Jamaican dancehall artist Macka Diamond has connected with Canadian dancehall artist Rich Kid on her latest release. Unlike her past collaborative efforts, this is a case of art imitating life, as the lyrical content of the song is a reflection of a personal relationship shared between both artists.
The song which is called, “What Must I Do”, has Rich Kid asking Macka Diamond what it will take for him to be the only man in her life. It is a very high-energy dancehall song that is jam packed with lyrics of an eager Rich Kid seeking an exclusive friendship with the dancehall diva. Macka Diamond for her part was very jovial and witty in her response.
Ordinarily this would be considered just another tough dancehall tune, the difference here though is that the two actually does have an intimate past. Rich Kid is indeed trying to maintain a personal relationship with Macka Diamond, and at this point she does not care who knows it. Whenever she visits Canada, she spends a considerable amount of time with Rich Kid both privately and publicly. And the same can be said when Rich Kid visits Jamaica.
Posted : December 21, 2011
THE MELODIANS RETURN.
The Melodians are one of Jamaica's greatest Rocksteady groups, cutting a series of classic singles during the late '60s and early '70s that included the internationally famed "Rivers of Babylon" and "Sweet Sensation." In 1966, when driving rhythms of ska were abandoned in favor of the slower, more soulful Rocksteady, Jamaican performers discovered a freedom of expression they had previously been denied. In overcoming the limitations of ska the dawn of the Rocksteady age begun. A few groups rose to notoriety with none more popular than The Melodians.
The group was formed in the Greenwich Town area of Kingston in 1965 by Tony Brevett (brother of Skatalites bassist Lloyd Brevett), Brent Dowe and Trevor McNaughton. Close friend, Renford Cogle assisted with writing and arranging material. In 1966 The Melodians made their recording debut with Clement "Coxsone" Dodd's Studio One label with the releases "Lay It On", "Meet Me", "I Should Have Made It Up" and "Let's Join Hands (Together)". Early in 1967, The Melodians moved over to Duke Reid's Treasure Isle label recording successful hits "You Have Caught Me," "Expo 67," "I'll Get Along Without You," "You Don't Need Me" (which featured U-Roy), and "Come On Little Girl". These recordings established them as the sweetest-sounding vocal trios on the Rocksteady circuit.
The Melodians are in the process of releasing a new album with producer Willie Lindo on a major Label. With the release of the new album they will be touring cross the US and Europe.
Posted : December 21, 2011
FASHION RECORDS' ENTIRE BACK CATALOG WILL BE DIGITALLY RELEASED.
In the first quarter of 2012, Believe Digital will relaunch Fashion Records' entire back catalog digitally. Fashion Records is a UK-based record label publishing reggae music. Founded in summer 1980, Fashion Records is one of the more successful UK-based reggae labels, and one of only a very few British reggae labels to release records that were produced in their own recording studio. The label was the brainchild of John MacGillivray and Chris Lane, two reggae devotees, and was essentially a spin-off from MacGillivray's Dub Vendor record store.
The first Fashion release hit number 1 in the UK reggae charts in the summer of 1980 - Dee Sharp's 'Let's Dub It Up'. In the next few years a many British reggae artists, and many artists who were passing through from Jamaica, turned up on the label: General Levy, Louchie Lou & Michie One, Top Cat, Cutty Ranks, Keith Douglas, Carlton Manning (of Carlton & His Shoes), Alton Ellis, Carlton Lewis and Johnnie Clarke among others.
Posted : December 21, 2011
DON CARLOS MUSIC GOES DIGITAL.
Don Carlos Music announces the digital release of the 1984 Don Carlos album “Just A Passing Glance” available on iTunes and other digital outlets December 20, 2011. With such hits as Frontline, Heartbreaker, Spring Heel Skanking, Zion Train and the title track Just A Passing Glance, this is an album for all music lovers.
Just A Passing Glance is Jamaican roots reggae music at it’s best. The sweet, silky vocals of Don Carlos glide thru each track with ease and perfection, with song writing and musicianship of top quality. Recorded at Tuff Gong, musicians include Sly and Robbie, The Roots Radics, Augustus Pablo and Carlton Barrett, with production by Dr. Dread and mixed by Jim Fox.
More of the Don Carlos catalog will be released in 2012, so be on the lookout... Until then, it's Just A Passing Glance!
Source: Don Carlos Music.
Posted : December 21, 2011
SIZZLA SOUNDS OFF ON EDUCATION WITH NEW SINGLE, "LEARN TO READ".
Conscious reggae star Sizzla returns with a new anthem for the youths, and a plan to encourage and empower the younger generation. The new single, aptly titled "Learn To Read," speaks on the importance of education, as Sizzla advocates young people to learn to read and write, as a way to overcome ignorance.
"In the beginning, I spoke Amharic, which is the true language," reveals Sizzla. "And telling the youths about the brilliance of education, and teaching them the importance of it, will empower them."
Sizzla is a member of the Bobo Shanti sect of Rastafarians, a group that typically places a strong emphasis on education and literacy. Unlike any of his other tracks, this track focuses strongly on educating children and investing in the intellect of the youths, thus showing the humanitarian and philanthropic side Sizzla is known for. Because he is iconic, the single will have an impact on parents, government officials, and educators alike, thereby encouraging children to go to school, and learn to read and write.
Furthermore, the song has undertones of a political agenda, one for the betterment of the youth in Jamaica, and also timely for the upcoming December 29 elections in Jamaica. It will surely give strength to candidates seeking better budgets for education. This single is the first tune voiced on the Gal Block Riddim, produced by 22-year old Glenroy "Frosty" Jackson for his own Lion House Music Production, based in Jamaica. It was recorded at Kalonji Records in Jamaica, by Frosty and Ainsworth, and mixed and mastered by Dave Downie and BUG for Unlock My Mind Music, at Hilltop Studio in Brooklyn, New York. The single is manufactured and distributed by Locksmith Records.
Posted : December 21, 2011
NEW MAXI PRIEST SINGLE.
Grammy Award-nominated pop singer Maxi Priest released a new reggae single, titled “Fly High”, Friday, December 9, 2011 on iTunes. The song, a melodic R&B-flavored love serenade, is the second single released from the Kemar "Flava" McGregor produced “Cool and Deadly Riddim” album, which currently is ranked among the top 100 reggae albums downloaded from iTunes.
Maxi Priest is one of the most successful reggae/fusion artists of all time. He was nominated for the “Best Reggae Album” category at the 1994 Grammy Awards for his sixth album, “Fe Real (1992).” His seventh album, “The Man With The Fun (1996)” was nominated for “Best Reggae Album” at the 1997 Grammy Awards. His fourth album, “Bonafide" (1990), was certified gold by the Recording Industry Association of America, from which the hit single, “Close To You,” was ranked number one on the Billboard Hot 100 and number two on the Billboard R&B chart.
Posted : October 27, 2011
CHALICE REGGAE BAND TO RELEASE SINGLE IN AID OF SOMALIA.
Veteran reggae group Chalice have joined in the fight against famine in Somalia and the Horn of Africa. Through the release of the single “Walking To Somalia,” Chalice hopes to raise funds as well as create awareness at the grassroots level about the plight of the people of Eastern Africa.
“Walking To Somalia” was written by guitarist Wayne Armond, lead singer Dean Stephens and Michael Wallace over 15 years ago. “The inspiration behind the song was from a Newsweek article,” said Stephens. “It stated that after many years of war and famine, there seemed to be no real improvement for the people of Somalia and many areas in Africa. Fast-forward to present day and sadly the song is still relevant - we are still moving at a snail’s pace in tackling the problems in Somalia.”
“The Reggae community has done well in our efforts to create awareness and lend a helping hand in many crisis situations.” said Chalice manager Henry “Sadiki” Buckley, Jr. “Somalia and the rest of the Horn of Africa, are areas were we could focus some of our energy.” Keyboardist Ervin ‘Alla’ Lloyd said, “It’s time we realize that if we as a people don’t help our own brothers and sisters, then no one will. It’s time for us to step up.”
“Walking To Somalia” has been added to the list of songs for the soon to be released Chalice Anniversary album which will showcase over 30 years of Chalice music.
Posted : September 26, 2011
CHERINE SURPRISES FANS WITH FREE ALBUM ON HER BIRTHDAY.
International recording artiste and actress Cherine, who celebrates her birthday on September 25, honours this special occasion with the release of her mixtape JA 9.25 as a special treat for her fans.
Cherine, through her social media pages, has been promising her fans something special on 9/25 and never failing to deliver, her mixtape dubbed JA 9.25 is available for free download on her website. "There is no better way to celebrate my birthday than to share something I love, MUSIC, with people who mean the world to me, my supporters, my family, my dancehall SOULdiers. I feel there is no better way to say thank you for their love and continued support over the years and even years to come" said Cherine.
The 13 track mixtape consists of some new and exciting hits that will definitely be creating a buzz in weeks to come. The concept for the JA 9.25 is by far one of the most unique presentations of a mixtape coming out of Jamaica. It will also include videos for most of the new tracks and promises to take fans on not just a musical but a visual journey. Showing that she is more than versatile, Cherine varies her musical styles with tracks such as "The Break Up Song" which is produced by Syd tha Kyd from the most talked about hip hop sensation Odd Future, "Eagles and Doves" "Cabin Stabbin" and the love ballad "20 to Life". Recently introduced hit single "Rebel" done with dancehall bad girl Danielle DI received a hot remix for the JA 9.25 mixtape and the new version "Honorebel" is exclusive only to this project.
"I worked with some of the most talented and eclectic group of young producers in the game for this mixtape such as Odd Future's Syd Tha Kid, Dancehall Souldiers, Jeekyman, Bulby York, Ward 21, U.I.M, The Wizard and iconic reggae producers like Mikie Bennett as well as the Legendary Sly & Robbie. The project was assembled by Romel Marshall and Rorey Baker and is being presented by The Dancehall Souldiers. I was really able to push myself and collaborate with some remarkable writers and musicians", Cherine shared.
The charismatic Dancehall Soul Queen continues to ignite the musical arena with her strong lyrical prowess and naturally sweet and melodic voice. Cherine, who first became popular from her role in Jamaican film "Dancehall Queen" and later on in "One Love" proves that she is indeed multi-talented. Since her introduction to the music industry she has captured the hearts of many and is clearly one of Jamaica's leading female singer/songwriter and performer. Her infectious and passionate performances has led to her appearances on some of the world's biggest stages. She has toured with the likes of the prolific Michael Franti, International rock great John Mayer, Counting Crows, Slightly Stoopid and Jamaica's own rhythm twins, the legendary Sly & Robbie.
JA 9.25 is an excellent indication of the amazing things to come from her highly anticipated debut studio album. JA 9.25 mixtape is now available for free download exclusively on www.cherineanderson.com. Also look out for the videos for the JA 9.25 mixtape project which will be released in the coming weeks.
Posted : September 21, 2011
JAH MALI'S MIXTAPE "SOUNDS WITH PURPOSE".
"Obstacles come our way everyday, it's how we deal with them that makes us great." - JAH MALI
"Sounds With Purpose" - The third album of Jah Mali is released as a mixtape dedicated to all the reggae fans worldwide.
"This project is meant to inspire radio djs, sound system operators, connoisseurs, selectors and everyone that is involved in trying to get great quality music and more positive messages to the youths out there." says Jah Mali.
"Sounds With Purpose" is the Part 2 of "The Raise The Bar Mixtape Series" that follows the Part 1 "Harvest Moon" realised with singer Lymie Murray. Both artists - Jah Mali and Lymie Murray - have accepted to donate their talent and to participate to this "Raise The Bar Mixtape Series" in order to promote another project, more ambitious, titled "My Youths Foundation". The latter is a non-profit organization dedicated to the education of young people by spreading Knowledge, Consciousness, Music and Media Production. By donating their music to My Youth, Jah Mali has essentially ignored the trends set by a money driven industry to create something positive for all the youth, and to give it to them free of charge.
Jah Mali is one of the principle architects of My Youths Foundation. Besides being an invaluable asset during the conceptual stages of My Youth, Jah Mali has also donated large amounts of time and energy to the first works being done, including creating this original album "Sounds With Purpose", which can be downloaded for free HERE.
Posted : September 12, 2011
T.O.K. - 10 YEARS OF EXCELLENCE.
Dancehall group T.O.K. emerged on the scene in 1999 with a different sound, look AND style which captivated the Jamaican fans and earned them three Number 1 singles, Hardcore Lover ft Lady Saw produced by Richard Browne, Whoa produced by Danny Browne & Eagle's Cry produced by Dave Kelly, which immediately became Dancehall anthems.
T.O.K. gained other local hits like: Hands in the Air, Hold On, All I Really Want & Ginseng. They became a worldwide phenomenon in late 2000 early 2001 with the release of one of their biggest billboard singles Chi Chi Man produced by Tony Kelly. Chi Chi Man made them the first Dancehall act to grace the stage on BET's 106 & Park and the only Dancehall group to gain popularity at this international level. With this new found glory they continued to bring hits like: Fire Fire, Shake yuh Bam Bam, Fire Haffi Bun, Man a Badman ft Bounty Killa & Yuh a Murda which cemented their title as Dancehall's/Reggae's greatest group and took them to new horizons.
In 2003 they hit the billboard charts once again with Gal U A Lead, Money to Burn, She's Hot, Solid as a Rock & Galang Gal which were major hits locally and internationally; in 2005 they released another smash hit produced by Don Corleon entitled Footprints which was a dedication to Alex's younger brother who was killed by gun violence that year. T.O.K. became even stronger after their loss by adding more reggae to their catalog and along with their dancehall singles Hey Ladies & Hotta they dropped other reggae hits which included Tears, & Marijuana. After a hectic tour schedule in late 2006 the group decided to take some time away to enjoy their success. T. O. K returned in 2007 with No Man, produced by Don Corleon & Guardian Angel produced by Arif Cooper. Guardian Angel went on to become another huge international hit for the group especially in Japan where it became the number one Ringtone, out selling Jay Z, Mariah and Britney Spears. This new success helped to maintain their status as Reggae Icons in Japan.
The Dancehall scene changed dramatically in 2008, with the music shifting to incorporate more Hip Hop and R N’B sounds with Dancehall/Reggae. The group decided to carefully select the Riddims they liked. This move provided group members Bay-C and Flexx with the opportunity to effectively push their individual labels. Later that year, under the production genius of Arif Cooper the group released Couple Up and since then dropped other hits like: Good Like Gold, S, Money Christmas. Their latest hit to date is Friend for Life.
T.O.K.'s lyrical creativity and international appeal will continue to make the group a Fan favorite. They have proved that their success is not solely dependent on a Top 10 Hit, but on their consistent efforts to provide quality music that fans from around the world can share and enjoy.
Posted : September 12, 2011
BABYFACE, MACHEL MONTANO, I-OCTANE TOP PERFORMERS AT REGGAE RHYTHM & BLUES FESTIVAL IN NYC.
Not even overcast skies or the threat of torrential showers in Queens, NY on Labor Day Sunday could stop thousands of music fans who turned out in droves to attend the inaugural Reggae, Rhythm & Blues (RR&B) Festival which was held at Roy Wilkins.
R&B hit machine Kenny 'Babyface' Edmonds, who has written and produced songs for some of the biggest names in contemporary music, delivered arguably the best performance of the festival.
For sixty blistering minutes, the slender, Grammy award-winning entertainer served up an erotic concoction of love ballads for the thousands of female fans who became locked in his constricting grip. Edmonds transformed the stage into his own playpen as his voice caressed hits like "Tender Love", "Whip Appeal", "Give U My Heart", "For the Cool In You", "My My My," End Of The Road," "When Can I See You", "Every time I Close My Eyes" and many others. Could this signal a paradigm shift for reggae festivals in the US Northeast in terms of the acts they book? Fans simply loved the mix of reggae and R&B performers. Kudos to the organizers who took a gamble and booked Babyface and Monica for what turned out to be a most successful music event.
Reigning soca king Machel Montano again demonstrated that he is indeed the entertainment king of the Caribbean with another exceptional performance. The T&T born Montano and his HD family (Patrice Roberts, Farmer Nappy, and Zan) engaged fans and kept them enthralled with hits like 'Rollin', 'Higher Than High', 'One More' and 'Down The Road'. Not even a short-lived power failure slowed his tempo or put a damper on his full throttle set that was nothing but raw talent, expertise and explosive energy. Other strong performances were delivered by Tarrus Riley, Leroy Sibbles, R&B songstress Monica and "Gully Gaad" Mavado, who delivered hits from his catalogue, concluding with his current hit ”Delilah” which really connected with fans. I-Octane - making his first appearance at an outdoor reggae festival in NY - was also in fine form. He proved a force to be reckoned with, reeling off hits like "My Life", "Weed We Say", "Nuh Ramp Wid Mi" and "No Lose Inna Dem" during his stint on stage.
A five minute video presentation, recognizing the achievements of veteran DJ Beenieman, aka Moses Davis for his 33 year contribution to the reggae industry was warmly received by fans who have been yearning for an opportunity to see the Doctor back live in the USA for some time now. At the end of the video tribute, Congresswoman, the Hon. Yvette Clarke, flanked by the Irie Jam Radio executive team and the reigning Miss Jamaica/ US, Capri Nugent, presented a "Living Legend Award" to the Dancehall King.
"Let me say, on behalf of all Jamaicans, Jamaican Americans, Caribbean people in the Diaspora, on behalf of the RR&B festival and the Irie Jam family, welcome back to the USA" said Congresswoman Clarke. "We honor you. You have been an outstanding performer and you have made all Jamaicans proud, whether they are in Jamaica or in the Diaspora. We love you! We wish you continued success in all your endeavors. God bless you" she continued.
With his familiar signature “zagga zow, now, now, now!" Beenieman greeted and thanked the organizers and fans for the Award and then used the opportunity to introduce the rising Jamaican star Khago, who blazed the stage with his big hit "Nah Sell Out Me Friend Dem."
Another surprise video presentation, which included a message to fans from imprisoned reggae superstar Buju Banton was also well received by the throngs of music lovers who were gathered at the park. Honored too was slain VP Records executive Joel Chin for his significant contribution to the music industry.
Posted : September 10, 2011
I-OCTANE WRAPS UP JAPAN TOUR & PERFORMS AT THE 1ST ANNUAL REGGAE RHYTHM & BLUES.
Reggae artiste I-Octane continues blazing a trail across the world after concluding his three week tour in Japan. It was the artiste's first time visiting the country and his fans immediately made him feel welcome. I-Octane performed to jam packed venues at different locations across the country and proved to droves of Japanese people that he is indeed the 'next big thing'. It was also a tremendous experience for the artiste and he admits that while he has always heard of the support of Japanese fans, to actually see and experience it for himself was truly humbling.
"I feel good that my music has taken me to Japan. Its a real milestone for me and it has motivated me to go even harder, mi nah stop now. But I give Jah thanks for the opportunity."
Even after the success of the Japanese tour, I-Octane never took a break. Staying true to his promise to "go even harder", after leaving Japan he flew to New York to perform on the Reggae Rhythm and Blues show which took place on September 4. His last minute addition to the line up gave his fans something to look forward to and in typical I-Octane fashion, he did not disappoint.
Even though his set was cut short, he made every minute of his set count and gave his fans hit after hit which left them screaming for more. So much so that he was called back to the stage to meet their demands! Immediately following his performance at the first annual Reggae Rhythm and Blues I-Octane went straight to New York's Hot97 radio station for an interview with Bobby Konders and Jabba (Massive B), which summed up his Japan tour and future ahead. His performance was a success and New York will have yet another high quality I-Octane performance to boast about.
Now back in Jamaica, the artiste continues to work on creating positive music to expand his catalogue and share with the world. His much anticipated debut album "Crying to the nation" is expected to be released sometime in the fall.
Posted : September 4, 2011
'ONE BY ONE' - LAZA MORGAN FEAT. MAVADO - #1 SONG IN JAMAICA, MIAMI & NYC.
New York: US based Laza Morgan, a singjay and rapper whose raspy, rhythmic 'DJ' style flows on his new single "One By One" featuring Mavado is blazing hot in three of the biggest markets for reggae, namely Kingston, Miami and New York. He currently holds the number one slot on the ER TV chart on TVJ in Jamaica, the Miami Top Ten Charts in Florida and the Weekly Star Top Ten chart in New York.
The track, produced by Bunetta and Frank E, is a hypnotic love song that is blazing dance floors and radio airwaves afire with its compelling charm.
“I am very excited about the song,” Laza beams confidently of One by One. “The song represents a fresh voice bringing back the message of love to reggae. This song is also a prelude to several others on the album that speak to the power of love, positive vibes, fun times and just simply enjoying the wonderful gift of life. This song also defines my pop reggae style on the album. There are no cultural barriers to impede the universal enjoyment of this album."
Laza recently returned for a successful trip to Jamaica that saw him performing at Reggae Sumfest on Dancehall Night with Mavado and a solo set on International Night 11. Prior to Sumfest, Laza performed with his dad, veteran reggae hitmaker Denroy Morgan at a special “Father & Son” concert at Studio 38 in New Kingston that won rave reviews.
Stateside, he is keeping a hectic performing schedule and is one of the top reggae acts confirmed to perform in NY over the Labor Day weekend.
Set to drop in late 2011, Laza's debut album features a production and cowriting from a small roster led by Julian Bunetta (Flo Rida, Leona Lewis, Boyz II Men) and DJ Frank E (Eminem, Kanye West, Flo Rida, Enrique Iglesias) and promises to signify a refreshing and exciting new chapter in the evolution of Reggae music.
Born in Springfield, Massachusetts, Laza was literally raised in a musical cradle. He was heavily influenced by the Reggae music of his household and the records made by his father, Jamaican music legend and hit-maker Denroy Morgan, who stormed his way to American radio in the early 1980s with his club anthem “I’ll Do Anything for You”. With his family's strong Jamaican roots as a driving inspiration, and frequent trips to Kingston and St.Thomas as a youth, it didn’t take long for Laza to completely embrace the magical world of reggae. His experiences in Springfield and Brooklyn influenced him heavily too, as he began incorporating hip-hop, R & B and pop into his musical lexicon. By the time he graduated from High School, he had formed a band, LMS, with 2 of his siblings, and together they toured the world playing dates across Europe, Asia, Africa, North America and the Caribbean, with Morgan Heritage, an internationally recognized roots Reggae band founded by his father and several of his other 28 siblings.
2010 proved to be the culmination of many years of hard work that Laza has put into his craft. After signing with Elektra records in February, Laza was featured on British pop sensation Alexandra Burke's hit single "Start Without You" which topped the UK and European singles charts in September. He was also featured on Flo Rida's hit single '21' from the album "The Only One." His forthcoming Elektra debut has already yielded a single, This Girl that was featured in Disney’s feature film Step Up 3D and its smash soundtrack. This Girl has generated over seven million hits on YouTube and has created a buzz that spans the globe.
Laza continues to work hard in preparation of what lies ahead. He continues to enjoy his love for creating and performing music and is excited by the opportunities he will have as it circulates. He hopes that in the near future his music will empower him with a platform to help the less fortunate youth across the Jamaican Diaspora.
Posted : September 4, 2011
NEW RELEASE DATE FOR ALBUM FROM SINGING MELODY.
Talented reggae singer Singing Melody who proved his musical swag earlier this year with the hot dancehall track titled "Wi Set Di Trend" has announced that he will push back the release of his new album until 2012.
“We had hoped to release the album on 11.11.11 but we now have interest from a couple labels who have asked us to wait as November and December is when the majors put out their albums. As it is, we will likely release the album in February (2012) - but release a single in late September or early October” his wife/manager Ruby Robinson said.
“We are putting the finishing touches on what is an amazing album. Incredible attention has been paid to delivering the best possible quality product. Fatta Marshall has done an amazing job as the overall manager of the production. We have had great support from Tony Kelly, Donovan Germain, Sly and others” she noted.
To ensure success with the project, Ruby said she is working on a comprehensive marketing plan to reach radio, online, blogs and consumers.
Posted : August 18, 2011
VP RECORDS' DIRECTOR OF A&R, JOEL CHIN, MURDERED IN JAMAICA.
It is with great sadness that VP Records must announce the passing of Joel Chin at the age of 35. Joel was shot last night (Tuesday, August 16) outside his home in Stony Hill, St. Andrew in Jamaica. The cause is not immediately known.
The grandson of VP Records founder Vincent Chin, son of famed Reggae producer Clive Chin and nephew of the owners of VP Records, Chris and Randy Chin, Joel literally grew up in the Reggae business and put his vast knowledge and connections at the service of the music he loved passionately.
Joining the company in the 90s, Joel was instrumental in launching and fostering the careers of international Reggae stars such as Sean Paul, T.O.K., Beres Hammond, Wayne Wonder, Beenie Man, Sizzla, Morgan Heritage, Tarrus Riley and Etana while creating the top Reggae compilations in the world: "Reggae Gold" and "Strictly The Best". Joel was loved by the creative community in Jamaica and around the world, and has a long standing relationship with some of the top producers in the island such as Dean Fraser and Steven "Lenky" Marsden. Joel's signings helped VP Records become the largest Reggae label in the world and bring Reggae into the mainstream music market culminating with Sean Paul's "Dutty Rock" album which sold over 7 million units worldwide.
An accomplished producer, Joel had moved from New York to Jamaica two years ago to spend more time on music production, songwriting and developing rising talents. Joel wrote hit songs for many artists such as Elephant Man and Etana among many others.
Joel is survived by his mother Juliette, his father Clive, his newborn daughter, two brothers, and three sisters.
Posted : July 8, 2011
I-OCTANE FEATURED IN BILLBOARD MAGAZINE.
Reggae artist I-Octane continues to make waves both locally and internationally. This time, he makes his mark in Billboard Magazine where he is featured as one of 15 artists who are currently impacting the Indie scene.
I-Octane is one of the few artists who have made the decision to go the route of self-management and releasing their music independent of any label. This is a choice that is often accompanied by more work for the artiste in areas that record labels and companies would often handle. "I have invested heavily in the I-Octane brand, financing videos, publicity, even managing myself, so it's a great accomplishment reaching this far on my own" I-Octane is quoted as saying in the article.
Despite the drawbacks, the world is certainly taking notice as the singjay is in high demand worldwide. Internationally acclaimed magazines such as Billboard and Vibe magazine have featured the young artist and his songs have ranked number 1 on many of the major music charts. He is slated to be one of the top performers at the 2011 staging of Reggae Sumfest and his highly anticipated debut album "Crying to the Nation" is due to be released in the fall.
I-Octane continues to show the world that he is a force to be reckoned with and is rapidly garnering a reputation as the new generation of reggae music.
Posted : June 22, 2011
JAHDORE MAKING WAVES WITH “THIS LOVE IS OVER”.
Singer, songwriter and musical arranger JahDore has been creating waves with his current single, the very poignant and thought provoking "This Love Is Over". Produced by Andrew Myers for Heartcour Productions/Rountoun Music Production and UIM Records, the song has taken over the airwaves with a bang. It is currently number 16 on the Jamaica Music Countdown Top 25 Reggae Singles chart.
Another single, "Harlem Blunts", equally showcases JahDore’s lyrical prowess and versatility as an artiste. "This Love Is Over" is a witty tale of a relationship gone bad. It tells the story of a man who has been faithful to his significant other and who makes sacrifices beyond the call of duty to keep his family together. However in the short term, the flashiness and swag of another man, managed to catch the attention of his significant other, thus ending their relationship.
"Harlem Blunts" is the opposite. A playful party-flavoured track which helps to create a vibe inside a nightclub or at a party or session. Born Sean McDonald, JahDore hails from Ebonyvale, Spanish Town, St. Catherine. He attended the Edna Manley College of the Visual and Performing Arts where he honed his musicianship. He is currently signed to Rountoun Music Productions. JahDore’s early days in the reggae industry were spent touring Europe, the United States and other parts of the world with the likes of reggae superstar Jimmy Cliff and the musical messenger Luciano among others. A prolific saxophonist, he also plays the keyboard and piano.
“My ultimate dream has always been to write and sing my own music. Being educated at an institution such as the Edna Manley College of the Visual and Performing Arts was a way of learning the business from all the possible perspectives,” JahDore commented.
Over the past few months, JahDore has been working hard in the studios on various recordings for well-known producers and record labels. He has completed material for Head Concussion Records, Payday Music and Rountoun Music Productions.
Writer: Kevin Jackson.
Posted : June 22, 2011
SINGER DEVON JORGE UPDATES "DRIFT AWAY".
Devon Jorge is one of the most promising, conscious and inspirational singers and songwriters to have emerged in recent times. Originally from the parish of St. Ann in Jamaica, he attracted attention upon the release of his debut single “Cold Heart”. But that was just a taste of what was to come. He has come a far way since his days of working as a waiter. However he soon realized that the job was a bit overwhelming and later on worked as a bartender. While honing his skills as a bartender at the piano bar and lounge, it became evident that his shift was the main entertainment segment each evening.
He utilized his singing ability to impress his co workers and customers. It was encouragement from friends and co workers that initially led him on his musical path. He would later embark on formal training in playing piano before migrating overseas. Devon would later join the Flex band which comprised reggae singer Glen Washington, Jr. Jazz and Timmy Love. The band performed throughout the Northeastern States for several years until he decided it was time to pursue other interests.
He began to explore the talents of his inspirations including reggae greats Bob Marley, Dennis Brown, Garnet Silk, Beres Hammond, and rhythm and blues singer Marvin Gaye. Devon Jorge has shared the stage with the likes of the late Gregory
Isaacs, Freddie McGregor, Tinga Stewart, Benjy Myers and Glen Washington. He also performed at Spring Break 2008 in Negril alongside the likes of Bounty Killer, Mavado, Beenie Man and Elephant Man among others.
The video for his track “Cold Heart” was a hit on Suzie Q’s Video Alley Reggae Top Ten countdown and remained on the chart for several weeks. In 2009 his piercing and message laced single “Questions” was a radio favorite in Jamaica and its accompanying music video charted on RETV MVP Top Ten Video Countdown as well as HYPE TV’s VTX Video countdown.
Both songs continue to do well internationally in reggae circles.
Devon’s current singles include a cover of John Henry Kurtz’s “Drift Away”. A video for the track was recently directed by noted music video director Janelle Dyer. The song has been receiving left field treatment at radio in Jamaica and overseas.
Writer: Kevin Jackson.
Posted : June 22, 2011
ROBERT MINOTT'S "RIGHT MAN FI YUH" HITS THE CHARTS.
Singer Robert Minott’s latest single "Right Man Fi Yuh" has hit the local charts. The song has climbed two spots into the number 20 position on the Jamaica Music Countdown Top 25 Reggae Singles tally. In a release to the media, an excited Minott expressed his pleasure at the song’s entry on the chart. “It's a joy knowing that when you put something together then introduce it to the people and they accept it. I feel very good about this song and I would like to thank radio for
the support and the television stations for playing the video. The supported is appreciated,” said Minott.
"Right Man Fi Yuh" was produced by Kirk Bennett, whose track record includes "Tek Weh Yuhself" by Mr. Vegas. “Kirk was visiting Houston, Texas and we got together musically and were vibing when the idea for the rhythm hit me so I suggested it to Kirk and he put the beat together. After listening to the beat for a while, the lyrics of the song came right away,” Minott explained as the idea behind the song.
Minott who carved out a name as a show and event promoter over the years, successfully promoted events in Jamaica and Houston, Texas where he is based. His forthcoming singles include "Silver Words", and an R&B flavoured ballad titled "Love Struck". The latter is already garnering some attention at R&B radio stateside. Minott is expected to release his debut album Night Shift towards the end of 2011.
Writer: Kevin Jackson.
Posted : June 22, 2011
SUPERMAN ‘STEELS’ THE CROWD IN BRAZIL.
The population of more than one million in Sao Luis in Brazil barely speaks a word of English. Yet the thousands, who came out for the annual Loveland Reggae Festival, sang along word for word to the edible treats served by Tarrus Riley, the man they have now dubbed as their very own ‘Superman’.
Riley and his Black Soil band comprising saxophonist Dean Fraser were in top form at the recent event, reeling out hits one after the other. Riley’s cover of Robin Thicke’s single "Superman" is one of the most popular songs in Sao Luis, receiving frequent rotation on reggae, pop and R&B radio stations. It came as no surprise that patrons were wearing Superman pendants, and ringtones bore the Superman track.
In a release to the media, Riley was elated about his recent performance in Sao Luis. “I totally enjoyed the trip to Brazil. The love and the reception from the people was amazing. I had to sing Superman six times. The song is really huge over there,” said Riley. During a near two hour set, Riley and crew whipped up an interesting brew of musical antidotes which featured most of the songs from his catalogue. Newer songs including "Marcus Teaching" and the current number one hit "Shaka Zulu Pickney" were also well received.
Writer: Kevin Jackson.
Posted : June 22, 2011
RDX EXPLORE NEW HORIZONS WITH CURRENT SONGS.
International dancehall duo RDX had been spending extended hours in the studios working on various new projects. The eccentric musical brothers have been spreading their musical wings with songs not typical of the usual high energy that fans have grown accustomed to. Songs including "Put It On You" for Krushproof Music and "Champion Sound" for Blaqk Sheep are just some of the songs that showcase the new horizons that the duo has begun to explore.
In a release to the media, group member Delomar said “RDX has had major success with songs that talk about dancing, girls and the whole party vibe and we will continue to feed those themes to our core audience. However we have never been shy to take on new challenges or explore new horizons".
With this in mind the duo has recorded "Murderer" for the I-Strong label and "The Hustle" for Blaqk Sheep. These are two message oriented songs on slower, authentic beats.
Group member Renigade commented "This added dimension is not new for us as we have had success in our earlier years with songs like "I Don't Trust You" and "Friday".” He added “Don’t be too surprised if we release a one drop album in the
future from RDX.”
However party fans will not be ignored as RDX has a handful of dance grooves ready to whip up a sweat on the dance floors. These include songs such as "The Bucket Song" for Code Red, "Tan Deh" for Bombrush Records, and "Caribbean Girl" for Ballaz Production.
RDX's latest release "Tuku Tuku" is currently creating a huge buzz in the streets. It beat was created by beat boxer Mixing Lab.
Writer: Kevin Jackson.
Posted : June 19, 2011
IS JAMAICA’S REGGAE MUSIC IN TROUBLE?
Former back up vocalist for the Wailers, now an artist in her own right, Jennifer Barrett, believes that authentic roots reggae music from Jamaica is in real trouble.
Jennifer Barrett who may not be known as much locally as she is internationally, recounts going on several European tours where she would be performing with reggae singers from all over the world, except Jamaica. She states that last year June she was in Norway for the Bergen Festival and was surprised to learn that she was the only Jamaican reggae artist on the show. All other reggae artists were of a different nationality. And interestingly, the one-dancehall artist on the show was from the United Kingdom, not Jamaica.
Having been inspired by reggae legends such as Bob Marley, Dennis Brown and Toots Hibbert, Jennifer says the problem with reggae music today is it lacks the message that existed years ago. She believes the solution is to release more quality music and better artists that are able to represent Jamaica in the world. She also says it’s important to focus on the spiritual aspect of the music, as that will lead us on the right path.
For the last few years there has been an open debate within the industry as it relates to the state of reggae music. There are reggae music shops and stores closing all over the world and they are all placing the blame squarely on the poor quality of reggae music coming out of Jamaica. I have personally always argued that if your business is failing it is because you lack the know how to survive in an economically challenging and competitive time. However, after hearing the views of artist like Jennifer Barrett and others who share the belief that the genre’s foundation needs to be examined, I think we as Jamaicans who work in this industry needs to re-visit this issue and make a real attempt at addressing it.
Some of the problems I think we should be looking at are 1) the rhythms being created without the use of real live instruments, 2) consistently releasing songs after songs as such, using one project to kill or stifle another, 3) reggae artists refusing to work with ghost/song writers and 4) the lack of professionalism in some of the artists and producers making the music. These are just some of the problems we are facing. In my opinion the biggest one is the share ignorance about the business of music on a whole.
Someone once said that if Jamaican musicians and artists do not pay attention to what is going on with the music, Jamaica would no longer be the home of reggae music. I tend to disagree with this view as reggae music itself comes from the inner cities of Jamaica. It comes from struggles and sufferation and oppression etc. Reggae music is Jamaican and will always be. That being said, we have to ensure that we are creating the type of reggae that made the world fall in love with our music.
Posted : June 8, 2011
AMMOYE IS CANADA'S FEMALE ARTIST OF THE YEAR!
If you had asked Ammoye 2 years ago what her musical life would look like in 2011, she wouldn’t have been able to give you an answer. Today, she smiles humbly as the news continues to sink in that she is the 2011-2012 Female Artist of the Year.
The honor comes from the recently held Achievement Awards for Reggae music which took place in Toronto on Saturday June 4th, 2011. “I am so happy,” said Ammoye. “I’m happy that we were able to achieve this. We did it as a team so this award is for all of us!” Winning the award comes as a pre-curser to Ammoye’s busy schedule. Her latest studio projects which are produced by Danny Maestro, Kemar ‘Flava’ McGregor and Tony Anthony, sees the singer give fans more one drop Reggae. The artist also has a busy performance schedule as she takes the stage on three of Canada’s most high profile events being Jamaica Day – Toronto, Jambana and the Montreal Reggae Festival. She also leaves for Serbia’s Exit Festival where she will perform for 150,000 fans over three days. It doesn’t stop there!
Ammoye will be releasing an EP in September called ‘Bad Gyal’ which is being executive produced by Dubmatix. The EP will be the prelude to her album which is scheduled to be released in 2012, and builds on the heels of the success of her album ‘Haffi Win’ which was produced by Ottawa’s Rise Ashen for the Balanced Records label.
Posted : May 18, 2011
RISTO BENJI MURDERED.
dancehall deejay Risto Benjie was shot and killed in Old Harbour, St. Catherine, on Monday May 16, 2011. The artist, whose given name is Michael Benjamin of Unity in St. Andrew, was shot dead in an area known as "Vietnam" in Church Pen about 10:00 p.m. Reports are that Risto Benji was sitting outside a house when a gunman walked up to him and opened fire hitting him several times, he was rushed to hospital where he later died.
Risto entered the music business as a child when he was part of the Jammy's posse, and a member of the junior deejay team '3 The Hard Way' with Beenie Man and Old D. He deejayed on King Jammy's sound and recorded hits like 'Gun John Crow', 'Gimme The Money' on the 'Punanny' riddim. His biggest hit is probably 'Passport Buddy'. Risto Benji was a popular dancehall deejay in the 80's and early 90's.
Posted : March 26, 2011
3STAR SHOOTS DOCUMENTARY ABOUT MIGRATION, WAR AND OVERCOMING OBSTACLES.
Jamaican reggae artiste 3Star is not just making waves with his current album “Nothing But Real Talk” but he also translates the concept of his album into a new documentary set to be released this summer.
Based on his experiences of migration, the army and trying to make it as an artiste 3Star says the main focus of his documentary is for the viewer to get to share 3Star’s life, his struggles and successes while taking a strong anti- violence stance, a message he wishes to teach the youths.
3Star was born and grew up in Jamaica before he migrated to the US and joined the US Military. The documentary shows how 3Star has evolved over the years, how he has transitioned from Jamaica to New York, how he has experienced living in Texas, Afghanistan and Iraq. Furthermore the documentary will also show live footage of 3Star in the battle field in Afghanistan and Iraq as he shares his experiences about being a real soldier in a very real war. Same as in his music he wants people to learn from his experiences, especially the Jamaican youngsters who to easily are tempted to pick up a gun and make it their life. The documentary will show how soldiers live with their challenges, overcome obstacles, challenges and execute the mission bestowed upon them.
3Star says, he “will elaborate about his struggles as an civilian, soldier and artist and talk about the injustice and challenges he has encountered on his musical journey as a cultural artist instead of a commercial artist”. Music has been the way for 3Star to deal with his experiences and sharing them is part of his mission today as an artiste.
The documentary, directed and produced by 3Star himself, is being edited by his friend Bryan Fury, with whom he currently attends LaGuardia College and the majority of the footage was shot by Kyle Rauscher.
Intended originally for the new, soon to be launched, website of 3Star, he now plans to release the documentary also on DVD and explore options of showing it on various TV stations in Jamaica, the US and worldwide to share his message and his story, with an underlying soundtrack of “Nothing But Real Talk”.
The latest singles available by 3Star are “No Bad Man”, “Mr Top Shooter” and “Sweet Jamaica”.
Posted : March 26, 2011
CALI P... LYRICAL FYAH!
If you read Cali P’s official bio, he says that he is lyrical ‘faya,’ but there are some who don’t agree with that single word description! For many, Cali P is more than lyrical fyah; he’s a truth teller, a nation builder, and female empowerer, all within the strides of music and entertainment.
Originally born in Switzerland and raised between Switzerland and Guadeloupe, this Reggae and Dancehall artist speaks to and for the Caribbean and African diaspora as he regularly chants that we are all one with no division. These lyrics are evidenced in the song “Roll Deep” where the artist proudly states “we roll deep, and when we flex then we flex with the flex of the West Indies …” and goes on to sing “some call it West Indies, some say Caribbean, some call it yaad, but inna mih heart mih know we ah real African!”
In addition to being an incredible entertainer, Cali P is also an astute business man. Partnering with medal earning ski giant Tanner Hall, sound selector turned record producer Anil "Phantom" Montaque and movie producer Eric Iberg, this foursome run Inspired Music Concepts which is responsible for hit records including "No Time" and “Like A Lion (Hotsteppa)” which were used in the soundtrack for the movie ‘Like A Lion’. In Switzerland the combination "As one" between Cali P and Switzerland's top rapper Stress, which was also co-produced by Inspired Music Concepts, is currently enjoying regular radio and TV play.
Spending time equally at home in Switzerland, Guadeloupe and Jamaica, Cali P is focused on staying true to his roots, and connected to the spirit and energy of the people, the very ones he represents through his music. “Since I came to Jamaica I've been overwhelmed by the support and love of the people which means a lot to me, as it is the home of Reggae music” said the artist. “My greatest inspiration comes from life and the people in this beautiful world.”
Partner Anil "Phantom" Montaque, the music producer says "Working with Cali P is always fun. Sometimes he provides the lyrics first and I make the beat for it. At other times my riddims inspire him to write a song. It's just a good vibe!"Cali P has collaborated with industry greats such as Freddie McGregor and Mykal Rose, and young artists GWhizz, Wasp and Devano. He is also featured alongside Tarrus Riley, Omar Perry and Ziggy, and more on the Gorilla Riddim produced by Europe’s Necessary Mayhem.
Currently on tour in Europe, Cali P continues to draw large fans to venues, a reflection of the numbers his music receives on YouTube. The artist is performing songs from his catalog, as well as songs fans can expect to hear on his upcoming album 'Unstoppable.'
Posted : March 14, 2011
I-OCTANE NABBED THREE EME AWARDS.
I-Octane nabbed three Awards at the seventh annual staging of the Excellence in Music and Entertainment (EME) Awards which was held on Saturday, March 12, 2011 on the East Lawns of the historical Devon House in Kingston. I-Octane, who was nominated in four categories, walked away with a majority of the awards he was nominated for - except Culture Artist of the Year that went to Tarrus Riley. Octane won Singjay of the Year (Male), Breakthrough Artist of the Year and Song of the Year (Reggae) for "My Life."
The singjay, who was unable to attend the award ceremony due to a previously booked event, was overjoyed at the news. I-Octane remarks, "Much thanks to those who voted for me in each category, your support is really appreciated. I also want to thank Richie B, because without his vision, hard work and dedication there would not be an EME Award show. My only regret is that I was not there to represent and personally received my awards. Nonetheless, I am very happy about the recognition. I can't say thank you enough."
I-Octane also received three (3) Linkage Awards for Entertainer of the Year, Most Consistent Artist and Song of the Year for "My Life" and a Carivibez TV Award for Video of the Year for song "Lose A Friend." However the recognition does not stop there, the singjay has been nominated for an International Reggae & World Music Award ("IRAWMA") in four categories: Best Music Video, Best New Entertainer, Most Promising Entertainer and Most Cultural/Educational Entertainer. The 30th Anniversary of the IRAWMA celebration will be held on Saturday, May 28, 2011 at the National Academy for Performing Arts (NAPA) in Port of Spain, Trinidad.
Posted : December 31, 2010
BLING DAWG BLAZES ON DAVE KELLY'S FIERY 'TURN IT UP' RIDDIM.
Diehard Alliance member Bling Dawg is closing out 2010 with a bang, as the seasoned dancehall artist brings the heat on "God Mi Seh" -- his new single on Dave Kelly's 'Turn It Up' riddim. Born from the highly publicized reunion between Bounty Killer and Baby Sham/Dave Kelly, "God Mi Seh" is deemed as Bling Dawg's official comeback.
The ever-so-humble Bling Dawg was honored to record with the influential Reggae producer saying "Dave Kelly is at the top of his game....he really makes you work hard.....with him, it's not about just coming to the studio and dropping some quick lines." With so much music being put together nowadays without much thought, he adds "Dave Kelly makes real authentic dancehall music."
Making timeless, authentic dancehall music is exactly what inspires Bling Dawg, leading him to always invest in mastering and perfecting his craft. Among the dancehall fraternity, Bling Dawg is highly respected for his lyrical dexterity. Often billed as a lyrical architect, Bling Dawg's music invokes much thought. Bling Dawg says "I do more than just create music with ABC lyrics....music is much more than that to me." Because Bling Dawg's music is complex and truly based on skill, often it has not always skyrocketed commercially. Yet, Bling Dawg has always remained relevant in the industry.
As a strong supporting force behind-the-scenes of the Alliance, Bling Dawg is highly visible in the streets. Even when Bling Dawg slowed down his music career, he maintained a strong presence and prospered as a prominent promoter, business man and family man. "Music has always been my passion," says Bling Dawg. "But in this often uncertain industry, diversity is critical for career longevity and relevance."
With "God Mi Seh" bubbling on Caribbean radio stations and thriving as a favorite selection in the dancehalls among top selectors, it's no surprise that a video is in the works for January. In addition to this single, Bling Dawg is also garnering attention from the dancehall massive for songs "Next Level" (Baby G's 'Badda Dan' riddim), "Nuh Stab Mi In Mi Back" ('Tan Bad' riddim) and "Our Name" ('Saudi Arabia' riddim). Bling Dawg is poised for a prosperous future, with a mixtape and numerous projects in the works for early 2011.
Bling Dawg, christened Marlon Williams, burst onto the music scene in the late 90's with a groundbreaking appearance alongside Beenie Man on "Circumstances". Throughout his career, Bling Dawg has delivered such vibrant dancehall classics as "Kiss My Baby Good Morning", "Say My Name", and "Shotta Ting" among many others.
Posted : December 31, 2010
COLIN LEVY PICKS ‘A’ LIST PRODUCERS STEPHEN MARLEY, BARRY O’HARE FOR NEW ALBUM.
Going for some of the very best producers reggae/dancehall music has to offer, singer Colin Levy (also known as Iley Dread) has hand-picked Barry O'Hare, Bobby Digital, Dean Fraser
, Stephen Marley and Stephen 'Di Genius' McGregor to work on tracks for his upcoming album,Unleashed.
Scheduled to be launched in early spring 2011, Colin Levy officially released the debut single, Lover’s Holiday, at a special release party held recently in Canada. Lover’s Holiday is produced by Ocho Rios-based producer, Barry O’Hare, who has a long history of working with singers in particular, with much success.
According to Levy, he assembled these elite producers for this album project because Unleashed represents his maturity as a reggae singer.“I have a great amount of respect for veterans like Dean Fraser, Barry O’Hare and Bobby Digital … they have a body of work that speaks for itself. And then there are the two Stephens, both of them the sons of reggae icons (Bob Marley and Freddie McGregor). I think they are possibly the best young producers in reggae and dancehall right now,” Colin Levy explained.
He was also quick to point out that although Stephen Marley is a many -time Grammy winner, both as a singer and a producer, “his attitude is amazing. It’s not about hype; for him, it’s all about work. I respect that”.
Levy, who visited Jamaica over the Christmas holidays to perform on GT Taylor’s successful Christmas Extravaganza, also used the opportunity to promote the single, Lover’s Holiday, and premiere the accompanying music video. The video was shown for the first time on HYPE TV 'Up and Live' with the feedback being that it was “refreshing lover’s rock, feel good music”.
Source: WriteConnection
Posted : December 31, 2010
TARRUS & FRIENDS THRILL EMANCIPATION PARK.
Tarrus Riley has done it again, the reggae artiste with a penchant for charity and good music, for the second time successfully staged his signature free concert Tarrus Riley and Friends at Emancipation Park on Wednesday December 22.
The evening began with the launch of Duane Stephenson’s sophomore album Black Gold and from then there was a bumper crowd of about five thousand waiting to enjoy the coming proceedings. It was at about 8pm that things stepped up a notch when Denise 'Isis ' Miller from Rootz FM announced that the show was about to kick off as the man of the night Tarrus Riley took the stage and addressed the crowd which numbered approximately eight thousand at that time.
The audience was filled with Jamaicans from all walks of life including former Finance Minister Dr Omar Davies, Minister of Youth Sports and Culture Olivia Grange, ambassadors and business leaders, all with the expectation that they would be fully entertained. The stage was graced with performances from the likes of Freddie McGregor and Tony Rebel along with bands such as Chalice, Uprising, Black Soil and Curfew. Mackeehan, Alaine, Khago, Natel, Nikki B, Queen Ifrika, Tarrus Riley, Konshens, Agent Sasco, I Wayne, Fanton Mojah and Dean Fraser all thrilled the massive crowd at Emancipation Park leaving patrons wanting more.
Not only was the fun had by all but the event also struck a serious note with a plea for donations to the Connie Campbell Foundation. The foundation was set up after Connie who is one of Riley’s back up singers fell ill on tour last summer, in August of 2009 as Tarrus Riley, Dean Fraser and Duane Stephenson were preparing to go on stage at Crossroads Nightclub in Bladensburg, Maryland.
Patrons at the event opened their hearts and pockets and gave generously to her cause. These donations will go a far way in ensuring that Connie receives the essential therapy she needs in order to make a full recovery.
The production for the Tarrus Riley and Friends Concert was exquisite. Dean Frazer was a master of his craft ensuring that the band changes were seamless and the quality of the music was on point. This was no easy task as this was a major production including numerous elements such as sound, stage and finding the right talent to ensure that the event was a success.
Tarrus Riley revealed that he was proud to have been able to bring such an event to Kingston as he knew that due to the economic conditions many Jamaicans do not have the money to patronise the shows that are on in this season. Said Riley “I am extremely pleased and filled with joy. The show was entertaining from start to finish with Jamaicans partying in fine style to live music and it was incident free! I am proud to be part of such a feeling. Thanks to all the artistes, musicians, sponsors, staff and audience for making it a success and I wish the entire Jamaica a Black Soil Happy Holidays”.
Source: Nesta Alykhat
Posted : December 31, 2010
BEENIE MAN, BOUNTY KILLER AND CHAM CREATE HISTORY IN BLACK RIVER.
Dancehall stalwarts Beenie Man, Bounty Killer and Cham treated patrons to a never before seen awesome performance sharing one stage, one band and delivering a soul stirring catalogue of hits to close the star studded Jagra GT Taylor Christmas Reggae Extravaganza December 25 at Independence Park Black River. Sizzling performances and an answering fiery appreciation from patrons in Independence Park made the Jagra sponsored show one of the season’s best. The event fielded many performances throughout the night interspersed with lively juggling from GT Aggregation.
GT Taylor, promoter of the event, is pleased with the support of patrons and musicians. He explained, “This year’s show was a success as the support from patrons was great and musicians continue to support the only show of its kind in St. Elizabeth.” GT is also thankful to the Police for their support, “The Police were on hand throughout the night to ensure the laws of the land were upheld and exercised discretionary support. For that we are very happy,” he said. The night saw several great performances and a gathering free of incidents.
Romain Virgo in his powerful set took his fans on a journey singing his many hits and even treating Independence Park to a little Dj in his set. Gyptian was also in his element treating fans to his past and recent hits closing his set with his mega hit Hold You.
Lady Saw took the stage as the “raw saw” of yesteryear delivering musical missiles in what she dubbed her pre sting performance much to the delight of the males and females in the park. Kiprich also took to the stage in a mood filled with controversy and his blue soap in hand. Then it was 30 minutes of scintillating lyrics and with an answering heat from the Park as I-Octane jumped on the stage and sang hits which brought the crowd to fever pitch. His rendition of hits such as My Life, Puff it, had fans jumping, singing and blazing spurts of fire as the singer energetically danced, jumped and connected with the crowd. His invitation of Zamunda to the stage was well received as the young artiste delivered his soulful hit. He is dubbed as one to watch in 2011.
Despite the absence of Mavado who was unable to attend due to flight troubles the 11th staging of Jagra GT Taylor Christmas Reggae Extravaganza was a superb delivery of the many moods of dancehall. As is customary at this event GT Taylor fielded several upcoming acts to a receptive crowd, several of whom made good impressions. Then it was a reminiscent crowd who thoroughly enjoyed performances from Little John, Commando, Leroy Gibbons and George Nooks.
The venue was transformed into a comfortable and quaint party spot with several vantage points much to the delight of patrons. Filled with Food vendors and several screens patrons were treated to show of great vibe and comfort.
Posted : December 23, 2010
WAYNE WONDER NO LONGER WITH VP RECORDS; RELEASES NEW SINGLES ON HIS SINGSO/NYAMCASH LABEL.
Grammy nominated reggae singer Wayne Wonder, having finally secured his release from VP Records, is ready to soar and is eagerly anticipating a wealth of success starting now and into the New Year.
An affable artiste, known for his quick smile which goes all the way to his eyes, Wayne has been battling challenges which have resulted in his career being put temporarily on pause for close to two years.
“It was quite unfortunate that the dispute with the record company (VP) escalated, but all that is water under the bridge now,” the suave singer explained, sounding very relieved.
“I am ready to work. As a matter of fact, it’s more appropriate to say that the work is continuing and I know that all Wayne Wonder fans are going to love it,” the artiste christened Von Wayne Charles declared with more than a tinge of excitement in his voice.
Already, Wayne has released a few new singles, working with top reggae and dancehall producers and also wearing the producer’s cap himself.
The song, "If I Ever", produced by Wayne on his own SINGSO/NYAMCASH label and mixed by Tony Kelly, has been doing quite well on iTunes. Debuting at #4 on the iTunes Reggae Charts, "If I Ever" has received massive attention. It has been getting excellent reaction from radio and sound systems throughout the world, and may very well be on its way to being another signature tune for the smooth-voiced singer.
Wayne has also teamed up with dancehall group, T.O.K. for a song which is making a loud statement in Jamaica and overseas. Entitled "Girl Dem Follow", it was produced by Stephen 'Di Genius' McGregor on his new "Winnings" riddim. "Girl Dem Follow" has been described as “having a great, infectious vibe”.
Wayne Wonder has enjoyed quite a bit of success in reggae music. His career exploded globally in 2003 when his album "No Holding Back" and the single "No Letting Go" were released on the major label, Atlantic Records. The smooth single dominated Urban and Pop radio (reaching #11 on the Billboard Hot 100 Pop chart) in America and the album, "No Holding Back" received a Grammy nomination for Best Reggae Album, a MOBO Award in the UK, three BMI Urban awards, and a live performance on NBC Television's Saturday Night Live.
The follow-up single and video "Bounce Along" reached #12 on the UK pop charts. Wayne’s inspired version of "Hold Me Now" (originally recorded by the Thompson Twins) appeared on the 2004's successful 50 First Dates (starring Adam Sandler / Drew Barrymore) movie soundtrack and was produced by No Doubt's Tony Kanal with a video directed by Gil Green for Madonna's Maverick Records label. Wayne also anchored the hit track "Anything Goe"s (w/ CNN: Capone & N.O.R.E and Lexxus) for the Def Jamaica compilation which received a Grammy nomination for Best Reggae Album. These songs, among so many of Wayne's bonafide hits have been crowd favourites as he headlined an extensive world tour with his Entourage Band in 2004-05 performing in North America, the Caribbean, Europe, Asia, and Africa. Wayne, as his career evolves, reaffirms his pledge to “always empower fans with clean, positive songs”.
Posted : December 23, 2010
BOB MARLEY: LAST RECORDED PERFORMANCE TO BE RELEASED.
Bob Marley, who is easily one of reggae’s most successful and influential musicians, has left behind a legacy that still inspires artists today. With countless critically acclaimed albums and several prestigious awards, he continues to have an impact on our lives. Now we’ll be able to listen to the Jamaican's last recorded performance on an upcoming live album due out early next year.
This will be the sixth official live album by Bob Marley and The Wailers, and is entitled Live Forever. The album has two CD’s worth of material, and features some of Bob Marley’s greatest hits like “Jamming”, “Redemption Song”, and “No Woman, No Cry”.
The material was recorded 30 years ago at a show on September 23rd, 1980 in Pittsburgh, Pennsylvania just after writing the hit album Uprising, which would turn out to be the last studio album Bob Marley released during his life. The record is planned to be available for purchase on the first of February.
“Bob’s music has always conveyed a message of hope, unity and love,” says Rita Marley. “It has brought countless people together as it did that night 30 years ago in Pittsburgh. To hear that music today and to be able to share it with a new generation shows that Bob is as relevant today as he was 30 years ago.”
Posted : November 16, 2010
NANDO HITS TOP OF THE LIST.
Up-and-coming singer Nando is basking in the success of his first number 1: the video for "Look At All These Girls" grabbed the coveted #1 spot on one of the top video programs in Jamaica, CVM TV’s Hit List, on Friday November 8. This development confirms that "Look At All These Girls" is continuing to build some serious momentum across the Caribbean and on the internet. The video for "Look At All These Girls", which parodies the Tiger Woods infidelity scandal, has also been making inroads into various other charts. It is currently number 7 on Flows Pre Dis Top 10. It is also in rotation on Hype TV and appears to be on the verge of breaking into that station’s VTX Top 10 Chart as well. The song entered the Top 25 Dancehall Singles on Jamaica’s Weekly Music Countdown Charts hosted by Richie B several weeks ago and has been rising steadily since; it is now at position 13 and looks set to break into the top 10 within the next few weeks. On the internet side, the video has crossed the 100,000 hits threshold on YouTube and continues to garner positive feedback.
Nando is not resting on his laurels. He has struck up a good working relationship with Barry O'Hare, who produced the well-received "Say What You Wanna" track on his EP, and they are working together to complete several culture and lovers-rock tunes for Nando’s debut album, which is slated for release in Spring 2011. Nando will also be working out of industry veteran Chris Theberge’s new Music Works Studios with urban producer Deewaan over the next month. Deewaan, who is riding a wave of success with hits such as "Just Dance" (official dancehall remix), "Irie", and "Lockdown", will be making the trek across the pond to bring his urban flavor to the pop half of the album, which early indications suggest should be at least a critical success.
Posted : November 16, 2010
PAASHOT CELEBRATES WITH "I LOVE MY LIFE".
New York-based Jamaican deejay Paashot is celebrating the birth of his firstborn, Amari, with the release of his EP, "I Love My Life". The 5-track disc, which is now available on iTunes and other major online retailers such as Amazon.com and eMusic, features production work from amongst others Deewan ["Just Dance" (official dancehall remix), "Lockdown", "Irie", "Look At All These Girls", etc.]. The disc showcases Paashot’s versatility and talent and reinforces my belief that there is good dancehall music being made outside Jamaica by Jamaicans living in the Diaspora.
One of my favorites on the EP is the title track, "I Love My Life", on which Paashot thanks the Creator for allowing him to enjoy life’s vital but often overlooked gifts – family, waking up, and a beating heart — and declares that even in the hardest times he remains thankful and optimistic and refuses to “sponge on Bob.” Another standout track is the party-themed "Celebrate Life", which has an infectious hook that encourages us to “give thanks that we made it.” While I can easily imagine "Celebrate Life" becoming a staple around holidays and other festive occasions, it is also a call to acknowledge the blessing of life each and every day.
Source: Heart To Art Music
Posted : November 6, 2010
SONIA POTTINGER, JAMAICA'S FIRST FEMALE MUSIC PRODUCER, IS DEAD.
Jamaica's first female record producer, Sonia Pottinger, is dead. Pottinger, who was ailing for some time, passed away earlier this week. She opened the Tip Top Record shop in 1965 and began producing local acts the following year. The first single produced by Mrs. Pottinger was "Every Night" by Joe White and Chuck. She also produced the singles, "The Ethiopians" by Delano Stewart and "Swing and Dine" by the Melodians as well as albums by Bob Andy, Marcia Griffiths, U Roy, Big Youth and Culture. In 1974 she bought Duke Reid's Treasure Isle label shortly before his passing.
Posted : October 21, 2010
SCIENTIST AND THE ROOTS RADICS BAND PERFORMING @ DUBQUAKE FESTIVAL.
I don't go to reggae shows often but I got to see the Radics and Scientist with special guests General Jah Mikey, Ranking Joe and Sister Nancy last night, I just got home from the show!
UN FREAKING BELIEVABLE!!!!! RUB-A-DUB sound inna 81 stylee LIVES! The Roots Radics cannot be topped LIVE, they are the best to my ears and it seemed like alot of folks felt it too. Those of us fortunate enough to be there got to take a ride in a timemachine.
Flabba, Style, Dwight, T-Bird and the rest of the band killed it!! (Sorry didnt catch the percussionist and horn players names.)
The Radics/DJ set with Scientist was the High point of the show.
The show had some challenges, but the really good parts were EPIC!!!!!
Uh... lets see Ranking Joe performing Weakheart Fadeaway hello!!! Ranking joe stole the show in my opinion in the DJ set. General Jah Mikey was also off the hook, Sister Nancy rounded out the set really nicely. "BAM BAM" more on this in a minute. This is really about the Roots Radics re-union. It's what made this an extra special night.
Let me talk about...
The opening performance of the 'Vampire' album was pretty interesting. It felt like folks almost didn't know how to react to live Dub this way, it was good I just really missed the vocalists with their vocal snippets "you are a no good you are a no goo o ad, for the things you do in front of meeaaaa...", I thought that that was the plan for the performance but the dubset was without vocals. They had the samples "I want Blood ha ha ha!!" and some others which were a nice surprise. It was overall pretty damn faithfully played and SO much better than I ever imagined.
Flabba, Style and Company had EPIC moments in the dub, and had a Sax player that really set off "Firehouse Rock". I think Dwight's playing on this track was really extra nice, people kept cheering when those guys would play their phrase and Scientist echo chambered it out. I was so happy to see the horn player up there, it's rare you get to see them these days. That brass just cuts through you know.
Scientist did a really good job. I think there were some really cool parts he did flying his faders and it was cool to see the band interacting with it. The Radics were getting more experimentational (sp? is that a word) toward the last half of 'Vampire' as they tried to stretch out the dub and push it a little further, Flabba and Style did not miss a beat... I dont think that's in their DNA. Did I mention the percussionist? His little scratches and cow bells added that little extra special touch.
Some of the tracks on 'Vampire' worked much better than others live and there were also some pretty serious sound issues, but not enough to kill the momentum and heat coming offa that drum and bass combo of Flabba & Style. They never broke form. Let me say this slow so you all can hear me.......no one, I mean no one can touch these two when they are locked in the groove, groove isn't even a strong enough word. Sorry that's just what I think after seeing it. It was as good as on the records from the early 80s, they transported me back to the heyday of Channel One studios.
I used to play some of these rhythms with a reggae band 10 years ago. It was such a treat to see them play those same rhythms in the way only they can. Live no less and in the year 2010!! Something like this for over 16 years! After hearing them play all the tracks in sequence, I was really ready for the DJ set, there was a Japanese DJ before Jah Mikey came on, but I didn't catch her name and missed most of her performance and got back just before General Jah Mikey, never heard of him but great energy on stage and his Dennis Brown "Milk And Honey" song check in his rhyme really got me. Great Singjay style.
I think I died when Ranking Joe was introduced, I forget what song they went into but I will never forget how I felt when he launched into his thing. I was absolutely blissed out the whole time he was up there. Love Ranking Joe what a class act he is. Sister Nancy came out and did her songs and seemed to really enjoy herself. She had really good energy. It was very cool to have her to balance out the Men performers. Her voice was a little rough but It didn't matter.
I feel so blessed I got to see it in my lifetime. It has been my dream to see the Roots Radics do something even remotely this cool. I will never forget it. It was an historic event.
Oh almost forgot, Big shout out to Tom Chasteen for putting this together and the whole Dub Club crew. These guys really know whats up, I gotta go to more shows here and support them for keeping it real and heavy.
Written by Will-I
Posted : October 2, 2010
IS REGGAE DYING A SLOW DEATH?
The upcoming closure of north London record shop Every Bodies Music suggests that reggae music is suffering a serious decline
Once a popular music genre, particularly during the late 1960s and 70s when it found favour amongst the white working class, reggae music has seen a rapid decline in popularity in Britain. The upcoming closure of record shop Every Bodies Music (formerly known as Body Music) - the famed store in Tottenham, north London, best known for its extensive collection of reggae music - has sparked concern amongst reggae enthusiasts, while the decline in the music's sales is further indication that the genre which began in Jamaica is suffering.
"Satellite television and Internet communication has had a dramatic effect on the type of music that's being made in Jamaica," says veteran reggae DJ David Rodigan. "Producers out there are hearing music from America and thinking that they can create the next Usher or Ne-Yo record. As a result, very little reggae is being made by young producers in Jamaica. There's also no longer any reggae industry the way there was before, in terms of CD manufacturing and 12-inch singles; all that is more or less gone. Dynamic Studios [in Jamaica] was one of the biggest reggae distributors and they closed down. I heard they even melted all the vinyl they had in their storerooms. Record sales are really poor and record shops are finding it hard to survive as a result. Former west London record shop Dub Vendor is now a café at the front and a small record store at the back. We’re now at the point where some artists are releasing their music for free. Tanya Stephens put her last album out on the internet, and it was available via German magazine Riddim as a free supplement."
Fitzroy Sterling, director of Every Bodies Music confirms that poor sales have contributed to the store’s forthcoming closure. "We have seen a steady decline in sales over the last five years and it’s at rock bottom at the present moment,” he says. “With new technology, the younger kids can download the music they want and the older folks have got enough music already. As a result, people just aren’t buying music. That’s what’s led to the current situation with the store, though we won’t be closing for now."
Reggae journalist John Masouri says that the sales figures for recent reggae releases make “grim reading.” "The last SoundScan figures I saw were for July/August. Damian Marley and Nas with their collaborative album Distant Relatives were way out front with around 120,000 sales, while Busy Signal sold just 400 copies of his last CD and Gyptian sold 12,000 – and that was with help from a US Billboard hit."
Emerging British reggae artist Solomon, son of Aswad star Drummie Zeb, feels the genre needs to evolve. "I think people feel that in order for reggae to be authentic, it needs to sound like it was made at Studio One 20 years ago,” he says. “I think that’s rubbish. Hip hop has changed, r’n’b has changed, and even dancehall has changed, but reggae, to me, is stuck in this old sound. I think that’s part of reggae’s problem – it’s not evolving."
But while the statistics might not look promising, some feel the music is more popular than ever. Reggae star Damian Marley says: "Traditionally, reggae music isn’t a music that sells a lot of copies in terms of CDs, but live shows have been the source for most reggae artists’ revenue. And now that the music industry in general is going back to that live music element, it’s a great time for reggae because we already have a head start."
Journalist Chris Salewicz agrees. The acclaimed author of Bob Marley: The Untold Story and last year’s Keep on Running: The Story of Island Records feels that reggae is in a good place. "What is interesting is that although reggae shops may be closing in the UK and Europe, reggae has never been more popular. A few weeks ago I went to the Rototom reggae festival near Valencia, a phenomenal event that had over 130,000 people attend over the course of eight days. Sometimes I feel that because reggae first broke out in the UK, people here have become tired and blasé about it. However, reggae rhythms and dub effects are omnipresent in other artists' tunes, and in TV and radio ads. I think reggae has become so much of the mainstream in the UK that we hardly notice its existence."
Posted : September 18, 2010
ROOTS REGGAE AT ITS BEST.
Sunday evening, September 12th 2010, the Bob Marley Museum on Hope Road came alive with The Root of the Music. The show featured live Reggae music from the likes of Jah 9, Raging Fyah, C-Sharp, Uprising Roots Band and Chinna Smith Band.
Set to begin at 6:00 pm, the show kicked off about an hour later as die-hard Reggae lovers and soldiers of the music militantly marched on to the grounds of the museum. After blessings were bestowed and homage and credence was paid to the most High, the show began Janine 'Jah 9' Cunningham took the stage first, whetting the appetites of the reggae-hungry patrons with her forceful, but sultry tone, delivering hard-hitting lyrics. Backed by the Raging Fyah band, Jah 9 performed original songs Warning and My Own Designer, bringing an interesting mix of contemporary and conscious poetry to the stage, captivating her audience.
Raging Fyah remained on stage to carry on the musical flame and delivered a vibrant and attention-grabbing performance. Their set included Long Time, Judgement Day (Music for the Rebels), Far Away and a social commentary in the form of Cyaan Cool -- which brought many in the audience to their feet. After the band had ended its set, the patrons screamed for an encore, which brought the band back to perform Blue Diamond. This impressive performance opened the stage for more beautiful music; the audience asked for more and C-Sharp came on to oblige.
The band opened with a cover of Third World's Clown Inna Circus¸ before jumping into their original What A Day. Their cover of Bob Marley's Rebel Music was captivating but even moreso, their track What's the Matter with the World, which saw the grounds of the museum reacting positively to the vocals of lead singer Chevaughn Clayton and a scintillating solo from lead guitarist Lamont Savory. This performance earned them and encore as well.
Uprising Roots Band was next to take the stage. Highlighting the theme of the band -- 'the brightest light', they performed tracks like SkyFiyah¸ Shines From Within, Fireplace and Know Yourself. Their performance created somewhat of frenzy, as many of the patrons found various ways express their delight in the music. This performance acted as prequel to the man who Uprising Roots call their mentor, Earl Chinna Smith and the Idrens, who many came and waited to see. By the time Chinna Smith and the Idrens had finished performing the captives were indeed set free.
The organisers promised an intimate evening of authentic soul-stirring roots music and this was exactly what patrons received. They gave their patrons a great show and in spreading the Reggae movement, proceeds from the event will go to support of a contingent of young artistes who have been invited to represent Jamaica at the Manifesto Festival of the Arts in Toronto, Canada.
Source: Jamaica Observer
Posted : September 18, 2010
CHERINE DROPS HOT NEW SINGLE.
Cherine is back with some hot new singles to entertain her fans. The first in a series of new songs to be officially released is the hard-hitting "Ring The Alarm" produced by Shadow and Dream Queen for the Dancehall-Soul Label. The tune has been growing in popularity and showcases Cherine's versatility as a vocalist and writer.
With strong vocal delivery, Cherine mixes both singing and dj-ing effortlessly on this track. The subject matter on "Ring The Alarm" will be appreciated by her fans, who have come to love her social and political messages, but they will especially love the fact that they can dance to this high energy track on the dance floor. The production revamps the dancehall classic "Stagalag" riddim with a 2010 twist.
Cherine performed the riveting new single for the first time last week on TVJ's popular morning show Smile Jamaica and has received positive feedback for the track. She has since been making the rounds, giving strong performances at the Ms. Jamaica World 2010 finals as well as well as a much 'talked-about' appearance on one of the most popular shows on local tv Digicel Rising Stars. With a new video in the works, more collaborations and school tours being planned, Jamaican audiences can look out for more local shows from the 'Dancehall-Soul Queen' over the next two months.
Performances aside, Cherine has been busy in the studio working with several producers including Bobby Digital, Stephen McGregor, Rommell Marshall, U.I.M, and Ward 21. Also, currently hitting at radio is her recently released dance hall favorite "Hall of Fame", produced by The Wizard.
Posted : September 6, 2010
VETERAN REGGAE SINGERS HONOURED IN LONDON.
Two UK based veteran reggae artistes have been honoured for their years in the music industry and their work in promoting reggae music in the UK. Singers, Owen Gray and Alexander 'Dimples' Hinds, received special awards from the British Reggae Artiste Recognition Association at its annual Artiste to Artiste Brawta Awards Ceremony, held recently in North London.
The Artiste to Artiste awards ceremony is in its third year and was founded by musicians King Sounds, Paul Dawkins and Carol Thompson, as a means to celebrate the accomplishments and work of reggae singers and musicians in the UK, many of whom have not had any recognition for their work before.
According to King Sounds, many of the artistes honoured have been in the business for 30 or 40 years and when they moved to the United Kingdom they paved the way for the young generation of reggae and other Jamaican singers and musicians. "We are doing this to keep their fires burning," he told JIS news.
High Commissioner to the United Kingdom, His Excellency Anthony Johnson, who was a special guest at the awards function, praised the work of pioneering Jamaican musicians and singers in the United Kingdom.
He told the large audience that Jamaican music was a result of the fusion of Arawak, Spanish, European and African blood in the Caribbean, and that the music has produced a new vibrant civilisation that demands respect.
The High Commissioner said artistes like Owen Gray and Dimples Hinds were among those who created a new Jamaican cultural form and took it across the world.
Mr. Gray won his first talent contest at the age of nine. He attended the Alpha Boys School and was one of the first artistes to be produced by Chris Blackwell, in 1960, and his single titled 'Patricia' was the first record ever released by Island Records. He moved to Britain in 1962, toured Europe extensively in the 1960s and became well known as a soul singer as well as for his Ska songs.
Alexander 'Dimples' Hinds was the lead singer of The Marvels which he formed in 1964 with Nell Hinds and Eddie Smith. After releasing such titles as 'Come to the Wedding', 'Don't Cry My Love' and 'Sonia', they were joined for a while by Hazel McCauley and Jackie Edwards, at which point they toured Europe and the Far East as a cabaret-type act.
Source: JIS news
Posted : September 6, 2010
ROMAIN VIRGO'S EUROPEAN EXCLUSIVE AT ROTOTOM.
Many people had high expectations about Romain Virgo's concert which took place on the Main Stage on Sunday, August 22, especially because that one would be the first European performance for the young Jamaican singer, and also the only one during this year.
Besides the exclusive which boosted the expectation and the impatience of Rototom guests, there was also the curiosity for the unusual career that this new Jamaican roots pupil has created till now. In fact in 2007, just at his 17, Virgo gains the first place in the Jamaican talent show Digicel Rising Star, a TV program similar to X-Factor.
From this moment he produces many successful singles, the most produced by the record company Penthouse, which remarks Virgo's taste, to new roots with strong melodic notes and his refined vocal arrangements. In 2010 he debuted with his first album entitled Romain Virgo, seen as one of the most interesting discography productions of the year, as for reggae music.
At 8.45pm on Sunday night, a big crowd is already crammed together in front of the barrier of the Main Stage, the Swiss Dubby Conquerors are ready on stage and after a short instrumental intro Romain Virgo comes out starting with Can't Sleep, the first hit that has launched him in the musical business. The audience immediately recognizes the big tune and there's a "pull-up" straight away. Romain is totally at ease on stage and there's a great feeling between him and the band, which is very prepared and involved. The young singer takes his time, singing the tracks till the end to enjoy the crowd while he continues dancing, and shows great mastery in controlling his particular tone. After some tranquil tracks the rhythm goes faster with Ghetto and upon the classic bass whips of the Boops Riddim Romain Virgo starts to sing Live My Life, ending the song quoting Government Gone Luu by Busy Signal.
The massive shows big appreciation for the whole show and the vibes which Romain Virgo and the Dubby Conquerors spread in the area. The top of the excitement comes with the lover hit Love Doctor, dedicated to all the ladies, followed by an emotional cover of Ain't Loving You by Godfather Alton Ellis. The "pull-up" is guaranteed as for the first notes of Wanna Go Home, the top track on the album was sung in choir with the audience. Romain Virgo leaves the stage, but the spontaneous warmth of the massive makes him come back upon the notes of the ballad This Love. The concert ends with the explosive Who Feel it Knows it, a recently published single about the difficult every-day life in the Jamaican Garrisons.
Romain Virgo, performed on the show of the duration of an hour and a half, showed his good qualities as a new star, and a new hope for Jamaican and worldwide reggae music. Reporting from Rototom Sunsplash, offering the exclusive of a good quality artiste, who is also very valuable.
Source: Rototom Sunsplash
Posted : September 6, 2010
PARTY ANIMAL KURT RILEY PRODUCES BERES HAMMOND TRACK.
Jamaica's leading party DJ Kurt 'Party Animal' Riley has put his skills again into producing a track that is expected to shake the world of Lovers Rock fans across the globe...
He has now completed the tune "My Kind Of Girl" by the ever-fresh Beres Hammond, and is scheduled to release it on his father’s Techniques label. For the track Kurt teamed up with renowned producer Barry O’Hare, for a production that’s complete with live instruments arranged by a competent team of experienced and popular musicians.
Barry O’Hare has been producing hits since the mid 1990s, and has worked with some of Jamaica’s leading acts including Capleton, Tanya Stephens, Admiral Tibet, Lt. Stitchie among others. He also mixed the Burning Spear album Jah Is Real, which won a Grammy Award for Best Reggae Album in 2009.
"My Kind Of Girl" was co-produced by Micheal Fletcher, who also plays in Shaggy’s band. The other musicians who worked on the track include Webber, who also plays in Shaggy’s band, Monty from the C-sharp Band, and Kirk Bennett who played drums. In Kurt’s own words, the tune is legitimately a Lovers Rock tune that is mellow and sure to please. It’s due for release on his father’s Techniques Label very soon.
This is not Kurt Riley’s first production. To date he has made rhythms such as Rule and Eternity (with his brother Andre Riley), Golden Gate and European Swing.
Posted : August 18, 2010
THE CANCER IN JAMAICAN MUSIC.
Jamaican music has caught up to the politics of country to be a broken wasteland of noise that is filled with incompetent, narcissistic people who have no allegiance or care to anything but themselves. The thing is that everyone wants to act like this just happened when it didn’t. This cancer of noise has been spreading and slowly eating away at our music for over 15 going on to 20 years.
In the early 90’s when a lot of dancehall acts started interacting with American labels, a lot of the producers, musicians, artists and managers took the money and didn’t invest in quality music but instead short changed the music. Talk to someone like Sly Dunbar and he will tell you about a lot of so called reputable producers/musicians that got free work from their peers, with the idea of reciprocity. They did not credit a lot of their peers that worked on their initial projects and those that did get credit were credited as work for hire; and a lot of favours weren’t returned for the initial free work.
A lot of these so called reputable musician/producers, by the second run, delivered substandard results because they could not get any decent musicians to work with them the second time around. After that, everybody locked themselves off and did almost every aspect of production by themselves, ending a lot great collaborations. Reggae music which could be compared to a game of football was basically turned into a game tennis by selfish and egotistical musicians turned producer who just did not want to pay up front for work for hire or share possible earning with their peers by giving them credit for their free work. Some musicians/producers did not even try again, they just took their lot, bailed on the music, and sat back criticising all day.
The thing that a lot of people don’t realise is that a lot of great Jamaican producers were not necessarily musicians or singers but they were people who felt the music, understood the streets and understood the elements of bring the right people together to create great sounds. Some were engineers, sound system operators and even record retailers. Some musicians criticise Jammys, Germaine, Techniques, Digital B and Music Works because the producers for these labels weren’t musicians for the most part, but these labels consistently put out great music for decades and they weren’t one hit or one decade producers but producers that endured and also ushered in many revolutionary changes in Jamaica music.
Bobby Digital was initially an engineer by profession but in his role as a producer, he still worked with people like Dean Fraser for harmony and vocal arrangements and individual brothers from the Brownie family as musicians. Outside Of Clevie Brownie, Digital has found more success as a producer than the other Brownie brothers and Fraser. The simple fact is that a lot of great music that has come out of Jamaica has been the result of great creative collaborations and not necessarily any one individual; and a part of the downfall has been the selfishness and greed that led a lot of people to isolate themselves so as not to share in the reward that comes from good music but not realising that 100 per cent of crap is still crap. Just pick up a good reggae album from the 70’s to the mid 90’s and look at the musicians credits and the producer credit – then find any album after the mid 90’s with the same producers and look at the difference in musicians credit and think about the results of the both albums.
I remember a producer telling me in the late 80’s that one of the worst things that can happen in the Jamaican music is if deejays rise to the top of musical ladder. You see in Jamaican music, the initial order of importance in music was musicians, singers; then deejays came last. After a while the order changed to singers, musicians and deejays still last. I still remember Red Dragon refusing to sign on to a show because Sanchez was getting paid more than him; granted Sanchez was selling more records but that didn’t matter to Red Dragon. In the very late 80’s to the early 90’s the deejays managed to come out on top and the musicians were relegated to last with the singers in the middle. Now the simple fact is that the deejays were the deafest and most musically illiterate of the three.
The deejays’ musical illiteracy, combined with the loss of competent musical collaboration because of selfishness, basically guaranteed the downfall of Jamaican music. We see the results in the lack of quality music and the promotion of noise as music today. These songs are so bad they can’t even make it to the Harbour View roundabout much less to get on a plane to go anywhere outside of Jamaica. The pinnacle for these songs is getting played at Passa Passa or being acknowledged in a local tabloid.
Until we see a return or rise of competent and visionary producers, in combination with good musicians to guide the deejays and singers to record music that aspires to be more than a forward at Passa Passa, Jamaican music will be stuck in the vast wasteland of irrelevant noise.
BERES HAMMONDS 'FOR THE LOVE OF IT' TOUR PACKS THOUSANDS IN TORONTO!
Proving that Lovers Rock is the right choice for performing artists, Beres Hammond, with his distinct voice and flavour of Lovers Rock, packed Toronto's Sound Academy, which was one of his stops on this years’ North American tour.
Performing to a venue holding close to 3,000 people, the number of attendees became proof positive that fans appreciate Beres, and can't get enough of his brand of Lover's Rock.
Touring with Inner Circle and Kenyatta Hill of Culture, Beres also included guest artists such as his protégé Lenya Wilks, and Leon. Leon is known in the acting world as Derice Bannock from the movie ‘Cool Runnings,’ J.T. Matthews from ‘The Five Heartbeats’ and Slim from ‘Get Rich or Die Tryin.’ As far as Toronto is concerned, he's also become Leon the singer!
Adding flavour to the tour, Beres surpassed what fans thought they would receive at his show. "I didn't even know Leon sings!" said a fan surprised to see the actor on the stage. "And he can really sing too," she said with approval.
Kenyatta Hill electrified the audience performing his Father's catalog with songs such "Jah Jah See Dem Ah Come," "Two Sevens Clash" and "Money Girl." Inner Circle impressed with their set list, as did Lenya Wilks whose voice has strengthened and matured since Toronto saw her last year!
Rudolph 'the black nose reindeer,' co-host of the radio show Radio Dubplate on CHRY 105.5FM, and promoter in Toronto, says "it was a good show, good production and very professional. All of the Canadian openings acts did very well and were received!"
Backed by his band, Beres earned non-stop cheers from fans who rocked and sang along with the King of Lovers Rock. Songs such as "Sweetness," "Rockaway" "Come Back Home," "Groovy Little Thing," "One Dance," "Tempted To Touch," "Putting Up Resistance," and "I Feel Good." Just in case female fans got carried away, no-nonsense security personnel were stationed in front of the stage. Last year’s performance was altered when a female fan rushed the stage and kissed Beres during his set. Beres was not hurt, but tickled with the fans display of affection!
Source: L3 Publicity
Posted : August 14, 2010
JAY WILL POSTS BOUNTY KILLER TRIBUTE ONLINE.
Following the worldwide premiere of the Bounty Killer: Path To Greatness documentary as part of the tribute to Bounty Killer at the 18th annual Reggae Sumfest, famed director Jay Will has posted the clip online for all Bounty Killer fans to share and enjoy.
A shorter seven minute version was played on the screens at the Festival on Thursday, July 22 - Dancehall Night - for the thousands in attendance immediately following a blistering performance from "The Poor People's Governor". Sandwiched between the performance and the presentation, the tribute was well received by the standing audiences who cheered widely for the dancehall legend. "But, online, persons have time to sit back, watch and truly appreciatie the remarkable journey of Bounty Killer," explained Jay Will.
The 10 minute online version includes "never before seen" bonus footage which provides further insight into the impact Bounty Killer has had on dancehall. "The clips show how Bounty Killer was both influenced and influential," revealed Jay Will.
Though Jay Will found the project challenging due to the short timelines in which to cover Bounty Killer's long career, he also described the project as "rewarding". "Bounty Killer is a great subject for a full length feature documentary, he has achieved some much in his near two decade career." In the 18 years of Reggae Sumfest, Bounty Killer has performed on the stage a stagering 15 times earning him the honour. Last year, Beenie Man was honoured by Summerfest Productions for his enduring contribution to the success of the Festival.
Posted : August 12, 2010
GRAMPS & PEETAH MORGAN COMPLETES SUCCESSFUL SOLO EUROPEAN TOUR.
Reggae singer, Gramps and his brother Peetah Morgan are still on a musical high after completing a very successful, solo tour of Europe that saw them delivering spectacular performances in Zurich, Switzerland; Poland; Bersenbruck, Germany; Oslo, Norway; Uppsala, Sweden; Schlossplatz, Germany; Amsterdam, Holland; Cantazaro and Lecce, Italy.
“The shows were all well attended and everyone was very satisfied with our solo performances. A few fans even commented that they were shocked, as they did not know I could sing so good. To be honest, to hear fans sing along to songs from my debut album was refreshing and is an endorsement of the hard work that I have put in over the last 12 months” the reggae crooner said in an interview.
The start of European tour came on the heels of a very successful performance at Reggae Sumfest in Montego Bay that saw Gramps enthralling fans for well over 30 minutes with hits like "Come Back To Bed," "Time" and "Wash the Tears." So well received was his performance, that fans in the second city have since dubbed him “the Beres of this era.”
“Beres is a very special artiste who brings his A game whenever he performs. To be compared with an artiste of his caliber means a lot to me. We all know Beres is not just a gifted singer but he is a talented songwriter who brings love and healing to many relationships and that is just what I’m trying to do with my music” he said. Now that the European tour is completed, the next project on the horizon for Gramps is his new charity “Music Orchestrating Music“ (MOM).
"We are very excited about our new charity. We did out first live concert in Kenya earlier this year and partnered with Hands Across Kenya to help supply medicine and other medical equipment to children in the Motherland" he said.
2010 has been a good year for Gramps, having won 5 major awards including "Album of the Year" award at the Reggae Music Appreciation Awards in Toronto; Album of the year (EME), Best New Entertainer, Best Song (Wash The Tears) and Best Cross Over (Therapy) at the IRAWMA in New York. Not one to rest on his laurels, he is scheduled to go back on the road for an upcoming tour of the USA later this month and will head to St Thomas, Virgin Islands for a one off performance this month with reggae icon Jimmy Cliff. In between touring, he will work on his new RnB & County album titled "2 Sides Of My Heart Vol. 2" that will feature an all-star cast including collaborations with R&B singer Musiq Soulchild and reggae superstar Ziggy Marley. The disc hit stores in 2011.
“2 Sides of My Heart Vol 1 is doing extremely well so far, so the plan is to continue to work that album and possibly released a single for the holiday season” he disclosed.
When asked what has been the most memorable accomplishment this year, the former football star, turn reggae singer said, “performing at the IRAWMA, Rebel Salute and Reggae Sumfest were highlights of 2010, while winning the Album of the Year award at the EME was an important accomplishment that validated the decision to become a solo artiste. I was shocked to see all who voted for my album. It gave me a lot of courage to keep on keeping on and made me realize that reggae music is still alive and well” he disclosed.
Posted : July 17, 2010
LADY SAW, BARRINGTON LEVY, GREGORY ISAACS, YELLOWMAN STANDOUT PERFORMERS AT BROOKLYN MUSIC FESTIVAL.
In stark contrast to last year's Brooklyn Music Festival where it rained none stop, the weather at this year's 3rd annual event was blistering hot, as thousands of Caribbean-Americans in the New York Diaspora lined up on the steamy 4th of July independence weekend at Floyd Bennett Field in Brooklyn to enjoy memorable performances from reggae stalwarts like Barrington Levy, Gregory Isaacs, Yellowman, Assassin, Tanya Stephens and Lady Saw.
With the heat pelting hot, patrons did whatever they could to keep cool. Some enjoyed Jamaican Sky Juice - the choice drink of the day - while others shaded the harsh sun under umbrellas as they waited to see their favorite stars.
The vintage acts…the heart of the show commanded the stage and when it was all over, lips were abuzz and tongues wagged positive vibes all over the tri-state. Gregory Isaacs delivered one of his best performances stateside, warming hearts with staples like "Night Nurse," "Rumors," "Soon Forward," "Red Rose" and "All I Have Is Love, Love, Love."
Multi Platinum reggae star Shaggy and Barrington Levy wooed the ladies with their vintage hit songs while King Yellowman rocked the house with classics like Mad Over Me, Mr Chin and others. The crowd did the electric slide with Marcia Griffiths while Lady Saw gave the audience another raunchy set. When the dancehall queen pranced on stage, the crowd roared in anticipation as she immediate got to work. The legendary dancehall diva, sporting a new hair do and a sleek, slender body, showed very little restrain in her song choice but still earned a warm reception from fans who lapped up her every word. Singing vintage dancehall favorites and her version of Gyptian's mega hit song "Hold Yuh," she invited a young male fan to join her onstage and seduced the timid fellow. She encouraging him to 'touch' her - to which he obliged - and she returned the favor which left the audience gasping at the occurrence.
Assassin who performed in the early afternoon worked a strong set and was easily one of the best acts of the day. Other strong performances were delivered by New York acts Mikey Jarret, Linkz & Benny Bwoy, Kayla Bliss and New Kingston.
Shabba, who was making a return to the NY outdoor stage brought the curtain down on the event. Looking dapper in his three quarter pants, red felt hat, and studded shoes, the Dancehall Emperor was just getting warm when time fell short and he had to leave the stage. He however got in some good licks with hit songs from his vast catalogue and had the crowd eating out of the palm of his hands. Hip Hop fans left disappointed as rising star B.O.B did not perform as time did not allow.
According to event organiser George Crooks, "it was a memorable event that showcase the genre's top performers, both past and present. Unfortunately we ran short of time and two of the acts got rushed at the end. The day was extremely hot which caused us to delay the start of the event but patrons loved the facts that they had ample free parking which is always a major issue at many of the outdoor events in NY" he said.
Part of the proceeds from this year’s festival will be donated to the American Foundation of the University of the West Indies (AFUWI) scholarship fund.
Written by: Images LLC & C King
Posted : June 16, 2010
MONTEGO BAY COMMUNITY EMBRACES REGGAE SUMFEST 2010.
Business interests are expecting this year’s Reggae Sumfest to bring a significant jolt to the Montego Bay economy, which should also extend to the wider Jamaica. It is being seen as a welcome ease to the current economic crunch and a catapult for more growth.
Each year, the world- renowned Festival draws thousands of overseas visitors into the city and its environs, and with this influx, there comes a remarkable upswing in commerce and its related benefits. Visitors have been known to travel from as far as Australia to attend the Festival, spending on Jamaican products liberally as they seek to enjoy every aspect of the Jamaican brand. >From as far back as 2003, it was predicted that significant foreign exchange would flow into the island during the time of the festival. This year’s Festival should bring substantial benefits to a wide variety of business interests primarily in the second city, but extending to other areas of the island.
“We expect Reggae Sumfest to be a major contributor to the economic landscape for this year,” states Johnny Gourzong, Executive Director of Summerfest Productions, producers of Reggae Sumfest. “This Festival causes people to not just spend on it, but to spend in preparation for it, and in several other endeavours related to it, and this year should be no different.”
This reality has been duly noted by the Montego Bay Chamber of Commerce, which has over 200 members ranging from small family-run enterprises, to large scale businesses such as hotels and resorts. They all thrive from the boom in the various forms of trade which are direct spin-offs from the Festival, during a period that has traditionally been considered slow in that part of the island.
Data from the Montego Bay Chamber of Commerce also indicate that villas, hotels, and guest houses become fully booked, restaurants, cook shops, and cafes get unprecedented patronage, clothing stores, beauty salons and countless other businesses get the spike in activity before, during, and even after the Festival. In addition, the benefits are not confined to the second city, but spread widely to the major towns across the island. The fashion industry is one example, as the clothing stores, the tailors, dressmakers and those that provide accessories get major orders to fill within the period.
With the line-up this year that includes American R&B star Chris Brown, international superstars Shaggy and Beenie Man, Jah Cure, Etana, Queen Ifrica and Mavado, the package again promises to be an excellent lineup, and the expected benefits to the country should follow.
Reggae Sumfest is the most celebrated and supported Reggae festival in Jamaica, and attracts the world’s leading musicians and performers. In its near 20 year history, the show has boasted a superb entertainment package, loaded with the best performances, food, music, and culture. This year’s Festival runs from July 22-24 at Catherine Hall, St James.
Red Stripe is back as the main sponsor of Reggae Sumfest, after a one-year hiatus. The brand now joins a growing list of sponsors which includes Digicel, Iberostar, JTB, and Wisynco, for the 18th staging of the country’s premier Reggae Festival.
Posted : June 16, 2010
RMAA 2010 A HUGE SUCCESS.
It is safe to say that the capacity crowd gathered at the Jamaican Canadian Centre, on Saturday June 12th 2010 for the fourth-annual Reggae Music Achievement Award, was treated to more than just an award ceremony. The night was filled with great live performances from Frankie Paul, Steele. Ammoye, Kay Morris, The Jempress and Iley Dread all backed by the versatile EOP (Essence of Praise) band. While DJ Massey true to form had the huge audience dancing into the wee hours of the morning to some of the latest tunes at the after party.
The night truly reflected the growth of the RMAAs since its inception four years ago, and chairman of the board Mr. Delroy Sterling along with his team of dedicated volunteers made sure that this would be remembered… “My intention is to have the rest of the world see and acknowledge our vibrant reggae market and our very talented artists here in Canada . I must say thanks to every member of my committee who continues to work so hard, I am forever grateful. Also to everyone that came out to support this award ceremony, God bless you,” said Mr. Sterling.
There were many winners on the night, including Frankie Paul who was presented with a “Lifetime Achievement Award”, but Mobs Production artists Steele and Mandy Woods seemed to be the big winners, as both walked away with two awards each. Steele won for “Artist of The Year” and Album/Cd of the year for “The Man The Music” while Mandy Woods won for “Best Female Vocalist of The Year” and “Single of the Year” for “Take a Bow”.
Mandy was unable to attend the ceremony, so Steele proudly accepted the awards on her behalf and as usual gave maximum thanks to his every growing fan base, and all the media.
The 2010 Reggae Music Achievement Award was a blast, and left all anticipating the 5th installment, where we can once again honor the movers and shakers in the reggae fraternity both locally and internationally.
Posted : May 23, 2010
THE ORIGINAL RUFF CUTT BAND CELEBRATE THEIR 30TH YEAR AS AN ENTITY.
It was in 1980 the Ruff Cutt Organisation was formed for local musicians In the north west of London to rehearse and play their instruments without disturbing the neighbours. Ruff Cutt then rose to prominence, as the place to find top musicians to accompany visiting top Jamaican artists whilst performing in the U.K. and Europe. Artists like Freddy McGregor, Dennis Brown, Al Campbell, Alton Ellis, Prince FarI, Dillinger, U-Roy just to name a few.
Ruff Cutt has been at the forefront of reggae music in the U.K. and Europe for thirty years in which 90% of the reggae music fraternity artists, djs/mc`s and musicians have worked with The Ruff Cutt Band including John Holt, Beres Hammond, Big Youth, Shabba Ranks, Ninja Man, Vybz Kartel, and also 90% of the U.K. artists such as Vivian Jones, Peter Hunnigale. Don Campbell, Nereus Joseph, Don Ricardo, too many to list. Their record productions are renowned worldwide and they have several hits in the U.K. and abroad with over 90 single releases and several albums released on their own Ruff Cutt label.
Ruff Cutt start their 30th Year UK tour celebration on Friday June 4 at the Tabernacle Notting Hill Powis Square W11 2AY in Ladbroke Grove See where you can hear Europe's number1 reggae band and their guests performing live... Real authentic reggae at its best. Artists performing will be Vivian Jones, Nereus Joseph, Don Ricardo, Lorna Asher, JC Lodge, Barbara Naps, Webby J with the Matics Horns.
Posted : April 21, 2010
JUNIOR X ROCKS FANS IN BOSTON.
Reggae's Prince of the Battlefield, Junior X, rocked Reggae fans in Boston! Backed by Luv Bug Movements, and with a voice as clear as a bell, fans listened keenly to his every word sung by the young performer.
Junior X engaged his audience by opening his set with “Plead My Cause,” immediately earning the young artist a huge forward from the crowd as well as vocal support. Performing as if the people in attendance were close friends and family, Junior kept the momentum going with his chart topping hit singles “Pill (That I Could Take)” followed by “Gangsta Life” placing lighters in the air. Addressing the issue of violence, and the hardships of the recession, Junior appealed to all in attendance to not give up at the first sign of trials as this too shall pass.
“It was such a joy to perform for the people in Boston” said Junior, “I’m using that performance as momentum for the International Reggae and World Awards in New York which I’ll be attending for the first time this year!”
Posted : April 12, 2010
BUSY SIGNAL UNCOVERS FRAUDULENT WEBSITES.
Following complaints and investigation, Busy Signal has discovered that there are numerous websites that claim to represent the deejay. "My official website is MySpace.com/OneBusySignal and my manager's website is MySpace.com/JukeBoxxProductions. No one else can speak for me," Busy Signal declared.
"We noticed several flyers and other promotional materials advertising Busy Signal to perform at events we did not book him for," explained Juke Boxx Productions Executive Producer Shane Brown. "We investigated and found that criminals were taking advantage of promoters by claiming to represent Busy. We also discovered that fake dubs were being sold".
The increase in scams involving misrepresenting artistes is a cause for concern for many promoters and sound systems seeking to do legitimate business. "Juke Boxx Productions is Busy's only authorized agent, promoters are encouraged to contact us directly for all matters concerning Busy Signal," Shane expanded.
With no single individual committing the fraud, it has proved impossible for Juke Boxx Productions, Busy Signal's management company, to identify and stop all the dishonest activity and rackets. Each fraudulent incident has been reported to the proper authorities for prosecution. Meanwhile, Busy Signal's official bookings are posted on MySpace.com/OneBusySignal
Posted : April 10, 2010
GRAMPS, PEETAH MORGAN ROCKS 15,000 FANS IN TRINIDAD.
The Queen's Park Savannah in Soca country Trinidad was transformed in the land of reggae music for at least one night when crooner Gramps and his brother Peetah Morgan delivered a memorable performance that music fans in the twin island republic will be talking about for a long time.
The Morgan brothers, who last performed in Trinidad 3 years ago as part of the Morgan Heritage ensemble came back this time as solo acts and what a soirée it was. The pair hit the stage at 11pm, moments after Gyptian had roused the crowd. Gramps had an immediate impact with "Come Back To Bed," which proved the perfect offering for the many beautiful ladies who howled for more. And more they got as the EME Awards winner for 'Album of the Year' segued into his current hit "For One Night" and "Wash The Tears" that struck a responsive chord and proved the perfect offering for the 15,000 fun loving music fans who were at his beck and call. Peetah who is touring as a solo acts also had his way with fans. His popularity and magnetism was clearly evident as he grooved on hit single "I'm In Love with You."
As the set of the Morgan brothers would not be complete without a few vintage songs for the Morgan Heritage catalog, the two obliged fans with "Nothing To Smile About," "Tell Me How Come" and their mega hit "She’s Still Loving Me" which brought a Sumfest type vibe and energy to the stage.
“It was truly an amazing performance especially when we touched songs from the Morgan Heritage catalog”, Gramps said moments after he made his way off stage.
"This is my first solo performance in Trinidad and it is one that I will treasure for many years to come" he said.
The following night it was on to Tobago, where Gramps and Peetah again reeled off many of their hit songs. Gramps' performance was entertaining and inspirational and peaked with a moving rendition of "Psalm 23" which was dedicated to incarcerated dj Buju Banton.
After his performance Gramps - who began his musical journey as a solo artist in 2009 - admitted in an interview that he has matured as a solo singer from successful tours with R&B heavy hitters John Legend, India Arie and Buju Banton. He has already had a number of chart toppers in 2010 and he is currently in studios recording tracks for his sophomore Country and R&B disc that will be released later this year. He will head across the Atlantic next week for a 2 week promotional tour that will include stops in France, England and Germany. He then heads to the USA on May 2 for his highly anticipated performance at the 29th annual International Reggae & World Music Awards at York College in Queens, NY where he is nominated for 5 awards.
“New York is my home away from home so I am very excited to be up for 5 awards” he said.
Posted : April 10, 2010
LEE 'SCRATCH' PERRY -- 2010 NEW ALBUM PREVIEW.
Trojan Records has just announced that they'll soon be releasing a collection of rare, 7 inch singles from legendary reggae madman Lee 'Scratch' Perry. As the reports, most of the singles come from the mid to late 1970s, when Perry was at his most prolific, and when his influence touched upon not only reggae musicians in Jamaica, but upon punk rock movements in the UK, as well. The collection will also feature extended cuts of major hits that Perry produced on his Upsetter label, including 'Curly Locks' by 'War Ina Babylon' by Max Romeo, and target Junior Murvin's seminal 'Police and Thieves.
Trojan's Perry release comes as the latest in a recent trend of remastered releases from the UK label, which has already compiled similar collections for Desmond Dekker, Millie Small and Marcia Griffiths. No official release date has been announced for the compendium, but Trojan announced that fans should expect it to drop sometime this summer.
Posted : March 1, 2010
UNA MORGAN MAKES BREAK-THROUGH PROGRESS WITH NEW SOLO ALBUM.
Una Morgan is the sole female sibling of the Reggae band of this decade, Morgan Heritage. Despite having ten studio albums under her belt with her family band, having performed for stadium-sized audiences across the world, and having garnered much of the success and longevity that many artistes can only hope for, Una took a step back from the limelight in 2006. “I wanted to take time to recreate and develop myself physically, mentally, and spiritually.” During this time she also focused on building her production company, SIA Entertainment, strengthening family ties, improving her physical health and connecting with her spirituality.
As a true performer, however, Una could not sit back idly. Now as a solo artist she has developed with her own distinctive sound. Una Morgan’s signature sound is a blend of Reggae, Dancehall, Pop, Hip Hop and Soul fused to be appropriately called Raggasoul. With this distinctive sound, an excellent voice, and great studio production, Una’s single ‘Giving’, produced by Lenky ‘Diwali’ Marsden (producer of Sean Paul, Nina Sky etc.) perfectly captures her sound. She is also excited about her contribution made on the ‘Tribute to Haiti’ track produced by the great Handel Tucker (producer of ‘Close to You’ and ‘Just a Little Bit Longer’ by Maxi Priest, ‘House Call’ by Shabba Ranks and various hits with Sly and Robbie and Beenie Man).
Una is also working with acclaimed local and international producers on her debut solo album. She is very excited about working with multi Grammy Award winning producers Commission Gordon (credited with work for Lauryn Hill, Amy Winehouse and Joss Stone), a collaboration that was set up by Rubikon ENT, who list Gordon among their clients.
Her solo album presents collaborations with established and new names in the industry. On her album, she worked with other established producers and writers, such as Stephen McGregor, Jimmy Cozier, and Taj from the 90’s group The Boys. Una has also returned to her hometown of Springfield, Atlanta to work with rising stars such as Kiana India, ME, and producer “X”.
To address the rumors, Una ensures her fans that her solo venture is not signaling the breakup of Morgan Heritage. “We always knew that we would build as a group, use that foundation to take things to the next level, and then come back to the family.” You can even find some more Morgans on the credits, with brothers Mr. Mojo and Gramps assisting in mixing and production, a true testament to the strong bond that keeps their family together.
Looking to fully capitalize on her groups’ international success, Una has recently signed to Gary George Inc. (GGI) and Rubikon Entertainment management companies to use their pooled wealth of resources for management and legal services to propel her development. Rubikon is a UK-based management and legal firm that provide management and legal & business affairs to a slew of prominent artistes and producers amongst other entities.
Miss Morgan, even though blessed, has not let her accomplishments go to her head. She remains humble and has made it her personal mission to use her celebrity status and music to champion issues such as health, weight management, self-esteem, and other issues plaguing women around the world. “I’m very concerned that many young women today are doing things to please everyone else. We need to work on being one with the Creator first, and I hope my music can inspire young women to do that.”
The Raggasoul songstress, Una Morgan, hopes that with her new album, entitled ‘Just Me’, she can show her evolution in music, life, and spirituality, while continuing to uphold her family’s legacy.
Source: Gary George Inc/SIA Entertainment
Posted : March 1, 2010
ROMAIN VIRGO TO SIGN WITH VP RECORDS.
Romain Virgo will be making major strides next week when his ‘This Love’ music video airs on US-based cable station VH1.
According to his manager, Dawin Brown, they have been in negotiations with VP Records, as the company is about to sign the budding star. During the negotiations, Brown said several songs from Virgo's catalogue were submitted to them.
"They said they were really impressed with the ‘This Love’ video. Christy Barber (vice-president of marketing and promotions at VP Records) is kinda responsible for submitting it to MTV and VH1," Brown told THE STAR, while adding that the video is currently on the website for both stations. All of this took place within a six-week period, Brown said. "We just found out Thursday that it will be aired on VH1. So we are keeping our fingers crossed. We are just waiting for it to start showing," he said.
Virgo said he was very excited about the development of his career. "Jah know, a one of the greatest feeling. VH1 and MTV are world stations. I think it's a good opportunity for the world to see who the true Romain Virgo is. I think it is a good way to bring me out there to the world," he told THE STAR, noting that the video was done during his 2007 Digicel Rising Stars journey.
But this is not the only thing he has on his plate. This week he will shoot the video for ‘Who Feels It Knows It’ in Kingston and St Ann. The video, Virgo said, would "look at hard-working people in every environment."
He is also working on a self-titled album that will be released in May through VP Records. Virgo said it would have songs such as ‘Caan Sleep’, ‘Murderer’ and several new tracks.
For the album, there will also be a series of promotional shows. And, in the coming months, he will have shows in the US, Europe, Barbados, Bahamas, Grenada and St Martin.
"It will be a whole lot of work for the year," said Virgo.
Source: The Star
Posted : March 1, 2010
BUSY SIGNAL GOES UNIVERSAL.
President and CEO of Universal Music Group Distribution, Jim Urie, cannot get enough of Busy Signal’s cover of the Phil Collins hit ‘One More Night’. Urie was so impressed by the cover that he has added the single to his annual compilation album.
At the end of each year Urie releases a double CD album with his favourite songs from various genres and his 2009 compilation features ‘One More Night’ by ace dancehall deejay Busy Signal. “When I saw the album and saw the song listed, I couldn’t believe, the song really gone universal”, said Signal. The video for the single was released three weeks ago and has been receiving steady rotation on local TV stations. In addition, the song has been added to several charts both locally and overseas.
Source: Jukeboxx Productions.
Posted : February 18, 2010
RUSSIAN LOCKS DOWN MS TRINITI AND KARTEL; LIQUID BURNS ART.
In early September 2009, a Russian director (Vlad) journeyed to Jamaica to film the music video for Lockdown, a collaboration between Ms. Triniti and Vybz Kartel. There was great expectation for Lockdown to be a crossover hit and understandably much fanfare around the shoot, prompting Anthony Miller to host Triniti and Kartel on his ER program ahead of the shoot and Gareth Daley to cover the video shoot for Hype TV. Seeing Vlad’s animated display, zeal, and tireless work ethic on set only served to stoke further interest in the finished product; however, five months later the video has still not been aired.
All the parties connected to the song are understandably disappointed by the inexplicable delay. The Bolan production team that heads up 'Heart to Art' cannot put a finger on the problem; however, they revealed that they have had a streak of unfortunate experiences with video directors in recent times. They explain that Vlad committed to deliver the video for Lockdown within six weeks of the shoot; however, more than three months have gone by since then without him providing any acceptable explanation for the protracted wait. They recently spoke to Vlad and he expressed profound regret for the delay and assured them that he is now working feverishly to complete the project.
Some may ask why Bolan brought in a director from Russia to tackle a dancehall video; however, they contend that they worked on a project with Vlad in NY several years ago and were extremely impressed by the quality of his work and his professionalism. They explained further that selecting a director relatively close to home does not guarantee delivery of the project on time, if at all, and they have the evidence to prove it.
They recently won a settlement against NY-based director Lamont “Liquid” Burrell, who claims to have completed several projects for the likes of Alicia Keyes. Bolan explains that they paid Liquid to complete three videos but once he received the advance he became totally unprofessional and failed to deliver on two of the projects, while he delivered the other one several months late. Despite many promises to the contrary, Liquid also failed to return the deposits, forcing Bolan to take him to court and win a judgment, which they are finding hard to collect from Liquid. They have also encountered disappointment with a director in Jamaica. In 2007, they paid a Jamaican director to create a medley video for a rhythm-driven project. They received the video about three months after the expected delivery date and it was of such poor quality that they did not bother to send it to the media houses.
While some may attribute these incidents to bad luck, Bolan believes that the crux of the problem is a general lack of respect meted out to ordinary working people, especially those living overseas, by entertainers, the entertainment media, and other service providers in the entertainment industry. They believe that many of these individuals seem to only show fear or respect to druggists, bad men, the ultra-rich, and other celebrities. Despite these obstacles, the Bolan team will not be deterred. They remain confident in their own abilities and in those of their label’s main artiste, Nando, who is getting set to release his debut EP in early March. Surprisingly, they also remain confident that Vlad will soon deliver the video for Lockdown, and that, when he does, Lockdown will lock down the video charts.
Source: Rooters Press. Written by Mike Lamont.
Posted : February 15, 2010
CLAUDIUS LINTON IS AMONG LONG BEACH'S HOMELESS.
You come across him on the street with his briar-patch tangle of beard and dreadlocks, missing teeth, his small thin frame almost disappearing into layers of sweat shirts, and he looks exactly like what he is - homeless. And if that's all you see, you miss the essential Claudius Linton. Listen to him speak and the unmistakable island lilt of Jamaica emerges but often fades to a papery whisper. His discourse wanders. The cataracts in his old eyes make him seem unfocused. But put a guitar in his calloused hands, and he is transformed. This is when the real Linton emerges. His fingers settle reflexively a Rasta beat across the strings and a raggedy, soulful, timeless, Jamaican country voice comes out that defies the indignities of homelessness. It's said of an authentic soul or blues voice that you can't necessarily describe it, but you know it when you hear it. Listen to Claudius Linton and you know this is old-school, roots reggae. It is truth.
As Linton says: "I am the one who go through the tribulations, the tests. These songs that I sing, you have to put to a test and go through the test of time." In the 1970s, Linton was a contemporary of Bob Marley and Peter Tosh, the product of a golden age of reggae that emerged from the Trenchtown ghetto in Kingston, Jamaica. Linton's is a story almost lost to the ravages of time, misfortune, changing musical tastes and, no doubt, bad decisions. He is like so many homeless in Long Beach, and yet utterly different.
Linton knows when people see him, they immediately dismiss him as "another homeless guy." He tells a story about retrieving his guitar at a bus stop and two men who assumed he was trying to steal it. One refused to allow Linton to take the guitar. Eventually police came. They made Linton describe the guitar. Then, he says, the policeman told him to play a song. As he relates the story, his fingers start strumming and he falls into a rendition of "Love Drops."
The cops let him keep the guitar.
The anecdote is about a triumph, but it is underscored by Linton's anger at the assumptions and attitudes he faces on a daily basis. "I tell you, sir, it's not any easy world," Linton says. "It's a lot of bullshit." Linton's life is like something out a script writer's manual. However, this is no fiction and the resolution of the story of Claudius Linton, the "Kingman," remains to be seen. Whether his story will result in a triumphant return or more desperate unraveling is still unfolding. Just two years ago, it seemed Linton's life was undergoing a fairy-tale resurrection. Now, success comes in small doses and baby steps.
Once upon a time, he was big in reggae music. He won the nickname in 1972 after he sang "Return of the Kingman" at the Jamaican Independence Festival Popular Song Competition. Although Toots and the Maytals edged Linton in the musical throwdown, Linton says he was the people's choice. Linton casually talks about working side by side with Tosh unloading drays at a Kingston mill, or sitting by the roadside chatting with Marley, and interactions with any other number of reggae greats.
In the mid-1970s, when reggae's popularity was surging in the U.S., Linton's "Crying Time" was a hit. Other Linton songs such as "Put Your Shoulder to Jah Wheel" and "Backra Massa" were moral touchstones that echoed a part of the musical movement that preached togetherness, love and social equality. Dr. Martin Luther King Jr. and Marcus Garvey often work their way into Linton's lyrics. Despite his artistic and critical successes, Linton failed financially in the notoriously corrupt Jamaican music scene. Attempts to create his own label and independently produce music didn't fare well. In a 2008 interview, Linton recalled recording in the famous Federal studios when a man negotiated a session with a gun.
Linton slid from the public eye, although he never stopped playing. He seemed perched for a miraculous resurrection after a chance meeting on Negril Beach in Jamaica in 2006. Ian Jones, an independent music producer, met Linton and soon the two were recording in Marley's legendary Tuff Gong studio backed by a band of veteran reggae session players. On his Sun King records label, Jones remixed a collection of Linton singles spanning almost 20 years entitled "Roots Master: The Vintage Roots Reggae Singles Volume 1." Then Linton and Jones paired for an album entitled "Sign Time" under the partnership name of Kingman & Jonah. The two albums received positive and at times rapturous reviews and "Sign Time" climbed the charts in Australia.
After long-distance collaboration, Linton came to the U.S. and the duo had a short-lived tour in 2009 but had a falling out. Linton blames Jones, who did not respond to an interview request sent via his record label's website. In a 2008 interview, however, Jones admitted that with the tumult in the music industry making inroads in the retro reggae market was difficult. According to his MySpace profile and record label site, Jones has since moved on to other endeavors, although "Sign Time" and "Roots Master" are still prominently displayed and apparently for sale.
Although Linton says he has a work visa that is valid until 2012, he found himself homeless in Baltimore. He eventually made his way to Utah and then Los Angeles. He lived in Venice for three months, tried unsuccessfully to make some money playing street music and eventually fell ill from sleeping in the streets and was hospitalized. He was released from the hospital to Long Beach and stayed briefly at the Rescue Mission, where he still drops by for lunch on occasion. As he strolls around the courtyard at the Mission, he's greeted by calls of "Hey, Rasta man" and "Sing us a song."
Jeff Levine, a chaplain at the Rescue Mission and musician, said he was surprised to have a musician of Linton's caliber wander in off the streets. "It was surreal to go to iTunes and YouTube and find he had been a great musician for years," Levine said. After Linton was able to get strings for his guitar from a member of the Rescue Mission, he and Levine jammed together. "That's the way our relationship was, sharing faith and music," Levine says. Leonard Adams added Linton to his caseload at the Multi-Service Center and helped the singer get medical help for his diabetes and high blood pressure. He says Linton is also attempting to receive general relief benefits of $221 a month plus food stamps.
Linton recently moved out of the winter emergency shelter, but without income, his situation remains precarious. He says he has received no money from his albums or songs that are downloaded. Linton still hopes to revive his recording career.
"I know I still have my ability for singing and playing and writing," he says. Like many homeless, he seems to struggle with the day-to-day responsibilities of life and sometimes just expects others to take care of them. He acknowledges he has done a terrible job with the business of music. "Most singers is just big cars," he says. For Linton, music is his deepest expression. He is a firm believer in the Rastafarian faith, although he says he personally doesn't use marijuana for enlightenment. For Linton, music is spiritual. "You get the blessing and that root will go into the people," Linton says. Levine says he sees that side of Linton's music. "It's a spiritual experience for him, and he wants to glorify Jesus Christ," Levine says. "And he wants to share that with people." Listen to Marley or Burning Spear, Linton says and you will hear that all three share the same message. If only he could find a way to make that message sell.
Although Linton says he has a home in Jamaica that he built, he still wants to gain some measure of success here and believes that if he can be heard by the right person, he can revive his career. He has no idea how that will happen and no road map to get there. But he still believes. "I am a man of guts and a lot of patience and I never give up, sir. The music business was given to me by God almighty with the spirit of love to sing and play music," Linton says. "When a man take a song or two from me he takes nothing, because in the morning I have other songs to sing." And about the future Linton says, "I know I'm coming strong one day, sir."
Source: Press-Telegram, Long Beach CA. Written by Greg Mellen.
Posted : January 17, 2010
BRING BACK THE 'OLD TIME' REGGAE!
Now that the latest era of lyrical warfare has come to a much needed end, the official launch of Konshens' latest song and music video, "Bring Back The Reggae", seems to have arrived at the perfect time. The content of this song beckons the entertainment fraternity to bring back the 'party-time vibes' in dancehall and this, without a doubt, is what our beloved music needs to go back to in order to survive.
Reggae music has always been a reflection of what's currently happening in our society, but in a time where crime and violence is so prevalent, this song is a brave attempt by this talented young entertainer to boldly steer the music in the right direction. This latest addition to Konshens' arsenal of hits, reminisces about what reggae music and dancehall used to be, it speaks of the feeling of enjoyment, the happiness, and the unity that the music originally captured. The beat itself embodies the same groove as some of the top rhythms from the 90s era, similar that of the 'Showtime' and 'Bruck Out' rhythms by Dave and Tony Kelly.
"Bring Back The Reggae" was produced by Trevor Forrest and Steison Scatcliffe for their US based label, SecretChunez Productions. Even though more known for their hits in the soca market with the likes of Dawg E Slaughter, Bunji Garlin, Crossover and Kerwin Dubois, they have also worked with other Jamaican acts, Harry Toddler, Hawkeye, Pressure, Iceman, Warrior King and Cecile; and are quickly expanding their list of credits. The song itself was recorded under the supervision of Master Lee of Code Red Records and mixed and mastered at Code Red Studios in Kingston. The cutting edge, futuristic sci-fi type video for this song was the brainstorm of Nathan Cowan and directed by himself, David Rodgers and the camp at 13th Tribe Films also here in Jamaica. Both the song and the video are now being digitally distributed worldwide by I-tunes, Amazon, Napster and Rhapsody to name a few.
In a time when our music has become so violent, graphic and seemingly fused with techno and hip hop to the point where it is barely recognizable, with this song, Konshens has made it clear that it's his aim, to Bring Back The Old Time Reggae.
Posted : January 17, 2010
TOK'S BAY-C BRINGS THE WORLD TO MARS.
Mars is not only a planet in the solar system; but it is also the name the sizzling hot new dancehall rhythm released by the talented artiste, producer, and artiste manager Bay-C.
Bay-C, who is the bass in the four-man-dancehall-supergroup quartet TOK, has produced three other riddims in the past. Namley the Showdown Riddim, the Black Rain Riddim, and the Money Tree Riddim, Bay-C has also produced the beats for his album Bay-C of T.O.K Presents the Bomb Rush Hour.
“That album was released under my new, two-year-old label, which is called Bomb Rush, and basically I want to bomb rush the people with music,” explained Bay- C. Christened Rushaine Clarke, the creative genius that is the Mars Riddim has been enjoying a significant amount of radio airplay not just in Jamaica, but in the Caribbean as well.
But who knew that Bay-C was a producer?
“I want people to listen to the music first and then ask 'who mek dah rhythm deh?' before telling them that it's mine,” Bay-C said when asked about revealing his venture into rhythm production. “I want the rhythm to talk for itself.”
An impressive array of stars have thrown down and laced lyrically lethal tracks on the slick, hypnotic beat of the Mars Riddim. TOK themselves are leading the pack with their dancehall tune Plush. Sleepy Hollowtips' Dash Weh is also on the riddim. Sleepy Hallowtips, who is being managed by Bay-C, is also accompanied on the riddim by dancehall king Beene Man, and fast-rising dancehall diva T-I-F-A.
Bay – C says that the Mars Riddim is strictly dancehall, and there's no two ways about that.
“This riddim is straight dancehall,” Bay- C said, continuing that “there has been a lot of fusion in the dancehall of late, where hip hop and techno are creeping in, but this is not the case with Mars.”
He mentioned that the riddim will be released to the European market officially in February when TOK resumes their Our World. The tour is in support of their late 2009 album Our World.
Next up for Bay-C and Bomb Rush is another rhythm called 'Old School', set to be released mid-year.
Posted : January 17, 2010
NADINE SUTHERLAND LOOKS TO 2010.
Arguably one of Jamaica's most talented and successful female singers, Nadine Sutherland is a note-belting, lyric-lacing powerhouse who will this year celebrate her 30th year in the music industry.
Sutherland, who boomed from a very tender age when she won the Tastee Talent Competition, has blossomed into becoming a hit-making, no-holds-barred female icon both in Jamaica and abroad. She has seen it all, and had a tough time breaking through the very male-centric entertainment world.
Overcoming vicious, almost career-ending rumours, Sutherland has experienced immense success with cross-over hits such as "Action", "Baby Face" and "Anything For You". There's no doubt about it. Nadine Sutherland is a singer and woman extraordinaire. The only female judge on Jamaica's number one television programme, Digicel Rising Stars, saw 2009 being a very busy year, and she used it to make quite a number of changes in her life.
"I'm very happy how '09 went. I revamped my look and also my management. I also worked with a lot of old people, with new energy. I did a lot more promotion abroad as well as performances locally especially the Digicel Rising Stars Finale. This, I think, reminded people of the performer that I am. But in retrospect, I think I made very good moves for 2009,” said a sweetly smiling Sutherland.
In the near future, much is to be expected from the songstress. A compilation of all her singles since the Tastee Talent Competition, entitled Then til Now will be released, and she also has other singles out with top producers including Snowcone, Shane Brown and Vigilante Productions. Her most recent achievement is "Life In The Street", which sits atop the charts in New York and is holding firm in the number three spot South Florida. This, to say the least, has her quite excited, as she looks forward to an eventful 2010.
And, in an industry where young females are on top of their game, Nadine remains headstrong.
"I have so many years of history. I don't compete with the younger generation. After years of being in the industry, I have established who I am and so I just go out there to perform and to show my talent."
Posted : January 13, 2010
CHERINE ANDERSON 'TURNS UP HEAT' IN SEXY VIDEO!
Billboard charting Dancehall Soulstress Cherine Anderson turned up the heat in Red Hills St. Andrew last Thursday night, during an island wide cold front, to shoot the video to her hot new video "You Turn Me On" with Natel. The video, directed by Kevin Lee, was shot by a complete Jamaican crew and produced by Jan'l Hastings-Robinson for Zlink Entertainment/Dancehall Soul Productions. The set was abuzz with local media all night, eager to capture Anderson in a metallic purple swimsuit. From one look to the next, Anderson and Natel excited the observers and many commented on the chemistry between the two young singers.
We asked Cherine about her experience recording the song with Natel and she responded, "It was really easy, he is very talented. It was really cool to actually be able to record "You Turn Me On" with both of us in the studio together, it helped to make the song more believable."
Jumping in the frigid swimming pool a little after midnight, all the crew and assistance on set watched Anderson in awe. Many sought cover under thick sweaters from the chilling winds, but Anderson, being the consummate professional, was all smiles and continued the shoot. With a modest request for some hot tea during breaks, the petite beauty gave a convincing performance, even joking at one point that it felt like a nice summer day on Hellshire beach.
When Natel was asked about working with Anderson he responded, "It was truly a very exciting experience, one which was filled with a great vibe in a lovely atmosphere. I'm happy and honoured to have been offered the opportunity to work with Cherine on my very first project."
Posted : January 13, 2010
GARNETT SILK'S SON STEPS ON WORLD'S HIP HOP STAGE!
If you've been listening to Reggae music for several years, you know that Garnett Silk was one of the industry's most celebrated artists. Singing songs of freedom and personal upliftment, Silk always had the lyrical remedy for the ills of his listeners. He was also an artist who inspired many fellow artists as they strived to impact fans the way he did. One of Garnett Silk's seeds, his son Duce Califa is walking the road of music; not in Dancehall or Reggae, but in Hip Hop!
Called 'Hip Hop's Delivery' because of the way in which he performs and delivers his lyrics, the young Hip Hop Emcee named Duce Califa (real name Fabian Smith) is as natural to the genre as his father was to Reggae. When asked why the pursuit of Hip Hop as opposed to Reggae, the young artist replied “I respect my father and what he did, but what was his is not mine. And just as we are different men, we have different dreams. Besides I do not think I could do the people any justice in trying to make a replica of what he stood for, because that is not me.”
Backed proudly by 5th Element Records, Vibe One Radio from New York, Mighty Mike from Irie FM, and producer Lenky Marsden (for whom he recorded the song “Written In The Stars”), Duce Califa began honing his emcee skills from his days in high school, and is now strategically set to show that Hip Hop from Jamaica is just as competitive as Hip Hop from any of the 52 states in the U.S.
Although he's recorded several singles, Duce's debut release called “Screamin'” features Natural Blacks, and has immediately received positive feedback from the L3 Music Distribution network. Released to over 4,400 radio, club and Dancehall DJ's around the world, Duce's song is set to impact radio by week's end.
“I love what I do,” says Duce. “Music was in me from before I was born, so I'm just doing what comes naturally!”
Source : L3 Publicity.
Posted : December 25, 2009
MR. VEGAS SPEAKS HIS MIND!
Here is what Mr. Vegas had to say on twitter.
Hip hop riddim a mash up jamaica music. Tonight I went to two dance and I realize that the Jamaican reggae dancehall riddim has lost its identity, every riddim now is hip hop. And the worst part about these wanna be hip hop riddims, they have no vibes after the first few seconds, wha wi dancehall gone to hip flop.
I wish we could go back to Danny Brownie, Dave Kelly, Tony Kelly, Clevie, 'cause when I leave JA its the old riddim get the forward. Are we gonna sit and watch the music die? Are we gonna be hypocrites and never call out the culprits? What happen to riddim like Badda Badda etc, is me alone hearing the shit that's coming out, weh nuh have nuh vibes.
I am warning these producers, you are killing dancehall reggae.
At Chi Ching Ching Dance and the man dem put on some nowadays riddim and it was the hardest thing to fit I Am Bless on one a dem. And worst thing is the girls can't dance to this wanna be hip hop shit, should we just start rapping full time, like Ding Dong on Holiday?
A lot of artist don't want real dancehall beat, 'cause them caan dj or sing on the real shit, 'cause u caan pitch control for real producer. Tripple bounce is not dancehall, nice beat but it nuh have the dancehall ting deh weh lock stage show, weh every artist waan the riddim deh.
In studio with a real musician Clevie from Steely & Clevie we need back dancehall. Fuck this wanna be hip hop shit
It better the Jamaican producer dem did start make soca since we a one caribbean instead of makin hip flop but a so it go 2010 mi only a voice pon soca and straight dancehall, so all hip flop producer weh waan mi voice u got a month.
Posted : December 25, 2009
DAVID ISAACS (AKA BRUCE BENNETT) HAS PASSED AWAY.
David Isaacs, one of the great Jamaican voices who worked with Lee "Scratch" Perry in the late 1960s and early 1970s, and went on to release several albums between the mid-1970s and early 1980s, died in his sleep in Kingston on Tuesday December 22nd. Isaacs recorded a version of Stevie Wonder's "A Place In The Sun" in 1968 for producer Lee Perry, and this was one of the records that established Trojan Records as a major force in reggae. The song was re-recorded for Isaacs' debut album, "Place In The Sun", released in 1976. In 1979, Isaacs recorded "Just Like The Sea", in combination with deejay Jah Thomas, and released a second album, "More Love", produced by Witty Reid. In 1982, he teamed up with Winston "Niney" Holness for the album "Happy Ending", released on Dynamic Sounds, which had been preceded by the "Love & Devotion" set. Isaacs also had a spell as a member of The Itals, joining the group in 1997 after immigration hurdles kept Lloyd Ricketts from touring.
Posted : December 19, 2009
MACKA DIAMOND RETURNS TO ST MARTEEN!
After waiting more than two years, St Marteen party lovers and music fanatics finally got a chance to see dancehall artiste Macka Diamond rock the stage in what will go down in the money goddess' career as one of her most energetic performances in the Caribbean.
Rocking the more than 500-stong crowd that squeezed into the 300-person capacity Secret Nite Club in the Dutch/French colony nation with her timeless hits and modern day chart toppers alike, the top flight female act gave patrons an appearance they will not soon forget.
“The last time I was in St Marteen it was mad. I was on a show with Allison Hinds, and it was crazy!” Macka Diamond explained. “So I knew that I had to match that performance, cause the St Marteen massive love dancehall and dem love dancehall energy,” she said.
With an awesome 60-minute set prepared, an emphatic Macka Diamond, dressed in red and black, started to unravel a dancehall experience like St Marteen never had before.
Going way back in the archives for her first chart topping tune, Done Already, the ladies in the audience showed their love for Macka Diamond with screams, and chanted along with her as she spit the lyrics for the single. The love continued as she performed Tek Con, Lexxus and Benz, Chase Money, and Nuh Fren Mate.
The crowd grew even more excited when the beat of the remix of soca anthem Wukkin Up, she recorded with Patrice Roberts last year, started to play.
“Big up Patrice Roberts,” she said as she introduced the remix which sent her to the top of the soca world, and caused the well-entertained crowd to get into “wukkin” mode. From there, she hopped on the Hula Hoop train and that sent the club into greater frenzy, which remained constant through four more singles.
The voice of songwriter-turned-artiste Unicorn boomed from the club's sound system and Macka Diamond introduced the track Think Bout Mi... but she had no need to, as St Marteen proved that they knew the song word-for-word.
The dancehall artiste-cum-author ended her set with the 'female anthem', Bun Him, where she called volunteers on stage to sing the tune for her.
“I don't want to be Macka Diamond tonight. I want someone to come up here, and perform Bun Him, and mek me go in the crowd and enjoy myself,” she said, to which fans responded emphatically, and tried their hand at performing the song that still rocks crowds all over the world.
But the crowd would not leave until Macka Diamond herself performed the tune, and that she did, and ended her set as she deejayed the last chords of Bun Him, leaving St Marteen more than satisfied.
Posted : December 19, 2009
ETANA ROCKS THOUSANDS IN ST. VINCENT AND DOMINICA ON MULTI-ISLAND BLITZ!
With her newly formed band Strong Roots behind her, Reggae music's burgeoning chanteuse Etana delivered powerful performances before thousands of fans in St. Vincent and Dominica recently. These powerhouse shows were a part of Etana's extensive promotional tour, which kicked off in November. In addition to enchanting St. Vincent and Dominica with her magical presence, Etana also visited Guyana, Grenada, St. Lucia and St. Marteen on this 10-day excursion.
During these explosive performances, Etana belted out spirited renditions of her hits including "Not Afraid," "Roots," “Warrior Love," "Wrong Address," and "Jah Love" among others. And her 45-minute set wouldn't have been complete without smooth deliveries of her latest songs "August Town", "Free" and "Happy Heart," which are at the center of her promotional efforts and rapidly gathering momentum among Reggae music fans.
At both shows, the swollen audience rocked relentlessly to Etana's soul-tinged Reggae vibes. The crowd's adulation of Etana left her with a great feeling. Not only was Etana a hit -- Strong Roots was also a crowd pleaser, as they provided Etana with an impressive musical backdrop. This is just the beginning of this union, as Etana and Strong Roots are billed on a number of upcoming events in December.
"Performing before my Caribbean fans has been a warm, rewarding experience for me," says Etana. "I was especially happy that I could bring my new band with me -- as they allow me to creatively entertain my fans without boundaries."
Following the performances, Etana continued her media-heavy visits to other islands. Etana's presence was further cemented in the Caribbean market, as she interviewed with leading DJs and TV personalities. Her visits sparked quite an interest among media and fans alike, including a number of politicians. "The Strong One" also landed coverage in popular Caribbean print publications. Based on the turnout of people wherever Etana touched down, one thing was clear -- she has a massive Caribbean fan base. Over and over again, DJs and fans credited Etana with being one of Jamaica's best new artists.
This recent leg of Etana's promotional tour was very worthwhile," says Etana's manager Garfield "Chin" Bourne of Irish and Chin, Inc. "DJs and other members of the media have the potential of turning artists into stars -- not everyone grasps their pivotal role."
Posted : December 14, 2009
JUNIOR X KICKS OFF UK MEDIA BLITZ!
Reggae culture artist, Junior X a.k.a the Prince of the Battlefield kicked off his U.K. media blitz on Sunday December 6, 2009, with Sir Daddy D on SFDCRadio.com!
Speaking to the music presenter live on air, Junior spoke openly about his career, and about his newly formed management relationship with Revolutionary Entertainment, describing it as the difference between working alone, and working with a team.
The artist also told his UK fans about his US tour, the highlight of which included sharing the same stage with reggae powerhouse Tanya Stephens.
Additional revelations from the artist (not heard before), include the fact that he, Kiprich and Vybz Kartel are cousins, and come from a family of singers and entertainers. Probing his personality, Daddy D asked what type of person Junior X is behind closed doors, to which the star replied “I'm very humble in front of and behind the camera!”
Fans were given the opportunity to interact with the artist via the chat room, where they overwhelmed Junior with praises for his latest single “Gangsta Life” which speaks of the difference between listening to one's mother, and the perils of living the gangsta life. Daddy D noted that in his seven years on radio, he has never received so many requests to 'pull-up' the chune; “Junior has set the record” said the excited disk jock.
Junior X closed out the interview by stating “being an artist is not a title, but a responsibility” to which fans immediately demanded that promoters work together to bring the artist to the UK on a tour!
Source: L3 Publicity
Posted : December 12, 2009
TOP 25 REGGAE ALBUMS OF THE DECADE.
The top 25 reggae albums for this decade — which ends December — was dominated by Shaggy but other dancehall artistes ranked highly, according to a list compiled by Splash.
Topping the list was Shaggy's 2000 release Hot Shots which sold over ten million copies and was amongst the most sucessful albums of the decade. Matisyahu was second, but he also made the top 25 three times. Shaggy, Sean Paul, Sizzla, Beenie Man, UB40 and Damian Marley each made the list twice.
Music rankings are always controversial but Splash arrived at the findings, not by public opinion, but by analysing Billboard Reggae Album charts between 2000 to 2009 and ranked albums in order of weeks charted. Chart longevity indicated that the albums were not only popular but had that timeless quality as sales continued well beyond their release dates.
One caveat was that Billboard did not reflect the Jamaican pop charts, as such some breakthrough albums did not make the cut, including Vybz Kartel's Up 2 Di Time, Baby Cham's Ghetto Story, Lee Scratch Perry's 2002 Grammy winning album Jamaican ET, Richie Spice's Spice in Your Life and I-Wayne's Lava Ground. Also missing from the top 25 was Kevin Lyttle's gold-selling, self-titled album and Elephant Man's Good 2 Go which ranked 27 and 28, respectively. The charts still gave insight into top albums of the decade due to the size of the North American market and its influence on global sales.
Ranking includes:
1. Shaggy's Hotshots (MCA) which completely transcended the reggae charts and charted 84 weeks on Billboard 200 and peaked at number 1. It was produced by Jimmy Jam, Tony Kelly, Terry Lewis, Robert Livingston, Shaggy, Christopher Birch, Gordon Dukes and Shaun “Sting Int'l” Pizzonia;
2. Matisyahu's Live at Stubbs (Sony) which charted for 208 and 26 weeks on Reggae Albums and Billboard 200, respectively and was produced by Michael Caplan and Angelo Montrone;
3. Damian Marley's Half Way Tree (Motown Records) which charted 158 weeks on Reggae Albums, produced by David Cole, Stephen Marley, Damian 'Junior Gong' Marley and Kid Nyce;
4. Mr Lover Lover: The Best of Shaggy, Part 1 (Virgin) which charted 130 weeks and was produced by Lynford 'Fatta' Marshall, Jimmy Jam, Terry Lewis, Robert Livingston, Collin 'Bulbie' York, Sting International and Shaun 'Sting Int'l' Pizzonia;
5. Sean Paul's Dutty Rock (VP) which charted 105 and 85 weeks on the Reggae Albums and the Billboard 200 respectively;
6. Damian Marley's Welcome to Jamrock (Tuff Gong) which charted for 105 and 34 weeks on the Reggae Albums and the Billboard 200 respectively, produced by Stephen Marley, Damian “Junior Gong” Marley;
7. Sean Paul's The Trinity (Atlantic) which charted for 104 and 52 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Steven 'Lenky' Marsden, Jeremy Harding, Marlon Cooke, Jason 'Jigzagula Jason' Henriques, Craig Parks, Donovan 'Vendetta' Bennett, Lionel Bermingham, Delano Thomas, Elijah Wells, Dwayne 'Supa Dups”' Chin Quee, Omari Stines, Michael 'Factor' Jarrett;
8. Scrolls of the Prophet: The Best of Peter Tosh, which charted for 104 weeks and was produced by Bruce Dickinson, Clement “Coxsone” Dodd, Peter Tosh, Robbie Shakespeare;
9. Bob Marley's Gold which charted for 104 weeks it was produced by by Bob Marley, Steve Smith, Chris Blackwell, Errol Brown, Ingmar Kiang, Lee Scratch Perry, Alex Sadkin, The Wailers, Trevor Wyatt;
10. The Very Best of UB40 1980-2000, which charted for 103 weeks, produced by UB40, Ray Falconer, Howard Gray and Gerry Parchment;
11. Matisyahu's Youth (Columbia), which charted 96 and 19 weeks on the Reggae Albums and the Billboard 200 respectively. It was produced by Bill Laswell and Jimmy Douglass;
12. Beenie Man's Art and Life (Virgin), which charted for 84 and 20 weeks on the Reggae Albums and the Billboard 200, respectively, and was produced by Tony Kelly, Salaam Remi, Pharrell Williams and Chad Hugo.
13. Stephen Marley's Mind Control (Tuff Gong), which charted for 78 and 6 weeks on the Reggae Albums and Billboard 200, and was produced by Paul Fakhourie, Stephen Marley, Damian 'Junior Gong' Marley and Julian Marley;
14. Collie Buddz self-titled album (Columbia) which charted for 78 and 3 weeks on the Reggae Albums and the Billboard 200, respectively, it was produced by Tony Kelly, Screwface, Stephen McGregor, Curtis Lynch, Jr, Dwayne “Supa Dups” Quee, Collie Buddz and M. “Khan” Chin;
15. Ky-Mani Marley's Radio (AAO Music) which charted for 78 weeks. It was produced by Winston Thomas, Mark Sparks, Ky Miller, Danny Schofield 'Styles', Larry 'Kalid' Chu, Jason 'J Vibe' Farmer and Alex 'Lex' Francis;
16. The Journey: The Very Best of Sizzla (Greensleeves), which charted for 76 weeks on the Reggae Albums chart and was released in 2008;
17. Shaggy's Lucky Day (MCA), which charted for 69 and 13 weeks on the Reggae Albums and Billboard 200;
18. Skindred's Babylon (RCA), charted for 67 and 3 weeks on the Reggae Albums and the Billboard 200, respectively. It was produced by Howard Benson, Jason Bieler, Skindred.
19. UB40 Greatest Hits (Virgin) charted for 61 weeks and was produced by UB40, Charlie Skarbek, Dan Armstrong, Ray Falconer, Howard Gray, Gerry Parchment and Danny Canaan;
20. Matisyahu's No Place to Be (Epic) charted for 59 weeks and was produced by Bill Laswell, Robbie and Sly;
21. Mavado's Gangsta for Life (Hardwax) charted for 58 weeks and was produced by Johnny Wonder, Bobby 'Digital' Dixon, Dane “Fire Links” Johnson, Michael 'ZJ Liquid' Brissett, Delroy 'Delly Ranx' Foster;
22. Beenie Man's Tropical Storm (Virgin) charted for 56 and 9 weeks on the Reggae Albums and Billboard 200, respectively. It was produced by Dave Kelly, Sly Dunbar, Anthony Kelly, Matt Serletic, Irv Gotti, Stargate, The Neptunes, AC Burrell and W Passley;
23. Ziggy Marley's Dragonfly (RCA Victor), charted 55 and 8 weeks on Reggae and Billboard 200, respecitively. It was produced by Ross Hogarth, Scott Litt and Ziggy Marley;
24. Sizzla's Da Real Thing (VP), which included Thank you Mama and other classics, charted for 51 weeks. It was produced by Bobby Digital and Bobby Dixon; and
25. Buju Banton's Friends for Life (Atlantic/VP) charted for 50 and 11 weeks on the Reggae and R&B hip hop charts, produced by Dalton Browne, Clevie, Sly Dunbar, Donovan Germain, Mark Myrie, S Stewart, Steven 'Lenky' Marsden, Cleevie, Steelie, Jammy 'Jam Two' James, Cool & Dre.
Source: jamaicaobserver.com
Posted : December 12, 2009
JUKE BOXX PAYS TRIBUTE TO STEELY.
Producer Shane C Brown pays his respect to legendary producer Wycliffe 'Steely' Johnson through a musical tribute in the form of a cover of the Boops riddim made popular in the 80's by Super Cat on the title track.
Inspired by the wonderful creative talents of Steely, Shane has gathered a collection of young artistes that live in the legacy of Steelie's work including dancehall deejay Busy Signal, singer Tarrus Riley, controversial Lutan Fyah, energetic Elephant Man and rising artistes Romain Virgo, Timeka Marshall and Karl. The Boops musical tribute combines the best of Steely's now classic style with a new sound uniquely Juke Boxx. The Juke Boxx Boops tribute hits radio stations later this week.
"Steelie is among the great producers that have inspired my work, because of his remarkable ability to do both reggae and dancehall," Shane declared. "His riddim projects were distinctive and timeless with a signature style, as young producers we can learn a lot from Steelie's massive catalogue," he continued.
Steelie died on September 1, 2009 at age 47 in a New York hospital while undergoing treatment for diabetes and hypertension related complications. He was well known and highly respected as a revolutionary producer, that lead the transformation "from roots to dancehall to digital" according to the New York Times. During his career, Steelie's worked on countless productions with luminaries such as Bob Marley, Bunny Wailer, Lee 'Scratch' Perry, Coxone Dodd, King Jammy's and Bobby Digital in addition to producing seminal productions for his own label, Steely & Clevie, with partner Cleveland Browne.
The Steelie Boops Tribute is the first ever cover production from the eclectic Juke Boxx Productions label. Juke Boxx has racked up an impressive collection of chart topping tracks. The Juke Boxx style is defined by superior production values rather than genre. The broad range of hits include the controversial Gash Dem by Chuck Fender, the poignant Brooklyn and Jamaica by Morgan Heritage and the hardcore Money Changer by Mavado among many others.
Posted : December 12, 2009
CODE RED STILL PAINTING THE ROAD RED.
With Christmas only a few weeks away, we witness the launching of an added dimension to the Jamaican music industry...'CODE RED RECORDS'. This new record label spawned by the owners of the popular sound system Code Red, has just released their debut production the "Enemy Lines" riddim, captivating the airwaves in both dancehall and on radio locally and overseas.
Four songs in particular are creating a mass of arguments and controversy on internet forums worldwide. Bounty Killer's "Bore Tongue F_G" is a lyrical attack aimed at Vybz Kartel of the Gaza — his onetime protégé —, and Beenie Man his long time arch rival. In "Gaza Me Say" by Beenie Man, the Doctor step up to defend both himself and Vybz Kartel and declares his allegiance to the Gaza Empire.
Some people argue that Bounty's song is one of his best of all time, comparing it to his earlier work with Dave Kelly, while others believe that Beenie Man's counteraction utterly dismantles it line for line. Bling Dawg of the Alliance aka Bawse Dawg strengthens Bounty Killer's attack with his song "Threat, We No Mek Slide", a vicious warning to the Gaza about the repercussions of earlier statements made in songs where they've threatened violence towards the Alliance members. The Mad Cobra, one of the greatest clash djss of all time has stepped back into the arena with "Me No Trace", a song that most people on the internet believe to be mocking all three previous diss songs and dismissing them as a joke.
It seems that the enemy lines have 'clearly' been drawn and all out lyrical war has been declared. Master Lee of Code Red Records contends however, that it's all just music, and that lyrical warfare has been a staple in the Jamaican dancehall scene since its inception, “its just entertainment” he states.
Very few riddims or labels nowadays have been able to capture such a powerful all-star line up. Other than the veterans Bounty Killer, Beenie Man, Mad Cobra, the "Enemy Lines" riddim features the likes of one of Jamaica's favourite artistes of all time Sizzla Kalonji. The project also boasts the internationally acclaimed and platinum-selling TOK, the two lyrically lethal deejays Vybz Kartel and Aidonia who both choose to 'deal with the girl dem case', as well as the current dancehall phenomenons Bugle and Konshens.
As a label dedicated to cultivating upcoming talent, the project also features new sensations Congo David (from Judgment Yard) and Kabaka (from Code Red Records). Still to be released are the more radio friendly songs by songstress Aisha Davis, RDX, Andrew & Wadda Blood, Elephant Man, Tony Matterhorn and Mr. Vegas.
The camp at Code Red Records, consisting of 12 members ranging from musicians, engineers, djs and producers, to marketing personnel and street team, are pleased with this first entrance into the production game. “We are overwhelmed that we've gotten such strong support in this venture from all the artistes involved and greatly appreciate their time and effort. We look forward to an even stronger next project and making our mark amongst the best producers in the game in 2010”, says Master Lee.
Code Red Sound System has been a staple in the music industry/dancehall culture since the early 2000s. They have continually built their name and notoriety in the industry through stellar work and the flooding of the marketplace with engagements ranging from the Caribbean, the Canada, the United States and West Africa to rural Jamaica. The "Enemy Lines" riddim, marking their entrance into production, is an extremely strong first step into the arena and one which will not be soon forgotten.
Posted : December 12, 2009
CLASH, CEASEFIRE FOR STING?
Deejay Vybz Kartel is expected to clash with Bounty Killer and then execute a cease-fire handshake with Killer's protégé, Mavado, at Sting '09 but Sting promoter Isaiah Laing isn't worried.
He said that Sting is the best place to dismantle Gully/Gaza tribalism and that both deejays would be invited on stage in an early morning peace initiative.
"Hopefully Kartel, Mavado and anyone else who will like to join in the peace initiative will take the stage ... I would love to see that," Laing told Splash. "Sting is the place where the real hardcore people are and I think if it builds from there it will have great significance to see both of them together."
Kartel and Mavado have agreed to the demands for clean-up for the benefit of one and all Laing also wants the media to downplay the putative division.
"Play it down and we will get rid of it. Because if you try and play with it, it will get worse. It is not about Gully/Gaza this year. It is about Bounty and Kartel," he said of Bounty Killer who heads the Alliance whose members include Mavado. "The hype is not out for a Gully/Gaza Sting this year and I don't think people are coming out this year for that."
Laing, who is a former police officer, did not object to Prime Minister Bruce Golding and his Cabinet intervening in diffusing the lyrical feud. Critics argue that the intervention of Parliament had given certitude to the deejays lyrical bickering. They argue that it was at best a police matter. In March 2007 when Deputy Commissioner of Police Mark Shields assisted in quelling the first feud between both deejays. They shook hands and were at loggerheads again in 2008/9.
"He is the prime minister and he sees it fit. Who am I to say otherwise," he added. "The prime minister has asked for peace and we are supporting peace and we want to see everyone work together in harmony at the end of the show."
On Tuesday Dancehall entered Jamaica House. Both deejays called a truce following an emergency meeting with three Cabinet ministers and members of the Peace Management Initiative. The meeting was called to quell the bitter feud between factions aligned to the two entertainers. Gully side and Gaza are headed by Mavado and Gaza respectively.
The two deejays have claimed there was no animosity between them and that the rivalry was sparked by over-exuberant fans. The meeting also worked out a five-point plan that will see both artistes participating in a peace treaty and concert; a 'paint-out' day to remove Gaza/Gully graffiti from walls in communities and schools across the island; the creation of T-shirts bearing the image of both artistes, and doing a collaboration single.
Source: jamaicaobserver.com
Posted : December 9, 2009
BIG YARD MUSIC / SCIKRON ENTERTAINMENT PRESENTS "MAAD A ROAD" RIDDIM.
The Scikron Big yard Group has launched another executive project called 'Maad A Road'. From the realms of producer Richard 'Richie Loops' Webb, 'Maad A Road' features such artists as Christopher Martin and Mr. Easy with “Party Time”, D-Lynx with “Call Me”, Lukie D “Girls Holiday”, Red Fox “Wine Up” and the new comer on the riddim Rae Tay with “Ring My Bell”.
'Maad a Road' presents quite a camouflage style as it starts with a slow tempo then escape into a high party vibe tempo which will have listeners jamming into the holidays and beyond. Christopher Martin is complimented by vocals from Mr. Easy encouraging the fans focus on enjoying partying rather than on the stresses of life.
The rippling trio D-Lynx have been slowly gaining there exposure in the music market and have already released a few songs that have been doing well like “Diggy Dong”, “Long Story”, “Dream” and recently “Question” (on the 'Brainstorm' riddim). Lukie D strikes high showcasing high range vocals reminding ladies that it's a holiday. Rae Tay a young aspiring voice of that raspy Tina Turner embrace. As one of Jamaica's up and coming female deejays she makes sure to let her fans know they can “Ring Her Bell” and veteran artist Red Fox set to have all the ladies and gents whining to the offerings of 'Maad A Road'.
The new creation by Richie Loops improves the party lives of the avid Jamaican “party goers” especially the females for that special girls night out. 'Maad A Road' has that classic yet surreal vibe that will ensure the holiday party experience is complete.
Posted : December 9, 2009
CHUCK FENDA CHANGES HIS NAME.
On December 7, 2009, reggae recording artist Chuck Fenda returned to Jamaica from a successful stint in Antigua, the occasion saw Fenda headlining a concert at the famous Coast Night Club to a standing ovation as he brought the curtains down on a spectacular two hours set. According to Black Spider Promotions, the promoters of the event “The show was wonderful and Chuck gave an excellent account of himself performing for over two hours, his set was so well received, we are now looking to book him for another assignment in February or March next year. His 'Bad Boy' video was also premiered on K45 TV and is already ripping up the airwaves on Sun Radio, Vybz FM and Hitz FM”.
However with a blooming career spanning almost a decade including the release of his new bestseller album 'Fulfillment', Chuck Fenda has decided it's time for a transformation and has adopted a new moniker onto himself. The singer said as of now he wants to be referred to as 'The Living Fire', a name he describes as being fitting for his newly transcended persona. "People always called me 'Chucka Fenda' or 'Poor People Defenda' or 'The Living Fire' so I decided since I'm on a musical mission to rid Jamaica and the world of negativity, wickedness, corruption and evil doers, I need a name that when people hear it, them know say a judgement when them see me a come” Fenda said. “A nuh nothing new, but me a make it official now a it me a work wid, but if people still want to call me Chuck Fenda nothing nuh wrong wid that as long as them know say a righteousness we stand for” the artist added.
Meanwhile The Living Fire is scheduled to make an appearance on GT Taylor's Christmas Extravaganza on December 25th, Sting at Jamworld, Portmore on the 26th and Original Dancehall Jam Jam on December 31st. Come January 2010 the 'Gash Dem and Light Dem' singer will focus his attention on a two weeks tour of the United States making stops in Texas and California before returning to the island on January 28th.
Source: L3 Publicity
Posted : December 5, 2009
JUNIOR X'S PROMOTIONAL TOUR COMES TO A SUCCESSFUL CLOSE.
On November 14, 2009, singer and songwriter Junior X, embarked on a ten (10) day promotional tour in the United States. With the popularity of his 2002 mega hit "Plea My Cause" under his belt, the chart topping artist geared up to promote his new buzz worthy singles "The Pill" and "Gangsta Life."
Born Richard White, Junior X is no stranger to the music industry. In the early 1990's, Junior X co-wrote several songs with the hit making duo, Chaka Demus and Pliers. In 2002, he stormed the music charts and radio playlists around the world with singles "Plead My Cause," "Freedom" and "Seek Your Goal," - all of which were released on the Herbs House Entertainment Label. In mid 2009, Junior X signed a three (3) year management deal with Revolutionary Entertainment, a Delaware-based company.
Junior X kicked his tour into high gear with on air interviews with DJ Roy of IRIE Jam (93.5 FM) and DJ Kevin Crown of Linkup Radio (93.5 FM) on Saturday, November 14, 2009. He followed up with other interviews which included a pit spot at WBLS 107.5 to chat with renowned radio personality Dahved Levy, Sirius/XM Radio, Crossover TV, IRIE Jam Radio (93.5FM) with Andrew D and DJ Face, WRL/Carib Zone with Prince Kalunda, CLMTV with Clem and Culture Jam Radio with Jeff and Bobby, to name a few. Junior X was also featured in Everybody's Magazine and Whereitzat Magazine as well as popular internet sites such as Images Newsletter and Tropical Fete.
On November 23, 2009, Junior X performed to a sold out crowd at JAMROCK Magazine's premiere event, "Rock the Runway." Junior X burst on stage with an unmatched energy that had the crowd singing along to break out hit "Plead My Cause" which received a "pull up" by DJ Kevin Crown. The screams of approval from party goers fueled the singer's already high octane performance. Junior X then followed up with "The Pill." The first single from his debut album has been resting comfortably on several music charts in Jamaica, while the video receives airplay on RETV and Hype TV. With the crowd fully entranced, Junior X closed out his set with second single "Gangsta Life," also from his upcoming album. With cheers from the crowd and nods of approval from host David "Squeeze" Annakie and reggae artist Tanya Stephens, it was the perfect ending to what was dubbed a perfect performance.
Junior X recently returned to Jamaica to wrap up production of his entitled album, which is slated for release in 2010. The artist is also looking forward to performing on some major shows in Jamaica and abroad beginning in January.
Source: Triple 7 Entertainment LLC
Posted : August 19, 2009
WINSTON HUSSEY TAKES FESTIVAL SONG TITLE.
Winston Hussey is the winner of the Jamaica Festival Song 2009 competition which was hosted on Sunday 26th July 2009 at the Ranny Williams Entertainment Centre under the theme "I Believe in Jamaica". Hussey emerged from a field of nine other contestants to claim victory with his entry "Take Back Jamaica" and took home the one million dollar cash prize and a cellular phone from Digicel Jamaica Ltd, the Stage Records Trophy and a gift certificate from Cooyah.
Other prizes included "Best Performer" which was awarded to Calvin McFarlane, performer of the entry "Jamaica Nuff Niceness", who took home $300,000 and a Trophy courtesy of Tastee. An award of $40,000 from the CHASE Fund was presented to Oba Simba for being the 'Most Disciplined' finalist, while Stacia, was named the 'Most Improved' and collected $40,000 courtesy of Capital and Credit Financial Group.
A special incentive was introduced for songwriters in this year's competition and saw $100,000 presented to eight of the ten finalists who also wrote the entries they performed. All ten finalists were given gold medals and certificates which were presented by Delroy Gordon, Executive Director (Acting) of the Jamaica Cultural Development Commission (JCDC).
The other finalists included Cris Christy with "Jamrock, Land of the King", Pretty Rebel with "Persistent", Nathan with "The Vibes", Lester Lewis and Singing Rose with "I Love you Jamaica", C.C Blake with "Love a Likkle Island Yah" and past competition winner, Tinga Stewart with "Make the Best of Today". Guest performances from Busy Signal, Christopher Martin and 2008 winner Roy Rayon completed the proceedings.
Through this year's competition, the JCDC aimed to identify a song that invokes a spirit of celebration for Jamaica Festival 2009 and has relevance beyond the festive period.
Source: JCDC
Posted : August 6, 2009
DEYANSA AND RIDDIM ZONE NOMINATED FOR REGGAE AWARD.
Silver Kamel Audio recording artists 'Deyansa and Riddim Zone' have been nominated for an award in the reggae category/genre of the 'Just Plain Folks' music award show that will be held at the Wildhorse Saloon in Nashville, TN on the 29th of August 2009.
Deyansa's CD 'Holding On To Life' SKCD025 was produced and released by Silver Kamel at the end of 2005 and was 18 months in the making. Deyansa wrote the lyrics for the songs and then hooked up with fellow Jamaicans, Keith Senior and Jonathan T. Ford who created the backing tracks. The band has toured with such reggae dignitaries as Culture, Meditations, Augustus Pablo, Cutty Ranks, and even Gregory Isaacs! Giving their able support on tours that took them throughout the Caribbean, Europe and Asia.
Keith Senior and Jonathan Ford have been session musicians for Coxsone Dodd, Lee “The Upsetter” Perry, and Ms. Pottinger performing on many hit songs. They also worked on such great projects as “The Black Ark Dub” and “The Upsetters” albums. Keith is a multi-talented musician who is very comfortable in the studio no matter what instrument you place in front of him, keyboards, bass and rhythm guitar, or drums. Jonathan is an accomplished bass player and was one of the original members of the Rhythm 1000 band. Rounding off the core of Riddim Zone is Ian Joseph, a drummer with a passion who hails from the tropical islands of Trinidad & Tobago. He joined the band two years ago after touring in Asia. Listen to the tracks here: http://www.myreggaespace.com/Deyansa
The title track 'Holding On To Life' was submitted to 'Just Plain Folks' (JPF) in 2007 when the good folks over there started the award process. Apparently they must have been overwhelmed with the response, receiving over 500,000 songs from bands and musicians from all over the world! And it wasn't till June of this year, 2009, that we received the good news of our nomination. If you would like to attend the award show or find out who else was nominated and to see if you qualify to vote go here: http://www.jpfolks.com.
Posted : July 28, 2009
BERES HAMMOND GIVES TORONTO 'A MOMENT IN TIME!'.
Despite the heavy rain that didn't seem to end, Beres Hammond gave Toronto fans 'A Moment In Time' not soon to be forgotten!
Backed by his Harmony House Band, Beres delivered an incredible show to thousands and thousands of fans who weathered torrential rain to see his performance at the staging of the 19th Annual Jamaica Day celebration in Toronto, produced by iPEG and Kaya Entertainment. Performing hit songs such as "Rockaway," and "Tempted to Touch," Beres could hardly get the words out as the massive crowd delivered his every word! Also performing songs from his 2008 album 'Moment In Time,' Beres delivered songs "Feel Good" and "No Goodbye" which unified the collective 'rock' of the crowd as they danced to his incredible performance.
After the show, Beres shared that he felt good about the performance, and was happy to be able to see his Toronto fans despite the heavy rain. "I feel blessed" he said, "I'm happy we were able to perform and the fans had a good time!" In addition to Jamaica Day, Beres performed at the Big Sexy in Oshawa, Ontario the night before which saw hundreds of fans treated to an up close and personal performance. The song “Putting Up Resistance" was especially well received as Beres reminded fans that despite Life's pressures, we have to 'put up resistance.' Beres's speech and performance became a little too much for one female fan who jumped on the stage to get a personal dance with Beres. Beres's Manager and Security had to pry the lady from Beres, but not before she kissed him, and waved to the other ladies, triumphant at her closeness and saying “that's right!"
Posted : July 28, 2009
ARIF COOPER AND SANJAY MAKE THE 'RELATIONSHIPS' RIDDIM A HIT.
Arif 'SupaCoop' Cooper is at it again with another one of his righteous, laid back reggae riddim 'The Relationships', SupaCoop's latest release is the follow up to the widely popular 'Guardian Angel' riddim released only a few years ago. Though not yet formerly released, the riddim was serviced to radio this month.
'Relationships', like its name suggests, has the smooth, rock away vibe that makes it the ideal base for the love songs that occupy most of the riddim. Sanjay, who was on the previous 'Guardian Angel' riddim with the popular track, "Man Of My Word", is back carrying the same feel good vibe and lyrics with his song "Slipping Away".
"Slipping Away" describes the all too well known feeling of despair upon realising a relationship is near its end. Adding a necessary human element to Sanjay in the eyes of his listeners, it paints him as a dynamic artist who can not only display the emotional strength of a man of his word, but one that can also show his vulnerable side. He is neither afraid to express his love, nor is he afraid to speak on looming heart break.
"On this rhythm, Sanjay has once again been able to tap into real emotions of relationships, although this time on the melancholy side, just as he was able to on the 'Guardian Angel', but in a way that shows his musical growth and maturity as a vocalist and as an artist" stated producer SuperCoop.
The 'Relationships' riddim carries some big names such as Sean Paul with his "Hold My Hand", a simple, sweet song about trusting the one you love, which rides the riddim so well that they too go hand in hand. Also on the 'Relationships' riddim are the likes of Collie Budz with "Now She's Gone", J-Status featuring Shontelle with "Pieces", TOK with "Single Mom (Keep Your Head Up)", Da'Ville with "Just Another Day" along with I-Wayne with his conscious tune "What Will They Do".
The 'Relationships' riddim, which promises to be another one of Cooper's major successes, was described by Sanjay as being able to "tap into the common human emotion that tends to makes songs successful, just like 'Guardian Angel' did. It's a very good follow up".
"Slipping Away" will be the first song on the riddim to have a video début. Directed by Benjamin Harrison of Machine Man Inc, the video which was shot in Tribeca, New York is in the final stages of post production.
Posted : July 28, 2009
UNA MORGAN COMES FULL CIRCLE.
It has been a long journey for reggae songstress Una Morgan and she hopes that with her new album entitled "Just Me", that she can show her evolution in music, life, and spirituality, while continuing to uphold her family's legacy.
As the daughter of reggae veteran Denroy Morgan, Una and her siblings were guided onto a musical path at a young age. The elder Morgan encouraged his children to explore and develop their talents, helping Una discover her many gifts. As a vocalist, songwriter, and keyboardist, Una's integral contribution to the band - that would later go on to become the iconic group Morgan Heritage - helped to propel the siblings to international success.
From the gritty streets of Brooklyn NYC to the suburbs of Springfield, Massachusetts, being the product of multiple environments has helped to influence Una's eclectic musical style. While she remains connected to her roots reggae background, Una has never been afraid to venture in new directions with her sound. Influenced by vocalists such as Grace Jones, Sade, Whitney Houston, and Alicia Keys, she describes her sound as "reggae soul," a mix between reggae, pop, R&B, and hip-hop.
Despite having ten studio albums under her belt, having traveled across the world, performed for stadium-sized audiences, and having garnered much of the success and longevity that many artists can only hope for, in 2006 Una took a step back from the limelight. "I wanted to take time to recreate and develop myself physically, mentally, and spiritually." During this time she focused on building her management company, strengthening family ties, improving her physical health, and connecting with her spirituality. Yet as a true performer, Una could not sit back idly.
In early 2010, Una is set to release her debut album Just Me, her first endeavor as a solo artist. "Just Me is about life experiences, some good some bad, but it's really just about me making good inspirational music that makes people want to move." Her first single "Fight" premiered to a great reception from a critical New York crowd at a JAMROCK Magazine event, and she promises that the rest of the album will be just as well received. On this record she has worked with big name producers and writers, such as Don Corleon, Stephen McGregor, Jimmy Cozier, and Taj from the 90's group The Boys; yet Una has also returned to her hometown of Springfield to work with rising stars such as Kiana India, ME, and producer "X", in hopes that she can give these young talents the launching pad for their careers that they have been looking for.
And to address many rumors, Una ensures her fans that her solo venture is not signaling the breakup of Morgan Heritage. "We always knew that we would build as a group, use that foundation to take things to the next level, and then come back to the family." You can even find some more Morgans on the credits, with brothers Mr. Mojo and Gramps assisting in mixing and production, a true testament to the strong bond that keeps their family together.
Una Morgan has undoubtedly been blessed, but don't be fooled; Miss Morgan has not let her accomplishments go to her head. She remains humble and has made it her personal mission to use her celebrity, as well as her music, to champion issues such as health, weight management, self-esteem, and other issues plaguing women around the world. "I'm very concerned that many women today are doing things to please everyone else. We need to work on being one with the Creator first, and I hope my music can inspire women to do that."
Posted : July 22, 2009
A MOMENT IN TIME: THE 12TH ANNUAL JAMROCK REGGAEFEST UNCENSORED!
On Saturday, July 18, 2009, the 12th Annual JAMROCK Reggae Festival held at the Westchester County Center in White Plains, New York, was a sold out event. The sold out crowd of over 6000 patrons came out to see performances by Natural Blacks, Culture with Kenyatta Hill, Lenya Wilks, Marcia Griffith, Mykal Rose of Black Uhuru, John Holt, Frankie Paul and Beres Hammond. The show, which was hosted by Jeanille Bonterre (BET J, Tempo and JAMROCK Magazine) along with David "Squeeze" Annakie, CEO of LinkUp Media Inc., began promptly at 8:00 pm. Jeanille Bonterre opened the show by thanking patrons for their attendance before introducing the first performer.
Opening the show was Guyanese roots singer Natural Black who performed songs "Far From Reality" and "Never Leave You Lonely". After a quick band change and comedic entertainment by Freddy Ricks, front man for Culture, Kenyatta Hill whose father is the late Joseph "Culture" Hill, graced the stage with a burst of energy. Kenyatta performed hits "Stop the Fussing and Fighting" and "Same Situation." Thereafter, Jeanille Bonterre paid homage to radio personality Gill Bailey who was there to show his support. The performances continued with Lenya Wilks, a contestant of Digicel Rising Star. With a voice that can only be described as angelic, Lenya belted out soulful tunes that gave everyone goose bumps. Her refreshing performance was favorably noted by David "Squeeze" Annakie, who interviewed her on stage after her set.
With the crowd warmed up, ageless beauty Marcia Griffiths came on stage dressed in a lime green ensemble. As she began to perform, everyone rose to their feet and sang along to tunes such as "Feel Like Jumping", "I Shall Sing", "Land of Love" and others. Marcia surprised the audience by performing a duet with her son, who was one of her back-up singers. To conclude her set, she invited the ladies from the audience to come on stage and do the electric slide as she sang "Electric Boogie". Following Marcia Griffith's performance, the effervescent Mykal Rose of Black Uhuru blessed the stage with audience favorites such as "Guess Who's coming to Dinner" and "Sinsemillia".
While patrons were clearly enjoying the performances, it was clear that the mostly seated crowd was there to see Beres Hammond, the Lover's Rock singer. This was apparent because everyone stood to their feet accompanied by shouts throughout the venue when he made his way to the stage. The consummate performer captured a moment in time as he belted out fan favorites. His 55 minute set comprised of back to back hits including "Double Trouble", "She Loves Me Now", "One Dance", "A Moment in Time" among others. Moved by his performance, a female audience member came to the front of the stage and presented Beres with a bouquet of flowers.
Beres' performance was followed by the legendary John Holt. His set included hit tunes "Police in Helicopter", "Stick By Me" and "Ali Baba". Closing out the show at 1:30 am was none other than lover's rock maestro Frankie Paul who performed crowd favorites such as "Tidal Wave", "Sara" and "Slow".
The show ended at 2:00 am and patrons went away with a feeling of nostalgia.
Written by Stacey Bethel.
Posted : July 5, 2009
CHINEY K PRODUCTIONS RELEASES THE PEOPLE'S CRY RIDDIM.
Chiney K Productions, based out of Kingston Jamaica has spoken for the people of the world with his newest riddim called People's Cry!
Set to acoustic guitar and drumming, this soothing riddim speaks of hardships overcome, Love and the Blessings of Jah. “The riddim came about when Anthony Que and I were in the studio reasoning” said Chin. “We were talking about Life, when Anthony said 'tyad ah dih poor Life, and bam, juss like dat, we bill dih riddim!”. Konshens' new artist and protege named Dario is the one who gave the riddim it's name from his tune "The People Cry."
Artists who perform on the riddim include Anthony Que, Sizzla, Konshens, Anthony B, Fanton Mojah, Dario, Lenn Hammond, Powerman, Gia, Droop, Ginjah, Ricky General and Ricky Ticky.
Recognizing there is always new talent to be developed, and as a part of Chin's commitment to new talent development, Ammoye from Canada, Mighty Tolga from Germany and Renegod from Jamaica were also voiced. “I am so happy to be a part of this riddim complilation” said Ammoye from her home in Toronto. “I can't wait to hear fan feedback. The riddim is really beautiful!”
Mighty Tolga expressed thanks to Chin and the team at Chiney K Productions saying “This is a really big opportunity for which I am thankful.” Renegod also commented saying “it's a Blessing to be on a riddim this big, with artists like Sizzla and Anthony B. It mek mi feel proud.”
