This Gladiators albums compiled by Heartbeat Records - according to the record label now reissued in an authorized edition, after it first appeared as a French bootleg - collects some
of the rarest sides they recorded at Studio One with the legendary
Jamaican foundation producer, the late Clement 'Coxsone' Dodd, together
with some on their Studio One albums and compilations collected and better
known tunes, but these are represented with their seldom heard version
sides, in fact only their first hit "Hello Carol" is lacking at first
inspection. The Gladiators have been masters of the reggae arena since
1965. Albert Griffiths, known for his work at the legendary Studio One
with artists like Ethiopians, Burning Spear, Mighty Diamonds and John
Holt, led the group to many hits including "Freedom Train" and "Rock A Man
Soul", both cut for Lloyd Daley, and "The Race" for Randy's. However,
across the first half of the 1970s, it was Studio One that released the
bulk of the trio's recordings. Classic followed classic, as the trio
unleashed a stream of roots masterpieces. "Roots Natty", "Bongo Red", "Jah
Jah Go Before Us", and "Mr. Baldwin" were all huge hits in Jamaica. Like
the Wailers, the Gladiators vocal abilities are matched by their musical
talent, making them one of the rare Jamaican groups that actually are a
band in the true sense of the word. Thus, while every vocal group has its
own unique sound, the Gladiators created a distinct style, one that shone
forth regardless of producer.
Kicking off with
their 1969 'gals tune' "Fling It Gimme (Anywhere)" followed by the
1972 'Nyahbinhgi' take on Eric Donaldson's one year older 'Cherry Oh Baby'
"Sonia" and its version "Solas" it's clear right from the
start this album is going to be one big treat. "Dub Ina Babylon"
from 1972 is a prime example of early drum and bass style Studio One dub, showcasing the musical
abilities of the Gladiators as masters of their instruments followed by
the excellent "A Prayer To Thee and its corresponding "Version
Of Prayer" from the same year with its brilliant Clinton Fearon vocal
and vocal harmonies on the former and snatches of them on the latter. The
derogatory "Boy In Long Pants" is a brilliant tune of which the
alternate partly vocal partly instrumental "Part Two" is included
as well.
"Bongo Red" is one of the seminal and more often heard
recordings of the Gladiators at Studio One - later recut even better as
"Mix Up" for Tony Robinson in 1976, here paired with its catchy "Bongo
Version". "Beautiful Locks" is the Gladiators/Coxsone Dodd
answer version to Junior Byles' seminal Lee Perry produced "Curly Locks"
and rivals it for sheer musical and vocal power. "Sufferation
Version" is the instrumental version of the virtually unknown Noel
Campbell's "Sufferation", Noel's only recording for Coxsone Dodd (of only
three singles credited to him as far as I Know), followed by the brilliant
"Roots Natty" - later rerecorded as "Dreadlocks The Time Is Now"
and "Rearrange", the Gladiators' take on the Cables' "Baby
Why". The upful sounding yet dread warning "Mister Baldwin" and
its version "M. Baldwin Part Two" are probably much better known as
Culture's recording from the same year "Baldhead Bridge" but sounding
equally strong. "Big Boo Boo Dey" is a great 1977 tune about a girl whose eyes begin
to shine (only) when she sees money, followed by its impressive
"Version".
"Pretending" is the first of the four tunes from
three 12"s that close this absolutely intriguing collection, a brilliant
song telling a girl i don't love you anymore released in 1986,
followed by the equally magnificent "Don't Fool The Young Girls",
with its "12" Version", the Gladiators' answer version to
Sophia George's international chart topping "Girlie Girlie". "Happy
Man a.k.a. Portrait Of A Believer" in its 12" incarnation, with an
overload of then fashionable 'disco-effects' in the mix, is a masterpiece
concluding a masterpiece, as this is a collection of Studio One Gladiators
songs and instrumental versions you cannot afford to miss out on.
|