks so that they figured I was going haywire." At Alpha, Johnny Moore studied alongside other future luminaries such as Don Drummond, Lester Sterling and Rico Rodriguez. Under the tutelage of the nuns, he exhibited a sound academic aptitude, and with bandmaster Ruben Delgado's guidance, young Moore discovered his musical voice in the trumpet. He also displayed a keen interest in the harmonic refinement of musical composition, studied printing and excelled at electronics, for which he won a prize as the school's outstanding technician. On graduation, Moore went on to join the Jamaica Military Band where he earned the nickname "Johnny Blow Blow" because of his insistent practice of Dizzy Gillespie and Charlie Parker's music, instead of Beethoven and Bach's, which was favoured by the military band. He was discharged after three years for "not [being] amenable to military discipline, though a good musician". Moore next worked with the Mapletoft Poulle Orchestra, but was soon forced to quit because of his Rastafari beliefs. According to Dizzy, Poulle "was a lawyer and leader of one of society's top bands. I stayed with his band until my hair grew too long and he figured it was time for me to get a haircut". Away from the social scene, Dizzy grew his locks, adorned himself in burlap cloth and spent his time between the Dungle in West Kingston and Count Ossie's Camp on Wareika Hill in Rockfort. Jazz sensibilities, Rastafari concepts and the drums of Count Ossie shaped Johnny Moore's mature musical personality and inspired bandleader and camp companion Tommy McCook to reason with him, encouraging him to cut his locks and join the Skatalites. It was his dazzling solos that earned Johnny his moniker "Dizzy," and it was the Skatalites through which he established himself as the leading trumpeter of the idiom. Arguably the most recorded soloist of the era, among the hundreds of recordings on which "Dizzy" Johnny is featured are Something Special, Ringo, Man in the Street, Schooling the Duke, the Wailers' Love and Affection, Lonesome Feeling, and Nice Time. He is survived by his mother, children, grandchildren and great grandchildren. Source: Jamaica Star Forum, written by 'Pablo'.

Posted : JULY 6, 2008 MR. VEGAS SET TO SIZZLE THIS SUMMER. The temperature is rising. And there is no doubt that the summer is set to be scorching with the heat of dancehall star Mr. Vegas. Mr. Vegas is aiming to take over the Summer of 2008 with a heavy line-up including, tours, new music, festivities and appearances. Already getting off to a great start with a monumental performance at the Jamrock Reggae Fest, Mr. Vegas will make this summer his most successful ever. First up on Mr. Vegas' action-packed calendar is a European Tour in July, consisting of several stops - including appearances on the widely acclaimed Summerjam Reggae Festival in Cologne, Germany and Rototom Sunsplash in Ossopo, Udine, Italy. The timing couldn't be better, as European fans have been requesting the presence of their favourite sing-jay. Now, they can indulge in the Mr. Vegas experience, live and direct. Following the European Tour, Mr. Vegas will release his new song "Good Up, Good Up." Industry insiders have already billed this highly-anticipated follow-up single a hit. Plans for a high profile video --to be filmed in the U.S. - are in the works. Next is a tour of the Motherland, Africa. This market is another hotbed of Reggae music. And for years, they have sought out the entertainment of Mr. Vegas. At last, this tour has materialized, making the dreams of African dancehall fans a reality. Mr. Vegas will touch down in Uganda and several other surrounding countries in August. "I have always dreamed of touring in Africa," says Mr. Vegas earnestly, when asked of this venture. "It will be great to see fans and get in touch with my ancestral and musical roots; cyaan wait!" And finally, as if Mr. Vegas couldn't get any hotter, he will proudly celebrate his 10th anniversary in the business all summer long with festivities including a West Coast Tour and a grand finale fete in New York City. "It is truly exciting to be fortunate enough to have over ten productive years in the business," says Mr. Vegas. "I am ever-so-grateful for the fans who have supported me over the years.....I have my mind set on another fruitful decade." Mr. Vegas' effect on the dancehall industry is undeniable. As you read this, the singjay is leaving his imprint on the world. In Jamaica, Mr. Vegas has several songs and videos in heavy rotation including "Hot Gal Nuh Fight Ova Man" and the newest sensation "Daggering." In addition to heavy airplay, "Daggering" is a top requested song in the dancehall. In the U.S., Mr. Vegas is experiencing a wealth of success with the summer anthem "Mus Come a Road" and the dance sensation "Shake it Up." Impressively, "Shake it Up" is currently #7 on the Billboard Dance Chart. Aruba is also hailing Mr. Vegas. Their love of the artist has resulted in the album cut "You Gonna Need Me" (featuring Jovi Rockwell) firmly holding down a #1 spot on the charts for weeks. And St. Kitts has caught on to the Vegas fire, as he was recently nominated in two categories for the 6th Annual International Soca Awards set for October: Best Soca Collaboration Groove - Mr. Vegas ft. Destra for "On the Floor" and Best Soca Re-mix Collaboration: Ricky T. ft. Mr. Vegas for "Pressure Boom" (Remix). Mr. Vegas burst on the scene in 1997 with the break-through smashes "Heads High" and "Nike Air." The popular artist has since unleashed over a decade of countless dancehall hits and anthems. Through good music and hard work, Mr. Vegas has maintained a consistent presence on the dancehall scene. In the Summer of 2007, Mr. Vegas released his fifth studio album Hot It Up (Delicious Vinyl) to raving reviews. Notably, the racy album track "Hot Wuk" landed on the Billboard charts. Also in 2007, Mr. Vegas signed on to Irish and Chin, Inc. to manage his career. By Flair Lindsay

Posted : JULY 6, 2008 AMERICAN TV HOST STIRS UP CONTROVERSY ABOUT DANCEHALL MUSIC. Travel Channel TV host Anthony Bourdain, of the Emmy-nominated series "No Reservations," has stirred up some controversy concerning women in relation to dancehall music According to ReddingNewsReview.com, Bourdain referred to women as "bitches" when describing dancehall music in the Jamaican-themed episode of the show. Bourdain makes the following statement in a narration as he and his crew head to a street performance in Kingston: "There's no rootsy, laid back Rasta vibe," Bourdain narrates. "This ain't about standing up for your rights or praising Jah or anything like that. Like Reggaetón, its mutant cousin, dancehall is the hardcore beat behind lyrics concerning, for the most part: acquiring possessions, getting respect on the street, beating down perceived enemies and enjoying the physical charms of varied, if not multitudinous, bitches." The bleeped-out expletive is spoken while video of black women dancing fills the screen. Veteran Dancehall Reggae artist, Nadine Sutherland says that although she was offended by Bourdain's remarks, she believes that misogyny has been allowed for too long in dancehall for her to be angry at him. "I'm not going to have any self-righteous outrage at this man because that is what has been perpetuated," she said. "Why is it that a foreigner can't do it?" Sutherland, whose professional career began with her signing by Reggae legend Bob Marley to his Tuff Gong record label, is commonly known for her international breakthrough with classic hits "Starvation" and "Action" with Terror Fabulous. She also judges Jamaica's TV talent show, Rising Stars and her latest album, "Call My Name" carries hit singles, "Big Tingz" and "Babyface." Nadine says although the b-word is not often used in dancehall, the music has its own brand of demeaning terms. "There is a lovely word called 'sketel' and when you listen to the lyrics, 'gyal' is a derogatory word which can be equated as bitch," she said. "You do have 'She Is Royal', by Tarrus Riley and there are conscious men, but let's just be realistic. A lot of those lyrics have been extremely derogatory towards us women and painting a picture that the man is a prize, you fight for men and you're basically just a senseless sexual object just like rap music." Dancehall and hip-hop have a similar history being born out of the social and economic struggle of disenfranchised urban poor while dancehall is the eldest of the two. Both genres have also produced collaborative projects like "Here Comes The Boom" with rapper DMX featuring Sean Paul and Mr. Vegas. In a female duet, Patra's hit single, "Romantic Call" paired her with rapper Yo-Yo. Atlanta-based rapper, Stahhr Tha F.E.M.C.E.E. who is African American and a dancehall enthusiast says she rarely recalls the term being used in the music. "Lady Saw and Sasha may be the only ones, but they [Dancehall artists] use other words like sketel," she said. "I guess it's like the n-word because if you are a woman, maybe some women feel the entitlement to use it on each other." For hip-hoppers, the incident is reminiscent of syndicated radio host, Don Imus who referred to the women's Rutgers basketball team as "Nappy Headed Hos" and pointed the finger at hip-hop when defending his remarks. Imus is back under fire for comments made about suspended Dallas Cowboys cornerback, Adam Jones when asking about his race during an on-air conversation about his repeated arrests. "I don't blame dancehall for Anthony Bourdain's comments," Stahhr said. "It's not like he doesn't have any common sense. He used that word for a different purpose." "I am not going to blame a genre of music that hasn't existed for a century for a mentality that has existed for over a thousand." Jason Walker, who is from Kingston and host of WRFG-FM's Caribbean Runnings has been working as a soundman in the dancehall industry for over 20 years. He says Bourdain is not equipped to tell the dancehall story. "I wouldn't call him a racist, but it comes from a racist place because he feels has the right to use that term and that he has that power," he said. "His description doesn't make room for Buju Banton, Luciano, Tanya Stephens and of course... Nadine Sutherland." "Considering where the music comes from, there shouldn't be any derogatory comments. I think that's where Nadine is coming from. There needs to be an honest discourse from people in the dancehall culture about the state of the music." The attention brought to the hip-hop industry with the Imus controversy lead to rapper Chamilionaire publicly announcing that he would remove the n-word from his music and others in the industry pledged to make similar changes. This year's theme chosen for Hip-Hop Appreciation Week was a focus on women. Asked if Bourdain's comments would provoke a similar conversation in the Dancehall Reggae industry, Nadine said: "I don't know if someone is going to have that epiphany to look at this at an individual level and have an epiphany from this episode and say: Ok, this is wrong. I have been doing this by my lyrical content to the women of my culture and somebody else outside of the culture is repeating what I have done and what I have said and I don't feel comfortable as a person being disrespected." Reggae Dancehall music fans acknowledge its "slackness" in lyrical content, but also argue that some artists use the art form to advance positive messages. Dancehall artist, Assassin's "Idiot Ting Dat" berates dead beat parents, materialism and speaks out on economic oppression. "In terms of a galvanized movement, I've never seen it happen and I am not saying it will never happen," Sutherland said. "I am praying that there will be, but am I optimistic about it? I can't say that I am." "I don't know if this is a moment that will change that or even initiate dialogue, but this is indeed a moment and a lot of us can look at ourselves and see some sense of shame." By Bruno Gaston

Posted : JULY 3, 2008 LETTER TO BOTH THE JAMAICA GLEANER AND OBSERVER... NEITHER PRINTED IT! On June 5, M. Peggy Quattro wrote a letter to both the Jamaica Gleaner and Observer after the Prime Minister’s statement that 'it is time for a comprehensive marketing plan for Reggae music'. It's a well thought out message, positive, and meant to help those fumbling around, but neither printed it for the JA massive to read. Because we think the Reggae massive should know the content of that letter, we publish it on our site... so here it is. Dear Editor: As a 27-year Reggae industry veteran, I was ecstatic to read Prime Minister Golding's acknowledgement that it is "time for a comprehensive marketing plan for Reggae music." In recognizing Reggae's importance on a level equal to tourism, I commend his initiative to create a strategy that will not only positively promote Reggae, but also address the negativity that has pervaded the world stage. The prime minister's official May 26 release appeared on websites in the USA, France, Czechoslovakia, Japan, and Thailand, attesting to Jamaica and Reggae's international interest. Nearly 40 years old, Reggae is recognized as "Jamaica's greatest musical export," and the time to protect its hard-earned reputation is now. From 1996 to 2007, several studies, written locally and abroad, have addressed Reggae, Jamaica, and the importance of global marketing. The link between the two is undeniable; Reggae is part of Jamaica's image in the tourist market. The plan is already there, studied and presented by scholars, music professionals, politicians, and journalists. Central to the solution is the Internet. The possibilities for e-commerce, digital download, creativity, and wide-ranging national and cultural promotion - when well organized and managed - will create extensive employment opportunities and contribute considerably to Jamaica's economy. I commend all foundation Reggae artists and professionals who achieved success and shaped a world sensation before the Internet. Young artists have benefited from this groundwork, and any action on their part to dishonor such achievement must, and will be, addressed. Although abundant, "talent alone is not sufficient to build a competitive music industry." Effective business organization requires entrepreneurs, intellectual property protection, access to financing, education, training, new technology, and the expertise of the private and public sectors. Today, negativity surrounding Dancehall artists who endorse homosexual violence or degrade women has marked a decline in creative talent. The positive message of 70s and 80s Reggae is being overshadowed by the recent era of negative lyrics. Citing Bible passages as the reason for this rhetoric is narrow-minded and selective. Unfortunately, this phenom has left Jamaica, where fans may enjoy or encourage such talk, and travelled abroad where large numbers of fans - gay or not - find the content offensive. Dancehall artists who endorse or participate in 'gay bashing' are bringing great global harm to Reggae's reputation and 40-year history. How will it stop? Education. Opportunity. Cooperation. Action. Addressing this problem is the beginning of a solution. Get up, stand up. To plan for Reggae's future, we must first believe in Reggae's future. M. Peggy Quattro ReggaeReport.com, Publisher Miami, Florida

Posted : JULY 2, 2008 NADINE SUTHERLAND WOWS GEORGIA! She was witty, energetic, sexy, inspiring, professional, warm, charming and extremely entertaining as this true princess of Reggae music continued her love affair with what some call the fastest growing Caribbean community outside of the Caribbean, Georgia. Nadine Sutherland came, she entertained and she conquered! The Reggae Dancehall star, TV star (Rising Star) and Journalist went through her hits like; "Action", "Babyface", "I'm In Love (Rainbow)", "Anything For You", "Big Tingz" and more. From the moment she stepped on stage at the Vibes Night Club in Decatur Georgia, the air was filled with electricity, and the venue was filled with energy. Sutherland commanded the stage as she bounced and danced all over the stage, never missing a beat, always hitting the right notes and exciting the crowd with her great performance. On stage she went through many personas, she was the girl next door, she was your little sister, she became your older sister, your adviser, the sexy lady you fall in love and multiple other powerful yet comforting roles, all in one night! She showed an extremely diverse repertoire that showed an experienced performer, singer and entertainer that belied how young she looks on stage. The beautiful, strong, high-energy person on stage could easily pass for a teenager, however the same person on stage gave words of advice and commentary (without being preachy) that demonstrated the existence of an old soul. The contestants of her hit TV show "Rising Star" would have learned a lot if they had been in that audience. This was an audience that understood that they were witnessing quality, commitment, and professionalism. As she sang hit after hit, it was clear to the listener that they have loved this artist for close to thirty years yet she exhibits the atmosphere and feel of someone half her age, but when she stopped the music to talk about the issues of the day and then let us know that "this too shall pass" she comforts you as well as any mother. Nadine Sutherland came to Georgia and gave them a wonderful present. As a protégé of the King Bob Marley, she made her former mentor proud that night by giving an intelligent, diverse, professional and yet intimate performance. She gave Georgia her music, her energy, her amazing voice, and her love. Hence the love affair between Nadine and Georgia hit another great milestone. By Jason Walker.

Posted : JUNE 17, 2008 SEAN PAUL RETURNS. Sean Paul is indeed back on the juggling case with ferocity, voicing a number of new tunes after an extended absence. Rumors of a new album in the works for later this year are circulating along with a barrage of new 45s and guest verses. This has caught the attention of many since the reggae/dancehall superstar has broken every record imaginable for a reggae artist which makes whatever he does an all-important signal for anybody who cares about the direction of dancehall as an industry and an art form. His current projects include back to back appearances on the Sand-Fly riddim produced by Leftside. The tracks include his solo outing "Grip" which is a throwback to Sean Paul flow of old, and the Shane-O combination "Girls Territory". Two more combinations, "Back It Up" and "As Far As I See", with Mr. Evil/Leftside and Wayne Marshall respectively, shows Sean’s prowess on new-school musical flows. More importantly they demonstrate Sean’s consistent tendency of collaborating with the finest in Jamaican talent, even though he could work with basically anybody in the world. Sean Paul has also been working with Stephen ‘Genius’ McGregor, one of the only producers whose riddims he has been blessing for the last year or two. "Get It Right" on the Power Cut and "Don’t Tease Me" on the Work Out Riddim are two of the finest singles to date coupled with "Serious", Sean Paul’s collaboration with Busta Rhymes and Busy Signal. "Running Out Of Time" is simply a Sean solo, doing what he does best. However his collaboration with Fahrenheit, his lyrical sparring partner, on the track "Hit Em" is definitely one to vibe to. The song also features Sean’s brother aka Jigzagula which adds a hip hop twist to the mix. With all his tracks getting frequent airplay, it is no doubt that Sean Paul will be making summer a little hotter. Source: Fader Magazine

Posted : JUNE 11, 2008 STEELE TAKES TOP HONORS AT THE RMAA. The night clearly belonged to Steele as he walked away with three honors at the Reggae Music Achievement Awards (RMAA) held on Sunday June 8th at the Holiday Inn Select hotel in Toronto . Jamaica ’s radio personality, Richie B, who had earlier received the award for international radio DJ of the year, had the pleasure of presenting Steele with the first of his three awards-album/cd of the year, “The Love of Jah”. In his interview following the presentation, Richie B commented that “presenting Steele with the album of the year award was most fitting, since it was the first CD produced, recorded, and sung by an artist residing in Canada to ever hit the top ten album/cd charts in Jamaica ”. This was just the beginning for Steele. Before long he was once again recognized as male vocalist of the year, and artist of the year. The Mobs Produced artist has been consistent with his deliverance of good reggae music, and his contribution to the Canadian reggae industry has been clearly noticed by all. The applause was overwhelming each time Steele went to receive his award, clearly indicating that all was in agreement with the accolades given to Steele. True to his humble persona, Steele took time to thank his fans, his co-producer Ernie Tresfall of Reflex Music, and all media personnel around the world for their love and continued support of his work. He also thanked all that went online to vote for him, and finally, the awards committee that so professionally coordinated the event. Steele later performed for his fans, and once again held nothing back in delivering an energy packed set with songs such as "Another Confrontation", "Breakfast In Bed" and the ever spiritual "Jah Is My Strength". The second staging of the RMAA will be a memorable one for Steele, with his three awards, he went away feeling blessed, and endeavors to continue producing, singing and promoting good reggae music for the global market.

Steele & Richie B

Posted : JUNE 5, 2008 MAVADO - NOT GUILTY! Jamaica's Director of Public Prosecutions, Paula Llewellyn QC, this morning signed a letter stating that the Crown is not continuing criminal proceedings against David Brooks AKA Mavado. The letter was presented to the Gun Court and the matter against him dismissed. Mavado has been de-processed and his fingerprint destroyed. Freed of all charges, Mavado is looking forward to continuing his positive rise in Jamaica and on the world stage. “We said from day one that we have all faith in the Jamaican justice system that Mavado will be vindicated in this matter,” manager Julian Jones-Griffith said. “Give thanks to God for bringing a brighter day, and to the legal team of Tom Taveres-Finson and Antoinette Haughton. When Mavado’s US visa was cancelled it was on the grounds that he had an ongoing case before the courts. As this matter is now cleared up we will be approaching the US Embassy at the earliest opportunity to reapply for his work permit, once we have gathered all the necessary documentation from the courts etc.” The charges arose out of an incident that took place in July of 2007. Statements were taken at that time and despite no new evidence emerging, Mavado was not arrested until March of 2008. He was charged with Illegal Possession of Firearm and Shooting with Intent but the Crown went on to decide that there was a lack of evidence against Mavado so they could not proceed with the trial and it collapsed in court. Mavado is thankful this chapter is now closed and he can continue what he does best, making hits and connecting Jamaica.

Posted : JUNE 2, 2008 UK ARTIST TUBBY T HAS PASSED ON. Tubby T was an early starter in the vocalist game. By the time he was 13, he was singing in local stage shows in North West London and Summer Park Festival's. Tubby also recorded his first demo's around this time under tutelage of producer Trevor T. When Tubby turned 16, he was already a veteran of London stage shows, having supported Sweetie Irie, General Levy, Phoebe One and numerous local acts. Tubby then began travelling outside London to perform. He began writing at 18 which recieved it's first public airing's when local sound systems began cutting DubPlate's. At the beginning of 2000, Tubby hooked up with Jermaine Forde, one of the hottest dancehall producer's in the UK. The resulting sessions got Tubby aired on pirate radio stations throughout the country and this led to live gig's supporting Beenie Man and Elephant Man. Back then Tubby was focusing on the UK Garage Scene, having recording session's with Carl H and SunShip, however it was when he teamed up with Sticky for 'Tale's Of Da Hood', when things truly fell into place. Tubby signed to Virgin Record's in 2002, touring all over the place but after two year's parted company due to creative differences. For a while it seemed Tubby stepped out of the spotlight. 2004 he decided to take his career into his own hands and exploded back onto the scene with the independent release of another massive tune 'Ready She Ready', produced by Seani B of 'Big League Records. This generated a huge buzz again, which led Tubby back to the club/live perfomance scene. At this point in his career he was not only establishing himself as one of the best Reggae artists in the UK, but also as the Premier live perfomer in the country. But destiny was about to deliver a devastating twist in his story... 2004 Tubby suffered a major stroke. He was hospitalised for 7 months and then was slowly but surely gaining his health. Unfortunately it wasn't to survive as he passed away about a week ago. Our sincere condolences go out to his family and friends.

Posted : MAY 21, 2008 AN "UNDERGROUND" MOVEMENT. With a skank and demeanor similar to that of Reggae Icon Bob Marley, it's evident Rootz Underground front man Stephen Newland, with the help of his band, has major plans to secure a spot in the history of the reggae Movement. Last Saturday fans turned up at the Hope Gardens Bandshell for the much anticipated release of Rootz' debut album, "Movement", and were treated to a thrilling reggae composed ride. Taking centrestage, to the harmony of "Time Is An Illusion", Newland greeted his audience and then simultaneously broke into song. Swinging his shoulder length locks, devoid of inhibition, Newland's voice echoed throughout the venue, while his fellow band members rocked - playing their instruments - visually into the vibe. By the time the band launched into songs such as "Hammer" and "Victims Of The System" they had the ample crowd mystified by their aura, with some singing their tunes word for word. "This band is good, and I suspect their following is just going to continue to grow," said visiting Caymanian resident April General. The band's strong stage presence continued with a stirring rendition of "Fade Away". "Is everybody feeling good?" Newland asked before commencing Slumberland, after which it was announced that, as previously advertised, Wayne Armond of Chalice and Dean Fraser would no longer be performing due to previous engagements. But even with the announcement of Armond and Fraser's absence, the crowd was not perturbed and seemed to be more interested in hearing more from Rootz Underground. With a cover of Bob Marley and the Wailers' "Midnight Train", Newland removed his long sleeved jeans shirt to reveal a black merino and really got the crowd moving with "In the Jungle". Abruptly finishing their set and exiting the stage, the Rootz Underground mesmerised audience demanded more, chanting, "We want more Rootz Underground," until the band came back and continued to fill their fans' reggae fix with a few more songs. "Thank you so much for coming to this album launch," expressed Newland just before for the last time existing the stage. "Dem boy yah a di real deal, and I feel like I just watched the early stages of something that is going to be big in the future," declared a patron while existing the venue, "Something big!"

Posted : MAY 22, 2008 MR. VEGAS BLAZES THREE NEW MUSIC VIDEOS. After recently performing before thousands of diehard U.S. college fans on the Irish and Chin produced Campus Rave tour, Mr. Vegas has returned to the dancehall scene with a vengeance and three new steamy videos in tow. As if dancehall artiste Mr. Vegas couldn't get any hotter in 2008, he just wrapped up the production of a video for his newest single "Daggering". On this sizzlin' track, Mr. Vegas delivers piercing lyrics over the Remembrance riddim, produced by Kirkledove of "Tek Weh Yuhself" fame. Like its predecessor, "Daggering" is destined to spawn a dance craze. In addition to Mr. Vegas' "Daggering", you can catch the recent and ever-so-popular "Hot Gal Nuh Fight Ova Man" and "Mus Come A Road" videos in heavy rotation on various television media outlets. " "Daggering" is based on a dance...," said Mr. Vegas enthusiastically on the set of the video shoot. "It's a man and woman dance, in contrast to just an individual ting … everybody can get involved. We have taken this one way back and have modernized the Mento," added Vegas. "It's quite a different feel compared to the one million 'daggering' songs in the dancehall… " The "Daggering" video was a creative project from hot-shot director Jay Will, the man behind loads of top-notch dancehall videos including Vegas' popular "Tek Weh Yuhself" and "Hot Wuk". "Daggering" was shot at both the Caymanas Mineral Bath in St. Catherine and a dance/club scene was shot on location in Kingston. Mr. Vegas, dancehall's singjay, is clearly one of the industry's mainstays. He made his debut on the scene over ten years ago, with the break through hit "Heads High". For over a decade, Mr. Vegas has kept up the momentum by entertaining fans with timeless hits. His most recent studio album "Hot It Up", distributed by Delicious Vinyl, has been embraced by the massive. Notably, the racy single "Hot Wuk" landed on the Billboard charts. In August 2007, Mr. Vegas signed onto Irish and Chin, Inc. to manage his career. Source: Garrick Communications

Posted : MAY 22, 2008 CEZAR TAKES JAMAICAN MUSIC TO A NEW FAN BASE. It was the dance remix of Bob Marley's "Sun Is Shining" in 1999 that brought a positive reggae message to the attention of a new age of young club goers and now in 2008 Cezar is doing the same. Under the direction of his new management RHH Music Corp., Cezar's award winning single "Keep On" has now been remixed by German house music production duo Peter Spencer and Josh Hill aka Spencer & Hill, transforming Cezar's pure reggae message into a Reggae Electro remix and new club sensation. Rodney Hill, CEO of RHH Music Corp. and Cezar's manager, explains the rationale behind the remix: "This remix opens the door to having a reggae soul artist heard in house clubs throughout the world where at any given time there are thousands of clubbers, creating a new fan base. The sky is now the limit for Cezar." The remix was commissioned by Ultra Records, a leading independent electronic label based in New York, who bought the licence for the original reggae version in 2007. The original reggae version of "Keep On", written by Cezar and produced by David Kennedy, caught the attention of Ultra Records after copping second place at the International Song Writing Competition in May of 2007. With nearly 15,000 hits on YouTube in just two months, the remixed track has been getting incredible attention internationally not just because of the club appeal but also because of the international message. With lyrics like: "You just got to keep on trying, and keep doing the best with the hand that you get. Don't give up that fight,” "Keep On" is an uplifting anthem of perseverance, hope and 'active optimism'. "Keep On", an ideology for all ages, has now been remixed to attract a new Electro Reggae fan base, taking Jamaican music and its positive message to a new generation of music listeners and club goers. The remixed single has already been receiving heavy club rotation in the US and Europe especially making a sensation in Russia, Hungary and Brazil. Source: Alykhat PR

Posted : MAY 22, 2008 JAMAICA FESTIVAL SONG COMPETITION RETURNS. The Festival Song Competition after an absence of ten years is back for 2008 under the theme, 'Festival Song Come Back Again …What a Bam Bam.’ Ten finalists have been selected with original songs which speak to the diversity of the Jamaican society. Vernon Derby the Chairman of the Festival Song committee is excited about the selection and says that “these songs will help to lift the spirit of Jamaicans during the Independence season.” He highlighted that Clifton 'Specialist' Dillon, known for producing Grammy Award Winners, has assisted with the production of the songs. Past festival song winner and producer Tommy Cowan will also be assisting in producing the Festival Song Shows across Jamaica. The 2008 Jamaica Festival Song Album will be launched on Tuesday, May 27 and road shows featuring all ten artistes will be held at strategic points across the island, culminating with the National Finals, which has been scheduled for Saturday, July 12 at the National Indoor Sports Centre. Source: Jamaica Cultural Development Commission

Posted : MAY 20, 2008 MULTIPLE NOMINATIONS FOR STEELE FROM THE REGGAE MUSIC ACHIEVEMENT AWARDS. Steele has been blessed with receiving four nominations from the Reggae Music Achievement Awards (RMAA). The Categories are: Artist of the year, Best male vocalist, Best reggae single for Another Confrontation, and best album/cd for The Love of Jah. He continues to work relentlessly to achieve his musical endeavors. No matter what obstacles arise, Steele sees them as challenges and that’s his driving force. “Ultimately, getting an award is not my main focus”, says Steele. “Don’t get me wrong, it’s good to be recognized for the work that you put forth, but I continue to say it has always been more gratifying when someone walks up to me and says, that song that you do, has given me so much motivation and inspiration to make it through the day. Now that has always been reward enough for me. Humbly, I’ll accept it if I get it, but, at the end of it all the fans are the real star, they are the ones that control your destiny in the music industry. I continually want to build my career on substance and not hype. Once again let me say thanks to the almighty father, all my fans and media personnel that take the time to support the work that I do”. The Reggae Music Achievement Awards will be held in Toronto on June 8th at the Holiday Inn Select Hotel.

Posted : MAY 19, 2008 VC TO RETURN TO CHARTS. Eight years ago, VC had one of the most popular tunes playing in the dancehall as well as on the airwaves titled "By His Deeds". The hit provided a stinging social commentary in which the singer/composer offered a damning critique of the sometimes double-standards, hypocrisy and contradictions he observed in all sectors of society. Considered as a one hit wonder because of his eight year musical silence he commented “I would say that it is better to be a one-hit wonder than 'no hit nutten', And to know where my mindset was when I started, it was never to create a hit, it was just to express myself. The fact that I've been blessed with such appreciation and acceptance from the public for that first song is great. The idea for his signature tune "By His Deeds" came about one day when as a delivery man for J Wray and Nephew he experienced one of those frustrating days. "I was delivering rum in this little van, sweat a bust mi shut, mi a get very frustrated and mi a carry out some liquor.and mi sey to mi self, yu deh deh a tell people sey yu is a producer and dem ting deh, is your deeds you shall be known for yu nuh yute. So when mi done deliver the liquor I went back into the van and heard this preacher on the radio and in that moment between driving from there to my next delivery, I wrote the first verse and the chorus." Nowadays, Valton Craig is busy making a living, raising his family and recording. He has been doing a lot of work with various producers, "which is something that I hadn't gotten the chance to do before, especially with European producers." He shared that there has been a lot of interest from people in places as far away as Poland, Germany, Italy, France and there are also some very strong producers that he's been getting a chance to work with. "On the local scene, I've also been working with people like Big Tings Music, Stephen Greig. I’ve also been doing some work with Renaissance, as a matter of fact, I did a nice new tune "It's Time" on Renaissance's legal rhythm."

Posted : MAY 15, 2008 REGGAE STARS COLLABORATE WITH K-SALAAM AND BEATNICK POSE. On their latest musical opus, ‘Whose World Is This?’, Minnesotan producers and songwriters K-Salaam and Beatnick pose this thought-provoking question to an A-list selection of some of the world’s most prominent hip hop, reggae and spoken word artists. Using K-Salaam & Beatnick’s music as the vehicle, Trey Songz, Young Buck, Sizzla, Buju Banton, Dead Prez and Talib Kweli among others, rose to the challenge and used their music and message to formulate their answer. The album forms a cohesive musical dialog across cultures, genres and life experiences. As told by K-Salaam: “This is an album created to inspire change for the global community. Its message is one of revolution.” Addressing politics, poetics and peace, the musical forum explores a variety of solutions and topics to ‘Whose World Is This?”. On “To the Rescue,” Papoose and Busy Signal propose to take militant action immediately as Papoose fervently delivers in the first verse: “Protect our own world and we can be ok, cause every time one of our leaders gets blown away, we lose faith and all our people go astray. We got to take it!” On the other hand, reggae luminary Sizzla offers a very poetic reply searching for religious truth and escape on “Sail On,” while Trey Songz and Buju Banton call for peace on "Street Life" insisting “Gangster, you don’t have to bust your guns tonight. Those days are over. You don’t have to run into the street life.” Finding his voice at an early age through the language of cuts and blends, Iranian born K-Salaam describes the birth of this project: “I went into this thinking that I wanted to make a great album with some of my favorite artists, so I wrote down the names of 15 artists I wanted to work with and 13 ended up on the album!” The producer embarked on a quest- literally going door-to-door, studio-to-studio-to convince each artist to record for him. He even traveled to Jamaica to find some his favorite reggae stars Capleton, Sizzla and Luciano. Recalling their first encounter, reggae legend Buju Banton jokes, “K-Salaam came as close as a mustard seed to getting killed.” K-Salaam boldly cold-called Buju Banton while he was in New York and despite the possible imposition Buju invited him to record the same day. K-Salaam’s search for Sizzla was just as colorful. K recalls, “I went to Jamaica to just seek him out. When I landed, it turned out he wasn’t even on the island but luckily I had my boombox with me, so I played a few tracks for his people and left a beat CD. Eventually he heard my tracks, reached out to me and that was that!” Like Buju Banton and Sizzla, nearly all of the artists he approached agreed to participate immediately after listening to the music. Stic Man from Dead Prez states: “It was a no brainer for me…It is good music, good vibe, for a good reason. K-Salaam and Beatnick are very talented and they stand for something substantive. We believe in the solidarity of oppressed people, black, brown, all the way around.” Despite no industry connections prior to starting, the music and concept swayed the who’s-who of artists. As Scratch Magazine notes, “for a no-name producer to have won over so many high-profile artists, his skills must have really stood out.” K adds, “revolution is started by individuals but can only be won by armies, that’s why I felt the need to ally myself with like-minded artists.” There is also a more intimate reason behind the genesis of this album and K-Salaam’s desire to record in Jamaica with reggae artists. As he explains, “My family is from the slums of a third-world country. My father would tell me stories of not eating for 5 days straight or having shoes until he was 17 years old. Going to Jamaica and seeing the ghetto over there was like living some of my father’s past, just in another country. It was a mind-blowing experience that saturated my soul and spirit.” Rooted with tradition that spans from King Tubby to Funkmaster Flex, K-Salaam and Beatnick’s work also draws on the songwriting legacy of Tamla Motown’s soul and The Beatles. As Beatnick states, “our sound is very vibrant, polished, and lush. We compose songs, not just make beats. That’s why we attract such a diverse range of artists and projects.” The two producers continue to work on a wide spectrum of projects. They are currently in the studio preparing their next album entitled “It’s Like a Jungle Sometimes”, which is “less political and more of a therapy album for me and everyday working people,” K-Salaam notes. The duo is also producing tracks for NAS, The Outlawz and Young Jeezy and scoring soundtracks for HBO and Danny Glover’s latest movie. “Our new album just like our work, is incredibly varied, adds K-Salaam, but our music is the glue that keeps it all together. Whether reggae, hip-hop or spoken word, everyone sounds like they belong on it. Hip-hop and reggae are like distant cousins. They all speak the same language, they just have different accents.”

Posted : MAY 2, 2008 GUYANA BANS TWO JAMAICA DANCEHALL STARS. The Guyana government has issued a ban on Jamaican dancehall stars, Bounty Killer and Mavado. The ban comes a week after Bounty was pelted with bottles at a National Park show that was also interspersed with sporadic gunfire over a faulty sound system. Bounty`s performance was also replete with homosexual denouncements. It also comes as Mavado, known for what many term as his `bad man` lyrics, was set for a Linden performance this weekend. But yesterday, Guyana Home Affairs Minister Clement Rohee told reporters that Bounty Killer, whose real name is Rodney Price and Mavado whose real name is David Brooks are being banned because they are viewed as a security risk to the country.

Posted : MAY 2, 2008 GIVING ROCKSTEADY ITS DUE. He may have played some of the baddest bass lines in Jamaican popular music but Jackie Jackson is far from a household name. In fact, most persons know him as the husband of singer Karen Smith. "Get Ready To Rocksteady," a film based on the beat that preceded reggae, gives musicians like Jackson his due. The project is almost complete and it is expected to be released this year. The rocksteady period produced a flood of harmony groups including the Heptones, the Melodians and the Techniques. Alton Ellis, Ken Boothe, Marcia Griffiths are some of the genre's best-known solo acts. Jackson was a member of the Supersonics, the house band at producer Arthur 'Duke' Reid's Treasure Isle studio. According to the lanky bassman, they were involved in a 'Cold War' for two years with their rivals at Studio One, which was owned by producer Clement 'Coxsone' Dodd. Jackson appears along with rocksteady contemporaries like guitarist Lynford 'Hux' Brown, keyboardists Gladstone 'Gladdy' Anderson and Robbie Lyn. "Get Ready To Rocksteady" which is a joint venture between filmmakers Canadian Moss Raxlen and Stascha Bader of Switzerland. Raxlen says he has always loved rocksteady, a slower, heavier bass beat that emerged in the wake of ska. Jackson and his colleagues gathered at the Tuff Gong studio in St. Andrew to put a fresh spin on 16 popular songs from the rocksteady era. The singers included John Holt, Marcia Griffiths, Leroy Sibbles and Dawn Penn. Roxlen, who is from Montreal, said "Get Ready" has been in the works for five years. It was produced on a small budget and will initially be released on DVD and in small theatres throughout Canada. The film, which received financial backing from the Jamaican government, will be distributed by Peace Arch Entertainment. Source: Jamaica Gleaner.

Posted : MAY 2, 2008 BEENIE MAN READY FOR THE BIG SCREEN. The King of the Dancehall Beenie Man is taking his career to a new level, the artist, now has his eyes set on the big screen. Beenie who has been featured in a few films is taking a different approach this time, this time “The Doctor” is part of the production, from beginning to end. Beenie Man and his partners Trenten and Richard Gumbs from 3-G Films have just finished writing the script for a movie titled “Kingston”. The movie is about a ghetto youth who rips off some people and then some serious drama ensues. Trenten Gumbs and his brother Richard, from 3-G Films, are the engine behind the soon-to-be-released, all-Jamaican-cast movie, "Cop" and a "Badman." The film also stars Ninjaman, Oliver Samuels and Glen Campbell and was shot on location in Los Angeles.

Posted : APRIL 30, 2008 CHERINE ANDERSON WINS AT THE CARIBBEAN URBAN MUSIC AWARDS. Dancehall Soul singer/songwriter Cherine Anderson walked away with the award for Best Female Vocalist at the 2008 Caribbean Urban Music Awards held on Saturday, April 26 at Sugarmans Beach in Jamaica. Anderson, who was up against Tami Chynn, Lady Saw, Macka Diamond and Queen Ifrica for Best Female Artist, was also nominated in the category of Best Newcomer. The striking 5 foot 3 soulstress gave a powerful performance of her prolific hit "Kingston State of Mind" and was asked by the appreciative crowd to "sing some more, another song, sing anything". Totally impromptu, Anderson then asked the host of the show, Spragga Benz, if he would join her on her hit collaboration "Coming Over", a duet she originally recorded with Chuck Fender. The two stars unleashed what could easily be considered the performance highlight of the night, both singing and then free styling DJ lines to the loud applause from the crowd causing them to 'pull up' the song from the beginning.       When asked about her win Anderson responded, "It's a blessing to be recognized for doing something I love, my music. It's very humbling to be awarded the Female Artist of the Year amongst such an accomplished group of deserving women artists. I'm so appreciative to my fans in Jamaica and worldwide for their votes and support. I intend to continue making good music, and receiving this recognition from my fans and the CUMA is truly motivating and rewarding." In response to how she felt about performing with Spragga Benz, Cherine burst into a huge smile and added, "Oh my God, that was so much fun. I was kinna nervous having only prepared one song, but when the audience asked me to sing something else, I looked over and saw Spragga Benz and decided to just take a chance. He was wonderfuI, he even knew all the words." The Caribbean Urban Music Awards is the brainchild of the producers of the Urban Music Awards, which is one of the biggest international awards ceremonies held in the USA, UK, France, and Germany and broadcast worldwide to an audience of 14.5 million viewers annually. It was born out of the need to build a worldwide and independent awards ceremony to recognize the achievement of 100% urban based artists, producers, night clubs, dj's, radio stations, record labels and artist who are apart of the Urban music scene. From the inception of the Urban Music Awards all nominations and voting have been left for the public to decide, with over 3 million urban music fans nominating and voting on the official UMA website internationally per year.

Posted : APRIL 24, 2008 THE SHOW GOES ON FOR ESCO. Esco, formally of the duo, Leftside and Esco, has been busy in the studios recording with a wide range of Dancehall producers as well as focusing on his own production efforts for his newly formed 1-1-1 Productions. Some of Esco’s new songs receiving wide airplay in Jamaica include; Don't Hail We from Jamaica's DJ Sunshine’s all new Ghetto Wuk riddim, Bust A Whine a one off from Esco’s 1-1-1 Productions, Wow from Natural Bridge Record’s Sea Breeze riddim and Dun Dem Credit featuring Fresh from Seanizzle’s Creepa riddim. Esco’s more than demonstrating his creativity and versatility with his all new TGSO (meaning The Show Goes On) riddim features songs like; Head A Leak by Delly Ranx featuring Smurf, Do It Hot by Deva Bratt, Control Dis Ting by Esco, Fren Ova Gal by Fambo, Horny Anyone from Fresh, Hot Gal Step Out by Malica and Nah Come from Wayne Marshall. Esco has also been making a consistent mark within the Soca community. First, with releases as a part of the former duo Leftside & Esco and more currently based on some of his own collaborations. Some of the new Soca tunes Esco has recorded include: Wine of my dreams on the Response Riddim produced by Johann Seaton of Sel Construction and All Day RMX with Shurwayne Winchester and Johnny King. He even joined Shurwayne Winchester to perform their song in front of an excited soca crowd in Jamaica during the Carnival season a few weeks ago. Esco is in the prep stages of shooting a few videos in the next couple of weeks and has plans to work with Jamaica’s most esteemed international video director Ras Kassa.

Posted : APRIL 24, 2008 SERANI INKS TWO-ALBUM DEAL. One of dancehall's hottest new artistes, Craig 'Serani' Marsh, has signed a two-album deal with Japan label JVC Entertainment. The producer, now turned singer, says, "It's exciting for me because since I took the decision to add singing to my repertoire, the response has been great." Serani gained public recognition as a singer when collaborated with Bugle and Movado with hit singles Doh and Dying respectively. After reaping success there, Serani went on to record a number of other hit songs, among them, Stinking Rich, She Loves Me and Study People. According to Serani, "people have taken on to my songs very quickly, which I am very thankful for." Now, as Serani focuses his attention on his new two-album deal in Japan, he will be moving full speed ahead to ensure the success of these albums. He admitted to being, "very driven, when it comes on to music whichever aspect I am devoted to, making dancehall and reggae bigger worldwide."

Posted : APRIL 24, 2008 JAMAICA MUSIC INDUSTRY '4EVER' INDEBTED. On Sunday, May 4 the Dodd Family invites all to commemorate the fourth anniversary of the life of Clement "Coxon" Dodd, dubbed the "Father of the Jamaican Music Industry." From the four corners of the globe the interest in the preservation, protection and promotion of his life’s work has been of the highest order, knowing the seminal role that it has and will continue to play for generations to come. Through his lifetime he witnessed the transmission of Jamaican musical culture to the four corners of the globe with little direct benefit to the 'folk' of Jamaica as creators and inspirers. However, the ultimate emergence of the Jamaica Recording and Publishing Company has presented the opportunity to re-invent and preserve the wheel of creative expressions. As such the Dodd Family is embarking on what is currently known as a 360 Degrees Project of his work that will be built on the storytelling of this legendary tale of creative expression that will be layered into the current music industry mode of digital infrastructure and delivery and expressed through publishing, merchandising, films and events. Through this historical maze, the unfolding of the music catalog will take place that will re-align its original purpose and intellectual property rights in a manner befitting the role that this body of work has played and continues to play for the Jamaican people and culture. This will be done in partnership with various local and international firms with the one caveat being that the expression and the will of the Jamaican people, that this is their ‘Island In The Sun’ will be upheld. Its unfolding in 2009 will kick off the proposed national celebration of 50 Years of Reggae Music, with a January 26, 2009, birthday unveiling of the commissioned bust and the launch of the development of the Studio One Museum, itself a multi-layered experience.

Posted : APRIL 23, 2008 GREENSLEEVES RECORDS & PUBLISHING ANNOUNCES NEW ARTIST SIGNINGS. Reggae label Greensleeves Records & Publishing announced that it just signed reggae-dancehall sensations Busy Signal and Gyptian, and hit-makers Shane “Jukeboxx” Brown and Llamar “Riff Raff” Brown (no relation) who are currently dominating the reggae and dancehall charts worldwide. Hot dancehall artist Busy Signal has signed off a multiple album and publishing deal t this week. The hype dancehall artist, enjoying huge chart success worldwide with his current hits “Jail” and “Wine Pon Di Edge” made his indelible mark in dancehall with his breakout single, the anthem Step Out in 2005. He subsequently released his debut album of the same title on Greensleeves Records in 2006. This latest deal was brokered by his manager and producer Shane C. Brown of Juke Boxx Productions who is currently working with him on his forthcoming album due for release in 2008 on Greensleeves Records. Busy Signal commented on the deal: “I am happy to put out my next album on Greensleeves and to know that a company is going to look after my publishing interests worldwide”. Reggae singer Gyptian also signed a publishing agreement with Greensleeves Publishing’s American affiliate STB Music. Gyptian broke through with his debut album My Name Is Gyptian released by VP Records in 2006 and which contained the hit singles “Mama”, “Serious Times” and “Beautiful Lady”. Gyptian is slated to release his new album I Can Feel Your Pain on VP Records this summer. Shane Brown, the multi-talented and hot producer behind the recent hits such as Morgan Heritage’s “Brooklyn & Jamaica” and more recently Demarco’s “Better Jamaica” has also inked a deal with the company’s publishing arm. Shane says of the deal: “Both Busy and I have had a relationship with the label in the past. They released my Klymaxx rhythm as part of their Rhythm Album series and Greensleeves also put out Busy’s debut album Step Out. They are the leading reggae music publisher in the world and we hope it will be a boost to both mine and Busy’s career”. Shane is currently enjoying huge success with his Warning rhythm featuring dancehall slammers from Busy Signal, Mavado, Bounty Killer and Demarco to name a few and he is already coming up with the Trenches rhythm. He also produced a track called “We Set The Pace” on Foxy Brown’s upcoming album Brooklyn’s Don Diva to be released by Koch Records this summer. Greensleeves Publishing also signed the young producer Llamar “Riff Raff” Brown. The 21 year old has recently been working with the top reggae artists producing tracks for Morgan Heritage’s new album “Mission In Progress” and Richie Spice’s new album “Gideon Boot” and upcoming albums by Beenie Man, Gyptian, Etana (the hit singles “Live & Love Life” and “I Am Not Afraid” from her upcoming album “The Strong One”). Llamar said of his signing “I am very excited about my new venture with Greensleeves Music Publishing. I am certain that the future with myself and Greensleeves Records holds endless possibilities and I am honoured to be a part of the family." Llamar also co-produced the 83 Rhythm (Greensleeves Records) and Rub A Dub rhythm (VP Records) with Kemar “Flava” McGregor. Olivier Chastan, President of Greensleeves, added: “These signings show that Greensleeves is here to stay and that I intend for Greensleeves to remain the leading reggae music publisher in the world.” The iconic label and publisher celebrated 30 years at the cutting edge of reggae and dancehall music in 2007. The first album released by the label in 1977, Dr Alimantado’s “Best Dressed Chicken In Town”, is now considered a seminal reggae classic. Greensleeves also launched the careers of Shaggy with the crossover hit “Oh Carolina” (a No. 1 pop single) and Mr. Vegas’ “Heads High”, (MOBO Award). The label was also behind the crossover success of Beenie Man’s anthemic “Who Am I” and the phenomenal “Diwali” rhythm which garnered a slew of hits from Sean Paul “Get Busy” to Wayne Wonder “No Letting Go”. Greensleeves Publishing is also the home to producer extraordinaire Don “Corleon” Bennett, who wrote and produced hits for Rihanna, Sean Paul, Keyshia Cole and Elephant Man among others.

Posted : APRIL 2, 2008 REGGAE ARTIST, LENN HAMMOND - STEPPIN’ HIS WAY INTO HOLLYWOOD WHILE STAYING TRUE TO THE DANCEHALL. After being picked up by Paramount and MTV Films at the Sundance Film Festival, the re-edit of "HOW SHE MOVE" was released earlier this year along with the film’s soundtrack featuring multiple award winner, Lenn Hammond. Hammond, who is currently working in Jamaica agreed to have his single "Ms. Golly" be a part of the soundtrack that Vibe.com’s Shirea L. Carroll called, an "exceptionally good soundtrack". First, Lenn Hammond raised the standard of reggae music, particularly in Canada, when he took a new generation of lover’s rock reggae to commercial radio and television, now he’s taking it to the big screen.

Posted : APRIL 2, 2008 THE MULLINGS SHINE AT 21ST ANNUAL CANADIAN REGGAE MUSIC AWARDS. The Stars shone brightly for artists at the 21st annual Canadian Reggae Music Awards, held in Toronto, Ontario Canada on Sunday March 30th, 2008. This premiere Reggae event, produced by Winston Hewitt Productions, was well attended by fans who gathered to honour the best in Reggae entertainment in Canada. Canada's songbird, Tanya Mullings, was nominated for a record 3 categories for Top Reggae Singer Female, Top Reggae Producer and Top Reggae CD/Album, of which she swept all three categories. The most touching of the three wins, was that of Top Reggae Producer as it was a category she shared with her late father, Karl Mullings, who recently passed away. "Of all the awards, Top Reggae Producer means the most. I know Daddy is up there, but sharing this moment with us down here", said a tearful Tanya when asked how she thinks her father is reacting right now. Continuing with the Mullings streak of success is sister and Manager Carrie, who won the Canadian Radio DJ Award for playing the most Canadian Content on her radio show Rebel Vibes which airs on CHRY 105.5FM in Toronto every Monday from 10am to 12pm. Carrie has been hosting the show for the past 3 years, making her the first radio personality in Canada to broadcast an all Canadian content format. So recognized is Carrie, that she hosted a special segment for RE TV which included interviews with the cream of Canada's crop in Reggae entertainment. Carrie and Tanya recently founded i.M.O.K. (In Memory of Karl) Enterprises which is an Artist Manager, Artist Booking and Business Consultation company. One of their Star Canadian Artists, Exco Levi, won the Top Reggae Single award for 'Oh Canada', which pays tribute to his 'home away from home', and has quickly become a Reggae anthem for people from the Caribbean living in Canada. Featured International artists, who also attended the awards was Canadian Award of Merit winner, Nadine Sutherland who put on a spectacular show, thrilling fans, and the true rebel himself, Mr. Tony Rebel who was the recipient of International Award of Merit, and rocked fans in with a well selected performance showcasing his many hits over the years, and his newest hit, "Fire"! Source: L3 Publicity

Posted : MARCH 21, 2008 MORGAN HERITAGE RELEASE "MISSION IN PROGRESS". Morgan Heritage, one of the most influential reggae bands today, have announced that they are set to release their highly anticipated 10th album "Mission In Progress" on April 15, 2008. The single, "Raid Rootz Dance", is released on April 8th. Renowned worldwide for their riveting live shows, Morgan's Heritage's new release captures the band bottling the power of its stage performance on disc and infusing its songs with a heavier dose of hip-hop. Produced by Morgan Heritage (with a few songs helmed by Shane Brown and Stephen McGregor (son of reggae singer Freddy McGregor), "Mission In Progress" lyrically finds the group continuing their quest to bolster their love for reggae music through romantic, street-wise and conscious songs built on slabs of spirituality. Musically however, "Mission In Progress" is the realization of Morgan Heritage’s “ROCKAZ” concept: reggae music with an edge. "I think this record is the most aggressive one that we've ever done both musically and personally," says vocalist/keyboardist Una Morgan. "A lot of our inner feelings from growing up in the industry and the experiences that we’ve had touring the world, specifically in Africa, are reflected here and served as the inspiration for this album.” The album's first single is "Raid Rootz Dance", a re-imagined and renamed cover of a Steel Pulse song ("Blues Dance Raid"). The release also features "Brooklyn and Jamaica," the group call's the first song to represent both the old neighborhood and their home for the past 11 years: Jamaica. Other standout songs featured on the album include the straight-up romantic track "Love You Right," the sublime funk-fueled anthem "Nothing To Smile About" and the golden jam "Faithful." Comprised of five offspring of reggae veteran Denroy Morgan, Morgan Heritage is comprised of vocalist/keyboardist Una, vocalist Peter ("Jahpetes"), keyboardist/vocalist Roy ("Gramps"), rhythm guitarist Nakhamyah ("Lukes") and vocalist/MC/percussionist Memmalatel ("Mr. Mojo"). Born in Brooklyn's tough Bushwick neighborhood, the band's five members were raised in Springfield, Massachusetts, and spent their summer vacations back in New York's hippest outer borough, where they returned after high school. Raised with intensive vocal and instrumental training, the Morgan children were exposed to everything from the godfathers of roots reggae to top 40 American radio: from Duran Duran and Tears for Fears to Metallica and Van Halen The band signed to MCA Records in the 90's triggering one of the most impressive streaks in modern-day reggae since. In a dozen years, the band has racked up several hits in Jamaica and abroad, thanks in part to collaborations with such lauded Jamaican producers as Lloyd "King Jammy" James and Bobby Digital. Text: Lee Henshaw

Posted : MARCH 21, 2008 JAMAICA FESTIVAL SONG COMPETITION. In an effort to help ignite and re- create feelings of celebration among Jamaicans at Independence time, the board of the Jamaica Cultural Development Commission (JCDC) has decided to bring back for 2008, what was known up until the late nineties as the Jamaica Festival Song Competition and return around the independence time. "We seek to identify a song that is reflective of the spirit of the Jamaican people at Independence time" asserts Renee Robinson, Director of Programmes Management at JCDC, while assuring persons that the competition will not replace the Jamaica Popular Song competition. Entries are currently being accepted for the competition that will take the familiar format of ten finalists being selected, island-wide road shows and public voting in order to declare a winner. Songs of any genre will be accepted, however, the lyrics must be in-keeping with a spirit of festivity and celebration’.

Posted : MARCH 20, 2008 JAMAICA'S CHERINE ANDERSON AND ROOTZ UNDERGROUND ROCK SXSW MUSIC FESTIVAL. The South by Southwest Music, Film and Interactive Festival has just successfully wrapped its 22nd annual gathering. Austin, Texas, the "Live Music Capital of the World", is the home of SXSW, and this year, a host to more than 1,600 bands and musicians who were invited to take part in the music festival. Among the honored invitees to showcase their talents to countless industry professionals, fellow musicians and music lovers were Jamaica's own Cherine Anderson and Rootz Underground. Cherine and Rootz Underground performed on Saturday, March 15, as part of a reggae themed night at Flamingo Cantina. The filled to capacity venue was packed with patrons anxious to hear what the Jamaican talent had to offer. Cherine asked preeminent selector Rory of Stone Love to accompany her at SXSW for her show at Flamingo Cantina. Prior to her arrival in Austin, Cherine's name was placed on many critic's and blogger's "Must See" lists, including #1 on KLBJ FM's Peggy Simmons' top ten list. Peggy wrote, "Cherine Anderson. I've heard a lot of great things about this lady; she has it all going on! Songwriting, vocal range, passion, she's worked with a ton of big names - just check out the scoop on her on (her site) and I think you'll know why this is a must see show." Cherine wanted to bring the true "dancehall vibe" to Austin, and the duo certainly accomplished that. The crowd was incredibly receptive, singing along during the chorus of "Good Love", and screaming, "More reggae!" Anderson chose SXSW to introduce her newly released mixtape, Street Anthems (available for free download at www.cherineanderson.com). Her set featured songs from Street Anthems, and the excited crowd received autographed, free copies of Street Anthems after their performance. Sister Irie, DJ 88.7 FM KAZI, said of the performance, "Cherine Anderson is pretty and petite. Her voice is LARGE and commanding. She is polished, has incredible stage presence and was sweet as an angel as she mingled with a loving crowd off stage. In a music industry where women have struggled to be seen as featured artists, Cherine will surely open the doors for herself and other women to be seen as the strength and natural beauty so rightfully deserved." The crowd also appreciated the grooves of rock reggae dub group Rootz Underground. The rising band closed the evening at Flamingo Cantina with a driving, high energy set which made the patrons forget they'd been listening to up to 6 hours of music. SXSW came at a prime time for Rootz Underground also, as they have just released their debut album, MOVEMENT, March 4. Featuring the cool grooved "Hammer" (Bobby Digital) and "Love is an Illusion" (Rory of Stone Love), MOVEMENT is a sturdy project piloted soundly by lead singer Stevie G Newland. Philip Rose of the Jamaica Tourist Board was present at the show and stated, "It's great to see this new breed of talented reggae artists like Cherine and Rootz Underground representing Jamaica in such a positive light." Of performing at SXSW, Cherine said, "It was a great opportunity and I enjoyed myself immensely. Being able to see other talented artists from all over the world showcase, as well as to sit in discussions led by some of the most powerful figures in the music industry has given me a new perspective on music today and the potential for myDancehall Soul brand. I am excited about moving forward to further establish my career while continuing to promote Jamaica through our music and culture. It was also a great experience to be able to support my musical brothers Rootz Underground. Our showcases were well received and some great contacts and prospective opportunities are on the table as a result of our participation in the festival." Text: D. Quinn

Posted : MARCH 19, 2008 NEWS FROM ROTOTOM SUNSPLASH 2008. In order to celebrate its fifteenth anniversary in great style, Rototom Sunsplash has already started to work on this summer’s cast and we can now confirm various names of great prestige. As we all know, reggae music is the main form of communication in Jamaica and has been so for various decades; it is a vital language, continuously evolving at the pace of the new generations of artists who use it to tell the story, daily life and contradictions of ghetto life. The present of Jamaican music will be represented this summer by the mellow voice of JAH CURE, a singer whose vocal extension is exploited in a vast array of great ‘conscious’ tunes and heart-rending love songs. With his CD ‘Parables’, TARRUS RILEY has become a sort of musical hero for the Jamaican people, who appreciate his poetic vein and sincere message: in 2007 he was awarded six Reggae Academy Awards – best reggae song, best solo male vocal performance, best reggae recording and best video for his ‘She’s royal’. Tarrus also won the ‘Breakthrough artiste award’ thanks to ‘She’s royal’ and the ‘People choice award’ for the most popular song. It is therefore with great pride that we present Tarrus Riley to the Italian reggae massive. Another debut at the Rototom Sunsplash festival is that of COLLIE BUDDZ, one of the best newcomers on the international reggae scene: he triumphed in all dancehalls worldwide with his song ‘Come around’, which is also the title track of his successful CD. Her recent number-one hit ‘Daddy’ focuses on the sexual abuse of children within many Jamaican families. The author of this track, QUEEN IFRICA, has proved once again that she is one of the most inspired female voices of reggae music, and we are looking forward to her debut this summer at Rototom Sunsplash. Another debut is that of ALBOROSIE the artist of Italian origin who resides and works in Jamaica and who thanks to his talent, evident in hits such as 'Herbalist' and 'Kingston Town' has now worked his way into the heart of the reggae lovers round the world. At the 2008 Rototom Sunsplash we shall also meet again many other old friends whose songs always make us dream, namely BERES HAMMOND, ALPHA BLONDY and LUCIANO. Dancehall fans and all those who love roots reggae will be certainly happy to know that we have confirmed LADY SAW and CE’CILE, as well as LEROY SIBBLES & BARRY LLEWELLYN from the Heptones. Ce’cile conquered the dancehall scene at the end of the year 2000 with her provocative ‘Changez’ and since then this gritty lady has produced some of the best bashment rhythms and lyrics of our times. Ce’cile owes a lot to Lady Saw, the first dancehall queen in Jamaica who with her provocative attitudes characterizing her long career clearly states that she accepts no discrimination from men in a land where women are constantly underrated. The Heptones were fundamental at the times o rocksteady and gave us great masterpieces even during the Sixties: we will have two members of the original band at Rototom Sunsplash this summer, namely Leroy Sibbles and Barry Llevellyn. Like all the greatest editions of the festival, also 2008 will feature SUD SOUND SYSTEM. Their new CD, called ‘Dammene ancora’, should be released in May, and will be very “international”, with a long guest-list of Jamaican artists. We are looking forward to hearing their new tracks this summer at Rototom Sunsplash. The confirmation of the presence of BUSHMAN, born Dwight Duncan, is contemporaneous to the release of his magnificent new CD, ‘Get it in your mind’; this artist from St. Thomas can be considered by all means one of the most important voiced of Jamaican new roots. Other historical names are those of INNER CIRCLE and MICHAEL ROSE. In over thirty-five years of career, Inner Circle have changed extensively, and achieved legendary status at the time of the great Jacob Miller, their late lead vocalist. The hefty Lewis brothers can be considered as a real rhythm machine, which has masterfully combined reggae with rock and black music, and we are really looking forward to seeing them on stage. The hyperactive Michael Rose, in-between various solo CDs, often goes back to his former band partner Duckie Simpson, to reform Black Uhuru, the great roots bands that won a Grammy Award in 1983 for their masterpiece ‘Anthem’. Another great return to Rototom Sunsplash.

Posted : MARCH 10, 2008 I-OCTANE SAY NO BEEF AFTER A SUCCESSFUL CANADIAN TOUR. The streets are buzzing about a possible beef between young-guns Teflon of the Yard A Love label and former stable mate I-Octane of Arrows Recording. Telflon has recorded a hard-hitting single on Stephen McGregor's 'Daybreak' riddim that attacks powerful forces in the music business who are conspiring against his career. A few lines from the single go: Hear dem a labba and ah chat Well, I just low dem with dem mock brain Mi hear some deejay link up and ah plan up And ah say who Teflon? And dem stop play me But memba say ah mi say Guns rise and not Octane Weh dem a go wid dem crack brain Teflon, however, has played down any suggestion of conflict between him and Octane. "Is not any beef thing, is just a clarification of certain things," Teflon said. "I was at Arrows and some things go down, and mi lef, me and Octane nuh really have no beef still." He did not elaborate on the reasons he had left Arrows Recording Co. Ltd. Mrs. Rose Linton, one of the bigwigs at Arrows Recording, offered a terse 'no comment' on the reported beef between her artiste, I-Octane and his former stable mate. Teflon had been a regular at the East Kingston studio for a couple of years because he liked the energy but he had never actually signed to the label. Teflon recently returned to Jamaica after performing in Toronto, Canada alongside Turbulence and I Wayne. His bookings are handled by Margaret of Scotch Bonnet Productions and Janet of Yard a Love Productions. The deejay is seeking to release his album, 'Motherless Child' soon. In the meantime, his single 'Bobo Run Out Pon Dem' is getting crazy love from FM radio."Right now, me ah set the ting, Teflon is the i-ver burning fire and I will continue to represent the downtrodden and oppressed youths across the globe Other sources believe that the friction between the two is based on a conflict of their personalities, and they have not performed their big hit, 'Guns Rise' together for over a year.

Posted : MARCH 8, 2008 SIZZLA, COCOA TEA AND JAH CURE RISE TO THE OCCASION. Fayors Entertainment Centre, Mandeville comes alive on Sunday March 23 with the display of unity by Sizzla Kalonji and Jah Cure at the first staging of the 'Unity with Love' show. After a recent disagreement in the public eye, the two have recommitted themselves to an exemplary presentation of peace and harmony, and have chosen to do so in Mandeville. This is a welcome display of responsibility within the entertainment industry amidst a series of physical and verbal clashes in recent times. As such it is refreshing to see our entertainers, who are role models to the youth display maturity in their friendships and business relationships. Jah Cure, Sizzla and Cocoa Tea each bring a different type of energy to the package and as such Mandeville should be in for a unique showcase. Cocoa Tea's cool-toned, laid-back vocals are perfect for sweet, smooth lover's rock, and are guaranteed to warm the cool hills of Mandeville while Sizzla Kalonji will blaze a trail of high energy hit songs. Dancehall fans young and old alike will be treated to a demonstration of the principles of Rastafarianism as respected entertainers Sizzla, Cocoa Tea and Jah Cure deliver pointers on clean, responsible and fun living. 'Unity with Love' is sponsored by Mek Yah Water and Freedom Wireless, and will be staged at Fayors Entertainment Centre on Sunday March 23. General admission is $1500.00, whilst the VIP all- inclusive access is $3500.00.

Posted : MARCH 8, 2008 NEW KIDZ READS THE NEWS. Gargamel Music artist New Kidz unleashes his outrage about the increasing rate of sex-related crimes in Jamaica. His fiery new single "Carnal Abuse (Chuck Back)" is getting positive reviews in the streets and has also been commended with regular airplay on one of the island's leading radio station Irie FM. Kidz is passionate about the issue, which he insists has been placed on the back burner for way too long. "We don't want to see it happening," he says, "but it is." A recent cover story in the Jamaica Gleaner (Saturday February 16) supports his claim. In the shocking article, Resident Magistrate, Primo Griffiths, reveals that hundreds of cases of carnal abuse and molestation appear before the local courts on a yearly basis. Kidz proposes that the media help raise community awareness by putting these assailants on blast: "Bun a fyah pon a carnal abuse," he roars. "All raper man fi mek the headline news!"

Posted : MARCH 8, 2008 I-OCTANE CROSSES THE "POVERTY" LINE. I-Octane recently received recognition at the Excellence in Music and Entertainment Awards for his music video "Stab Vampire" and his latest video "Poverty" seems set to follow in the same direction. This is definitely one of the best music videos for the longest time. "Poverty" takes a sharp look into ghetto livity, it cuts to the core as it identifies the cause and consequences through cleverly inserted blurbs. This gripping social commentary zones in on real issues that contribute to crime through a pictorial portrayal and I-Octane tops it off with his soothing empathising voice in the background. The video since its release has been permeating the local cable and television music video programmes and is receiving some good feedback. It could be one of the contributing factors why the single "Poverty" which was recorded on the '83 Rhythm' has now shot its way on the Hype TV Top 20 Singles chart at # 18. Incidentally another single, Queen Ifrica's "Daddy Don't Touch Me There" was also recorded on the same rhythm and that song sat at the number one spot for four weeks. It's left to be seen whether I-Octane's "Poverty" will follow the same path.

Posted : MARCH 8, 2008 JUKE BOXX ISSUES A WARNING: THE EDGE IS HERE. Stripped down and hardcore perfectly describes the new rhythm project from Juke Boxx Productions. Yes! Juke Boxx Productions. Juke Boxx: WarningDubbed, Warning, the rhythm is exactly that; a warning that Juke Boxx is not just a label for radio friendly, instrument rich reggae. Producer Shane C Brown takes a decided different approach for the project. The technology driven production is heavy on the bass and the drums, perfectly suited for the streets and unlikely to be heard on radio. Leaving caution behind, Warning calls on dancehall’s finest to express their message. Each at the top of their game, Busy Signal, Demarco, Bling Dawg, Wayne Marshall and Voice Mail all drop provocative and potentially