I've been playing this CD a lot the last few days.
This is a big step up from Noiseshaper's last CD,
"Signal," which had its moments, but overall
seemed rather run-on-the-mill downbeat, pleasant at times
but not leaving a whole lot to chew on afterwards.
"Rough Out There" has several cuts that rival
the boomshot "The Only Redeemer" from the first CD "Prelaunch
Sequence" of this Viennese-born duo (Axel Him and Flo Fleischmann).
My favorite is the title track,
great vibes and a conscious lyric by Michael Madden,
with an impressive delivery by vocalist Juggla.
"It's rough out there/tough out there
But still I know in my heart there is good everywhere
I know who is who an who I can trust
That's why I stay conscious
It's rough out there/tough out there
But still I know in my heart there are people who care
I fight for my right cause I know who I be
I beg you journey with me"
This track has a memorable bass line by the legendary Dennis Bovell.
The Jamaican youths passing through my house and my own kids really
latched on to "This Is Not A Gun Thing",
Juggla in a more yardie style:
"This is not a gun thing a just a fun thing."
What a great closing line:
"Talk from the heart an me lik it like thunder a niceness me unda"
The remix of Carl Douglas' "Kung Fu Fighting" is a sure-fire crowd pleaser.
I also really liked "Bushmaster," again featuring Juggla and Bovell on bass.
"Cyan get to Zion with a Bushmast, an M-16 or a revolver."
Straight up classic dub here.
Another first-rate dubby cut is "Walking", with another conscious lyric
written and delivered by Jackie Deane.
"Life is such a long walk
Blood and pain some game
Fight all the way
You must defend yourself"
There is a non-violence theme running throughout much of the album.
Another stand-out track, "Walls Of Silence",
has this memorable line:
"To the ones in the suits and all the ghetto yutes
What do we need to get a share of the fruits?"
and the chorus
"Now in a fi dis time we no want no violence
Come mek we tear down this walls of silence"
This CD has cross-over potential written all over it.
Tending towards rootsical modern international dub,
but with several cuts inflected by contemporary Jamaican music ("Ruff Like a
What"), and the odd vibesy instrumental impressionism ("Perdido").
After several listens, I still haven't found a weak cut.
A rare ting dat, in dis day.
But what I've come to expect from continental dub-inspired music,
with the triangle of Austria, Germany, and the UK putting out the
most consistently high-quality reggae-inspired but "post-Jamaican" music.
The recording studios for this project say it all about sources of
the creative fusing of Jamaican and European music:
Home, Berlin, Germany, The Elephant House, Birmingham UK and On-U Sound, London UK. Highly recommended.
|